Honest Iago The poet Coleridge appropriately described the character of Iago as being one of "motiveless malignity." Throughout the play Iago’s motives are secondary to, and seem only to serve as justification for, his actions. Iago is driven by his nature of character. To discuss Coleridge’s assessment we must look at Iago’s character—from Iago’s point of view and that of the other characters—his motives, methods, and pawns. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits him; all the while he is pushing Othello, Desdemona, Roderigo, Emilia, and Cassio to their tragic end. According to Websters New International Dictionary, Second Edition, …show more content…
These fellows have some soul, and such a one do I profess myself." [Act I, Scene I, Line 49] Iago says of Cassio that "he hath a daily beauty in his life that makes me ugly" [Act V, Scene I, Line 19] Iago is aware of his lack of "social graces." However Iago does not feel ugly toward himself. He feels vindicated; "But I’ll set down the pegs that make this music, as honest as I am." [Act II, Scene I, Line 194] Ironically, Iago says of himself "yet do I hold it very stuff o’ the conscience to do no contrived murder. I lack iniquity sometimes to do me service." [Act I, Scene II, Line 2] How does Iago see others? He sees the world and other people as animalistic and ruled by their basest desires. Perhaps Iago knows this because he knows himself so well. Iago warns Brabanzio that "even now an old black ram is tupping your white ewe…you’ll have your daughter covered with a Barbary horse, you’ll have your nephews neigh to you, you’ll have coursers for cousins, and jennets for germans" [Act 1, Scene 1, Line 88 and 110] Iago describes Othello as a man ". . . will tenderly be led by the nose as asses are." [Act I, Scene III, Line 377] Iago tells Roderigo "I never found a man that know how to love himself . . . Virtue! A fig! Tis in ourselves that we are thus or thus. Our bodies are gardens, to which our wills are gardeners . . . If the balance of our lives had not one scale of reason to poise another of sensuality, the blood and baseness
In Shakespeare's tragedy, Othello, Iago is uncharacteristically honest when he says "I am not what I am". However, he is not the only character whose appearance differs from the reality. Nonetheless, he is possibly the only person who intends this duplicity. Unfortunately everyone is under the impression that Iago is "honest and just". Once alone, Iago reveals "when devils will the blackest sins put on, they do suggest at first with heavenly shows as I do now". Iago is two-faced in his relationships, even in the language he uses. After referring to Othello as a "black ram", he then tells him "my lord, you know I love you". Iago has no shame in appealing to heaven and godly images in
Yet, no matter how strong Coleridge’s view may seem, it is completely incorrect, the motive is there it just may seem to be hard to see. One thing that can be concluded about Iago is that he is not an honest man, and that Othello has mislabeled him drastically. Iago’s character through a strategic and well planned manipulation process eceive many of the other characters. He uses carefully thought out words and actions to manipulate others to do things in a way that benefits himself, while also pushing Othello, Desdemona, Roderigo, Emilia, and Cassio to their tragic death. Not only is he betraying his commander he is also using his wife,
Iago is one of the most misunderstood villains in Shakespeare literature. We side with Othello from the start because his name is on the cover of our paperback, we read Othello when learning about heroes, so we expect Iago to be a villain, a ruthless manipulator. We don’t know why, he doesn’t state it plainly or in simple English, so we assume that he’s evil, that he’s just a disgruntled sociopath out to exact his exaggerated revenge on good and noble Othello. Iago’s misunderstood reputation is a result of not truly examining his character, and answering the “why” factor behind his actions. After all, everyone is innocent until proven guilty. His goal in the play was not just to destroy Othello for the fun of it. His objective,
This next part of Iago’s character plays an equally important role in the play. An article says that a “... superb ability of Iago is that he has an acute eye for his victim's weaknesses and exploits them mercilessly.” (“Villainous Role of Iago in Othello”). Iago is able to use the characters weaknesses against them for his own selfish reasons. While the audience is aware of Iago’s plan, the other characters are oblivious to his evil
Iago is the antagonist of the play, and one of the most evil Shakespearean villains. Iago is extremely clever in the way he uses unsuspecting power- especially psychological power. He gets into people’s heads in many dishonest ways- by spreading false rumours, telling lies and psychologically tricking people and secretly controlling certain situations. His power to manipulate is a key point in the play, as it results in major consequences and the deaths of some main characters. Iago’s schemes are multi-levelled- he conspires with roderigo, and makes him believe that Desdemona will take him back. On another level, he leads Othello to believe his wife is having an affair with Cassio. He uses his wife Emilia (unknown to her), to bring back the handkerchief he uses to deceive Othello. Iago is an extremely resourceful and talented man, but he uses these resources and talents in detrimental ways. Iago is constantly referred to by numerous characters as ‘honest’. He himself also refers to honesty. Numerous characters believe that they know and trust Iago and that he would not lie, nor deceive them. Iago’s soliloquies also provide invaluable insight into his wicked mind and evil schemes and plans.
