How Did Brunelleschi Influence Italian Architecture

Filippo Brunelleschi was one of the leading architects and engineers of the Italian Renaissance and is best known for his work on the Cathedral of Santa Maria del Fiore in Florence. Filippo was assigned the job of creating the dome of the cathedral of Florence. This work took a lot of his time and a good portion of his life and the challenge was enormous, no other dome that size has ever been built in that era. The dome didn't just become an architect problem, but also an engineering problem. They didn't have the type of tools we have today to get something like that built. Filippo also invented and patented the new hoisting machine for raising the masonry required for the dome (Mueller, T. 2014). You’ll see this on a lot of tall commercial

Filippo Brunchelleschi, who was born on 1377, was one of the key figures that contributed to the renaissance architecture. This Italian architect is known for building the dome in the Santa Maria del Fiore. During his early years, Brunchelleschi was coached and trained as a gold smith and sculptor. Enrolled in the Arte della Seta, this silk merchant guild, which also include goldsmith, he was designated a master goldsmith. In his early architectural years, Filippo rediscovered the principles of linear perspective that was lost during the middle ages. All his work was displayed with two painted panels of the Florentine streets and building. With this principle in place, artists were able to use two-dimensional canvases to construct three-dimensional

In the fifteenth-century, the evolution of patronage begin, since power, and money influenced the creation of great artworks. One hand it flourished the Italian architectural collections other hand, notable designers as Brunelleschi, and Donatello designed and experimented with their creations. For example, Brunelleschi creation for the Medici family, which known as the Dome of Florence Cathedral (Fig 12-12). As it has been mentioned in the book he was the founder of the dome and it was one of the Gothic inspired and cost effective creation from that time period. Artist Donatello also made a contribution in the art world in a fascinating way since his work was inspired by as it has been mentioned in the book by the classical forms which

I chose, Brunelleschi's design of the dome for Florence's cathedral. What I found was fascinating. Not only did Brunelleschi build the largest masonry dome in the world, an achievement that still holds true today, many historians and engineers are still debating over how the dome was built.

His biggest influence was most likely founding architecture as a separate and unique branch of art. This established architects as more than just laborers and helped raise their status. Architects and other artists in general received more credit for their work. Another similarly important influence Brunelleschi had was popularizing the classical style by visiting and examining the ruins of Rome. This helped repair the disintegrated reputation of Rome. This also established a new idea of beauty that was achieved through harmony, symmetry and abiding by classical rules and styles. These rules helped some artists to create individuality and to experience greater artistic freedom. Brunelleschi’s creation of new machinery was still impactful, but less so than the others. This revolutionary technology ignited a new reliance on science and technology until the point where math and the arts were inseparably intertwined. Brunelleschi’s construction of the dome of Il Duomo clearly shaped the Renaissance by raising the status of artists and architects, reviving the classical style and creating a symbiosis of the arts and

Filippo Brunelleschi was in many senses a modern day entrepreneur in the Middle Ages. He is the architect and innovator responsible for building the Santa Maria del Fiore, arguably the greatest dome ever built. In the years leading up to and during the construction of the dome, his life was surrounded by managerial aspects.

Brunelleschi was aiming to achieve to build the world's best Dome. He invented his way to success as he solved one of the greatest architectural problems. He was a man with a great ambition and has left a great legacy that even after 600 years American and European architects will follow in his footsteps. His Dome still dominates the horizon of Florence today, as it remains as a long lasting legacy to a very great architect.

He was also interested in engineering, architecture, and art. Like other craftsmen of his era, he traveled in Greece and Rome studying the great buildings of ancient times (“Flash Focus: Italy in the Renaissance,” 3). He explored buildings like the Parthenon in Greece and the Colosseum in Rome to learn from the masters of the past, rediscovering what was lost from years before, but the Dome of the Florence Cathedral was a new idea. Never before had anyone created a dome of that size using bricks, and to this day it is the largest brick dome in the world. To accomplish this, Brunelleschi had to make advances in

During all of this Brunelleschi not only built the dome in the Santa Maria del Fiore cathedral (what today is still the biggest dome in the world), but mechanical marvels of worker platforms and lifts that managed to carry workers and hundreds pounds of materials hundreds feet in the air over the course of 28 years with only a single death. This showed how Brunelleschi was a mastermind in architecture and how he revived it.

An example of the Medici support to artists involves The Dome of Santa Maria del Fiore. The dome of the chapel was built so large that no architect knew how to complete the rooftop structure and was a humiliating point in Florentine history. A contest to see who could develop a solution to complete the dome was won by a Florentine engineer named Brunelleschi, who felt he had found the solution. With the successful completion of the chapel, support from Cosimo de Medici and the holy consecration performed by the Pope, a great structure was once again a source of pride to the Florentines and the

Filippo Brunelleschi, one of these skilled artists, built a revolutionary dome during the Renaissance; the unique structure was called the Dome of Florence. Although, this dome was not like any other building that would be made during this time, for domes were considered impossible to create. In fact, no one in that time period had ever thought of building a dome shaped building. The idea to build a dome came from the Ancient Rome and Ancient Greece period; structures like this were very common in that time period. This dome was built through advanced technique and agriculture. It brought many people together as the unique structure was built, for they wanted to watch the construction of the dome and a big advancement for the future.

One of the great architects in time was Andrea Palladio, who was made famous for his magnificent Villas built in Italy in the fifteen hundreds. To do so he drew from the Greek and Roman’s architecture, studying many of their finest works, to create his masterful villas. This process would develop into a style of architecture, which became known as Palladianism. This style has inspired buildings which have dominated the landscape for the last four hundred years. These buildings include: English castles, American public buildings, Swiss railroad stations, Spanish libraries, Tuscan villas and Canadian hotels. Many of these buildings are considered to be the great buildings of the world.

His many works include the “Palazzo di Parte Guelfa,” the “Rotonda degli Angeli,” and the “Ponte a Mare at Pisa.” There is however some debate to whether Brunelleschi was responsible for the original designs for the Pitti Palace. After his death he was buried in Santa Maria del Fiore. However, his tomb was not discovered until 1972 (Lombroso 5).

B. Main-Point #2: Italian architecture has many styles including Roman, Renaissance, Baroque, and Neoclassical. It is home to many of the most famous buildings in the world, including churches, theatres and museums.

Beginning in Florence, Italy, as with much of the other aspects of the Renaissance, the variety of structures and layout would be spread through much of Europe and is still seen even today. Architecture in the revival age mimicked Gothic architecture that was once very popular and was eventually succeeded by Baroque architecture later on in the period. Emphasis was placed on the properties of symmetry, proportion, geometry, and many others that had been largely observed in Greek and Roman buildings that demonstrated such equality, such as the Parthenon. Many buildings came to completely resemble such famous sites, complete with the innovations of earlier periods (especially that of the Romans) like domes, arches with voussoirs, or columns of Doric, Ionic, and Corinthian structure, Several periods formed to characterize architecture in this time such as the Quattrocento that focused on solid rules and regulations for buildings and design. Another period was that of Mannerism which, alternatively, gave way to more experimentation and the architect’s own discretion for a project. All saw large-scale figures of Classical architecture throughout Europe. Some of the most notable architects were Filippo Brunelleschi, a forefront leader in Italy known for his invention of linear perspective with such designs as the Dome of Santa Maria