House On Mango Street Quotes

With all of the bad things going on around Esperanza, she was very optimistic and made the best of everything she could. For example, in chapter one, Esperanza explain how she and her family had always grown up poor and that they always had dreams of one day owning a big beautiful house like the ones that they saw on television. One with a back yard and a basement. When Esperanza's family was forced to move her parents had purchased the first house that they could afford so they wouldn't have to continue paying rent. The house was nothing like what they had spoke of or dreamt about. But Esperanza states, "I then knew I had to have a house. One I could point to. But this isn't it. The house on Mango Street isn't it. For the time being, Mama said. Temporary, says Papa. But I know how those things go.." Within this paragraph it shows that Esperanza isn't exactly happy about where she is living but she is going to make the best of it and do what she has to do to get out of there and have a house of her own. One that she can point to.

Ever since that faithful day they moved onto Mango Street, Esperanza has always wanted more. At a young age, she recalls moving quite a bit, and never finding a place that screams home. Her new house on Mango Street is an improvement, yet it doesn’t satisfy her. It is small and red, with tiny windows, crumbling bricks, and everyone in her family has to share a bedroom. Esperanza remembers when a nun drove by her old home on Loomis and said “You live there”, in a quite disgusted manner. She recalls feeling sheepish, as she looked up at her raggedy house and longed for it to just vanish. At this point, Esperanza wrote

Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.

In the collection of vignettes, The House on Mango Street, Sandra Cisneros develops the theme that people should not be devalued because of their financial circumstances through metaphors of classism, the motif of shame, and the contrast between minor characters Alicia and Esperanza’s mother. Esperanza, the protagonist, is a Mexican-American adolescent living in the rural Chicago region. She occupies a house on Mango Street with her father, mother, two brothers, Carlos and Kiki, and little sister, Nenny. Mango Street is filled with low-income families, like Esperanza’s, trying to adapt to their difficult circumstances. Esperanza realizes it is difficult, but she dreams of leaving her house and Mango Street altogether.

When a character is exposed to an incident in which his or her perspective is forever changed, he or she will gain knowledge and maturity. An event such as being raped is an example of how one can lose his or her innocence. The House on Mango Street leads the reader into analyzing his or her own life. It shows how Esperanza’s pure view of life has changed to become a more sophisticated and realistic one. Growing up is something that everyone, at one point or another, goes through. This loss of innocence is something that is unavoidable and irreversible. When people lose their innocence, they gain maturity and gain knowledge. When a person losing the pureness in them, they open their eyes and they are able to see the world for what it really

unprivileged with her home. Her family, on the other hand, tries to escape Mango Street

Esperanza is new to the neighborhood, and was never proud of her previous houses, but the negative intonation that the nun uses on her makes her feel like she is being judged, not on who she is, but what her family can afford. There is the place Esperanza now has to call home and the degrading presumption that the neighborhood already has causes her to accept that she can’t change her image without money and let her personality shine through. She seems to accept her label as poor in the story, “A Rice Sandwich”, where she believes the special, also known as rich, kids get to eat in the canteen and she wants to be part of that narrative, so she begs her mother for three days, to write her a note to allow her eat in the canteen. When she couldn’t endure her daughter’s nagging anymore, she complied. Thinking this would be enough affirmation, Esperanza went to school the next with the note and stood in the line with the other kids. She wasn’t recognized by the nun who checks the list, and has to face Sister Superior, who claims that she doesn’t live far enough to stay at school and asks Esperanza to show where her house is. “That one? She said, pointing to a row of ugly three -flats, the ones even the raggedy men are ashamed to go into. Yes, I nodded even though I knew that wasn’t my house,”(45). Esperanza was compared to the most raggedy men, and had to accept

Esperanza is a shy but a very bright girl. She dreams of the perfect home now, with beautiful flowers in their luscious garden and a room for everyone to live in comfortably all because of the unsatisfied face the nun made that one afternoon--when she moves to the house of Mango Street. She thinks it’s going to be a “grand house on a hill that will have a bedroom for everyone and at least three washrooms so when they took a bath they would not have to tell everybody.” (Cinceros 4) Reality is so different for her when her dream is shot down in a heartbeat when she

The House on Mango Street uses three vignettes to state that innocence shelters children from the extreme truth of the adult world. To begin, in “The First Job”, an older man unexpectedly forces himself on Esperanza: “I thought I would because he was so old and just as I was about to put my lips on his cheek, he grabs my face with both hands and kisses me hard on the mouth and doesn’t let go” (Cisneros 55). Esperanza’s innocence allowed her to kiss an old man on the cheek for his birthday because she could not imagine anything inappropriate occurring. However, the man “grabs [her] face with both hands” and “doesn’t let go”. This violent action shatters the innocence that has hidden Esperanza from the adult truth. Next, Esperanza witnesses how Tito and the boys treat Sally in “The Monkey Garden”: “One of Tito’s friends said you can’t get the keys back unless you kiss us and Sally pretended to be mad at first but she said yes” (Cisneros 96). The adult game played angers Esperanza as the boys use Sally to their advantage and Sally “[pretends] to be mad” but still willingly complies. Esperanza, unlike Sally, sees the situation as wrong because of her innocence, but when she attempts to save Sally, the boys laugh at her. Embarrassed, Esperanza is exposed to an adult type of game and now feels confused from this break in her innocence. Finally, Esperanza completely loses her innocence after being sexually assaulted at the carnival: “You’re a liar. They all lied. All the books and

Esperanza does not want to be like the other women in her town, always locked inside and the only freedom they have is a small window. Her great-grandmother was a role model, she showed Esperanza the way she did not want to

Esperanza, a strong- willed girl who dreams big despite her surroundings and restrictions, is the main character in The House on Mango Street by Sandra Cisneros. Esperanza represents the females of her poor and impoverished neighborhood who wish to change and better themselves. She desires both sexuality and autonomy of marriage, hoping to break the typical life cycle of woman in her family and neighborhood. Throughout the novel, she goes through many different changes in search of identity and maturity, seeking self-reliance and interdependence, through insecure ideas such as owning her own house, instead of seeking comfort and in one’s self. Esperanza matures as she begins to see the difference. She evolves from an insecure girl to a

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

Esperanza had always desired a new home, but realizes Mango Street will always be a part of her. “I knew then I had to have a house. A real house. One I could point to. But this isn’t it” (5). At first Esperanza wanted an escape from Mango Street, she was embarrassed of where she came from. But as she grows as a person and is exposed to devastations in other people's lives around her, she realizes something much more ugly than just the looks of Mango Street. “You must keep writing. It will keep you free, and I said yes, but at that time I didn’t know what she meant” (61). Writing kept Esperanza free, and helped her cope with her problems. Esperanza later perceives why her aunt wanted her to continue writing, because not everyone had something to set them free from Mango Street. “They will not know I have gone away to come back. For the ones who cannot out”(110). Instead of leaving to never return, Esperanza realizes the women in her community have it

There. I had to look to where she pointed- the third floor, the paint peeling, wooden bars Papa had nailed on the windows so we wouldn’t fall

Everyone has challenges in their life, their feelings behind their actions make them who they are. In the novel The House on Mango Street by Sandra Cisneros there are many conflicts which explore the characters, to get to know them closer. The internal conflict is used to discover the identity of the main character, Esperanza.