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How Does Norman Bowker Show Idleness In Speaking Of Courage

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Douglas MacArthur, military chief for World War II, once said,”Old soldiers never die; they just fade away.” For those who survive battle and return home safely, an entirely unique battle begins: learning how to move on. Vietnam War veterans specifically felt a lack of respect and acknowledgement from their fellow citizens because of the controversial causes of the war. In the chapter “Speaking of Courage” of The Things They Carried, Tim O’Brien’s use of the symbolism of circles demonstrates the state of eternal meaninglessness and idleness that Vietnam-War-survivors like Norman Bowker experiences after returning home. In “Speaking of Courage,” O’Brien captures Norman Bowker’s failure to settle into his new life as a veteran …show more content…

After traveling around the lake several times, he pulls into the A&W to order a meal, but the only person who is able to listen to him is the intercom. After the intercom takes his order, the voice says, “‘What you really need, friend?’ Norman Bowker smiled. ‘Well,’ he said, ‘ how’d you like to hear about—’ He stopped and shook his head. ‘Hear what, man?’ ‘Nothing.’ ‘Well, hey,’ the intercom said, ‘I’m sure as fuck not going anywhere…. Go ahead, try me’” (O’Brien 146). Bowker’s conversation with the intercom represents both his inability to make real people listen to him and his resemblance to the intercom as he too is not going anywhere, but instead traveling in circles. Bowker’s hesitance in telling the intercom about the war conveys his previous experiences with those who will not listen to him, and thus his speech travels in …show more content…

While Bowker was in Vietnam, he often did not have a watch or a way to tell time, so he learned to estimate the time of day by the position of the sun. O’Brien states, “he clamped the steering wheel slightly right of center, which produced a smooth clockwise motion against the curve of the road. The chevy seemed to know its own way. The sun was lower now. Five fifty-five, he decided—six o’clock, tops” (138). In this situation, Bowker’s sense of time implies once again his life’s resemblance to a circle; on a radian clock, the hands rotate around and around the center, never changing their pattern and never traveling anywhere new. Norman Bowker, both literally and figuratively travels in an endless circle, incapable of making progress in his new life as a

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