How Does Bergman Use Mis-En Scene In Cries And Whispers

After being crushed with deep sorrow over the death of his beloved Ligeia, the narrator moves into a decaying abbey to leave behind his lonesome house. Although he leaves the exterior of the house untouched, the narrator decorates the interior with strange but lavish furniture. “The furnishings take on the shapes and colors of his fantastic dreams” as he attempts to cope with his loss (Kincheloe). This supports the idea that the narrator would rather live in his own colorful fantasy (like the inside of his house), than engage in the dark reality (as represented by the outside of the house). Losing Ligeia meant the narrator lost his fulfillment in life; which is why his reality is now gloomy and undesirable. Not only does is the furniture an example of dream imagery, the walls of the desolate house also have a dream effect. The moving images on the walls cause the house itself to seem restless and alive. The narrator imagines this because it represents himself; always on the edge of monstrosity with each changing mood. As he hallucinates on opium, his sense of reality and fantasy is put together as one. With each furnishing, a looming memory of Ligeia haunts him as he reminances her during his opium dreams.

While exploring her room, the narrator notices that “on the white ceiling… [there is] a blank space, plastered over, like the place in a face where the eye has been taken out.” (9) She

The novel “Night” by Elie Wiesel is a book that can be compared to many media or textual forms, such as novel, short stories, comics, etc., but the most suitable comparative media form was a 'film '. The film is a visual presentation of fictional or nonfictional story that gets the audiences a sense of the emotional trauma. The film, which complemented “Night” by Elie Wiesel by the similarity of themes, but a totally different plot was the film titled, “Boys Don 't Cry” Directed by: Kimberly Peirce. Both the book and Film have the great essence of to begin with, Dehumanization- human tend to physically, emotionally or sexually torture another human being, followed by, the instinctual struggle to survive- how people have overcome many hurdles of life to get a point or “SURVIVAL”, and finally, Denial of self- when one try to deny deny or restrain their personality or they lost their own identity. Therefore, it can be very well agreed to the fact that both the book “Night,” and the FILM, “Boys Don 't Cry” share a similar trauma which detriment the human behavior.

So Sasha, on a monetary loan from a concerned friend, is visiting Paris for the second time in her life. Sasha has never been able to properly afford such extravagance and takes the chance here that is given to her. When she arrives her friend has set her up in a room that Sasha describes as “dark . . . [with] red curtains.” (12) Sasha feels insulted by this and continues on to say that the room is covered in dark specs which she sees as insects and dirt. This image reflects the hopelessness of Sasha’s situation because she feels that the specs reflect her life.

The creation and consumption of films are a common favorite pastime for many people and have been for hundreds of years, but while some films can seem deceptively simple, many elements go into creating a scene, much less an entire movie. Directors use these elements which include, but are not limited to style, mood, composition and special effects to create a product that we often don’t acknowledge without looking deeper into the film. These components together are called Mise en Scène (Ebert). Of course, film can be enjoyed leisurely but there are so many more aspects of film to be explored and analyzed such as the composition of camera movement, lighting, color, sounds and music. In this case, I chose to analyze the “Redrum” scene from the renowned film, The Shining directed by Stanley Kubrick. In this scene, Danny Torrence, a five year old boy wanders around his mother’s room with a knife in hand, muttering the word “Redrum” over and over again before scrawling it across the door. I feel that a lot of this scene’s mood and style relies heavily on the camera work of the scene, the lighting and colors, and the music incorporated into the segment.

The 1998 fantasy and drama movie, What Dreams May Come incorporates many specialized film features throughout the entire film. The mise-en-scene was one notable element that caught the audience’s eye the most with its significance to the film’s story. In connection with the mise-en-scene, the element of lighting was used frequently during the movie and the various types of lighting used played an important role in the story and has expressed a lot about the overall environment and feeling of the story in the movie. Additionally, props were another element of mise-en-scene which had magical powers, and were used as metaphorical props to indicate the power behind them.

In her room, Louise sinks into a comfortable chair and looks out her window. Immediately the image of relaxation seems to strike oddly. Reading this story should

The background has areas of dark and light that may be representing a dark part of this woman's life and the light area showing awakening in this woman's soul. To me the woman in the painting is staring out into the world and realizing that there is so much out there for her. That she can walk out of there and not be lost any more. Mrs. Mallard felt the same way. In the room she realized that she can now live her life on her own the way she wants to. She walked out of the room with a sense of

The red room is the scene of the next occurrence of suffering but in a

The atmosphere of this exposition is clearly foreboding: "the dark clouds, broken chimneys, unused street, solitary cat, and dead air" all prove ominous and reflect the sordid ruling mood. Failed culture and solitary of aimless women ("a cat moved itself in and out of railing") not knowing exactly what to do about their predicaments in which

By exploring the theory of the “abject”, horror and the role of gender instability within film with regards to The Silence of the Lambs, this essay will attempt to explain the characteristics of the aestheticisation of abjection.

“I took no poetic license with ‘Schindler’s List’ because that was historical, factual documents” - Steven Spielberg. Schindler’s List, directed by Steven Spielberg, is a historically accurate portrayal of the actions carried out by Nazi businessman Oskar Schindler, who doesn't hesitate to exploit Jewish slave labour in his factory. As World War II progresses, and the motives of the Nazi party become clear, Oskar’s incentives switch from that of a profiteer to that of a saviour. Oskar is able to save a number of Jews from certain death through gassing and labour camps. In the final scene of Schindler’s List, Spielberg’s clever use of colour, mise en scene and text creates a compelling closing scene that helped to convey the horrors of the

In the third stanza there is heavy personification of the objects in her room and the moon. The room ‘it seemed, had missed her’ (10), by bringing inanimate objects to life the author draws parallels to the child missing her parent silently, silent like the items in her room. The moon has also begun to become characterized and has been framed as inconsiderate, ‘she pretended an interest in the bookcase’. This metaphor conveys how the child feels: overlooked, as if items in her room are more fascinating.

She also thinks that she sees a face in the window. As she enters the damp, musty, ill-lit cellar you can feel the suspense building. Malmar continues to use these types of images up to the conclusion of the story.

In the movie, the Babadook, the characters express their grief that never leaves. It grows as “monster” that one learns how to deal with because losing someone is never gets easier. These scenes are compared and contrasted through mise-en-scè, cinematography, and editing. This scene analysis is going relate two scenes that helps understand what one goes through after a lost. The movie has characters that help express the misery of one that doesn’t learn how to grieve in a proper manner. How one overcomes the pain and changes for the better and slowly has better days. A brighter day might not come tomorrow, but learning how to control your days come within time.