Fred West’s perspective on Iago is that he is a psychopath. He argued that Iago is an ‘accurate portrait of a psychopath’. He stated that “the psychopath does not set out to lie in the self-conscious, guilt-beset way that a normal person would. Lying does not bother him.” I agree with West’s view of Iago being a psychopath. By definition psychopaths are unable to form emotional attachments or feel real empathy with others, both of which are demonstrated by Iago during the play. Psychopath’s are often charming, they are very manipulative, just like Iago is with Othello and how he manipulates him into believing Othello’s wife has been unfaithful and can easily gain people’s trust, Iago’s ‘honest’ facade allows people to believe he is trustworthy.
To most of the world William Shakespeare is recognized as the greatest dramatist in history. His plays have been performed for centuries through various interpretations. Shakespeare's vast knowledge, and writing style made his works interesting for both the intellectual, and the illiterate. One of these styles is the use of motifs, which is seen extensively in Othello. An important example that runs throughout Othello, is Iago's honesty. This motif gave existence to Shakespeare's perfect villain.
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs
The three characters of Iago, Desdemona and Othello are gradually revealed to the audience as Act One unfolds. All three are linked to one another and talk to and about each other. Their characters unfold through their interaction with others and how they behave in isolation. The first impression formed of Iago comes from what Roderigo says. Being gullible, Roderigo has given Iago his purse. A character who accepts an offer like this is likely to be of doubtful reputation. The first words spoken by Iago are a strong oath. Already it is obvious that he has little respect for religion. Iago also sees little point in fighting purely in theory. He despises Cassio, partly because he
The class of characters Iago belongs to is common to Shakespeare, they have great intellectual activity and seem to misperceive the practical distinctions of right and wrong (Bloom 432). Throughout the play Iago manipulates everyone into doing his bidding without them knowing and shows no remorse in the end. His lack of morality appears when he continues to plan to drive Othello mad
Iago is very notorious for his villainous acts throughout the play “Othello”, by William Shakespeare. Iago’s motives drive him to manipulate and deceive other characters so his “monstrous” (I, iii, 395) plot would succeed. Iago manages to con Roderigo to take his money. Iago also tries to ruin Othello and Desdemona’s relationship by using Cassio as a bait. In this passage, Iago explains how he will manipulate Rodrigo, Cassio and, most importantly, Othello to achieve his goals.
At all points of one’s life, one has desires; what separates and defines a person is determined by how that person goes about dealing with those desires. Some believe in working honestly towards his or her aspirations and others in seizing it at any cost. Iago, the antagonist of the play Othello is one of those people who would do anything in order to get what he wishes. Because Othello names Cassio lieutenant instead of him, he begins to device a plan in vengeance to bring Othello and Cassio down, which ends up tragic for all of the major characters. Iago’s obsessive need for revenge stems from jealousy and ambition, and because he is a master manipulator, the plan goes extremely smooth for the majority of the play.
different point of view. To effectively manipulate one must know the weakness of the targeted person. Therefore, using their emotions to enable the manipulation easily. Othello is a tragedy, written by William Shakespeare in the seventeenth century. The play by William Shakespeare includes the character of Iago. Iago is the antagonist in Othello, who cleverly plans out his tactics. Viewing the character of Iago from an analytical point of view shows Iago exposing himself to be a psychopath. Iago can use the weakness of the characters to set up scenes, and earns himself the title “The Honest Iago.” Consequently, psychopaths act as pleasurable people, but in reality, they are different in private. A psychopath sees themselves as preferable and worthy of the respect of others. The complex character of Iago sees himself as being superior to Cassio and is inclined to seek vengeance on Cassio and Othello. The character of Cassio is similar to Othello since they both appear to be impeccable. In Othello, the complex character of “Honest Iago” creates a psychotropic weapon by using the vulnerability of the character’s emotional state to create the perfect tactics.
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
“It is thought abroad that the moor ‘twixt my sheets he’s done my office”/ “For I fear Cassio with my night cap too.” This goes to show that Iago is paranoid and insecure. This insecurity may be the reason he thinks of everyone in a negative light.