Historiography Historiography is a historical film theory that focuses on the assumptions, principles, and methodologies of historical study (Giannetti, 528). Giannetti divides this theoretical study into four different types of film history: aesthetic, technological, economic, and social. According to American scholar, Raymond Fielding, “the history of motion pictures—as an art form, as a medium of communication, and as an industry—has been determined principally by technological innovations” (Giannetti, 531). With time comes much technological advancement that will allow filmmakers to accurately portray what they want and give the audiences the intended experience. Technological advancements have aided in the production of The Rookie and The Natural in the sense that both films could be shown through a multitude of decadal lenses. Both films show the main characters in their childhood and how that has shaped who they are, but it also shows them in adulthood as well. The changes in time range from …show more content…
While The Natural contains many attributes from each perspective, the analysis can best be related to structuralism and semiology. Joseph Campbell mentions a good point while discussing the function of mythology by saying that, “one of the functions of mythology is to guide human spirit by providing common or universal symbols that offset that darker nature of humans” (Wood & Pincus, 22). The Natural most certainly follows this function with the underlying network of symbolic meaning along with its many symbols. Each of the metaphors discussed by Wood and Pincus can relate to the points previously mentioned in the structuralism/semiology section and their analysis includes some aspects not previously noted that would further contribute to the underlying structure, such as the ‘universal
The Enlightened Archaeologist – an article authored by Jeffrey Hantman and Gary Dunham chronicles Thomas Jefferson’s investigation of the Indian burial mound located on the South Fork of the Rivanna River in the 18th century. The site excavated by Jefferson, however, is no longer visible, most likely due to dissipation by inevitable natural occurrences (I.E. excessive rainfall, flooding rivers, etc.) or human activity such as farming. The “Father of American Archaeology” correctly predicts the latter in his book, Notes on the State of Virginia, in which he states, mounds “…put under cultivation are much reduced in their height, and spread in width, by the plough, and will probably disappear in time” (1787). Fortunately for Archaeologists of the late 20th century (1988) an Indian burial mound identical to that of the one Jefferson described in his book was uncovered just 14 miles from the South Fork of the Rivanna River.
In chapter two of The Cultures of American Film, the main focus is the establishment of studios. As demand for films rose in the early 1900’s, production companies needed to expand; this lead to the creation of large scale studios.
This paper was prepared for Introduction to Film History, Module 1 Homework Assignment, taught by Professor Stephanie Sandifer.
Motion pictures began to move from being seen as a fad to an accepted method of documenting historical events—even though some films depicting events from the war were actually re-enactments.”
In “The Essential Historiography Reader” by Caroline Hoefferle, and “The Penguin History of Europe” by J.M. Roberts, both authors write about what “modern history” is. Hoefferle, breaks down the evolution of history and how its recorded into three different periods of time. She starts with ancient history, then moves into medieval and finishes with modern history. Roberts, believes that modern history was shaped in three centuries. Both authors agree on what modern history is, but only Hoefferle really goes into detail about the transition from how history was recorded in the ancient world up until the evolution of modern history.
Film has revolutionized the world as we know it. In the current day and age film is quite advanced. You can watch movies with special effects and insane resolution there were never thought possible before. But film has not always been this way. Over the decades since around the 1900s when the first film was made there been amazing advances in technology and in acting. An examination of the past hundred or so years will show the amazing advances film has taken to come to what we know of it today.
For my summer assignment for AP U.S history I had to read the novel, A People’s History of the United States. This novel is a nonfictional literary work that was written by the American historian, playwright, and social activist named Howard Zinn. In this novel, Zinn attempts to present American history through the viewpoint of the common people rather than the conquerors and the economical and political elite. The chapters that I had to read from this book were chapters 1 through 10. The chapters were very informative and it allowed me to revisit major events in American History. Therefore; prior to reading this novel, the three events that stood out to me were the Arawak Indians that encountered Columbus, the enslavement of African Americans
Early cinema is often referred to as a progression to narrative cinema, Tom Gunning would argue that it was not a progression but had its own purpose and coined the term The Cinema of Attractions in his essay ‘Now you see it, Now you don’t’. This is the concept that a large quantity of the first film makers produced films that were more about the spectacle, most of the films leading up to 1900 reflected the fascination with technology and how things happened rather than why. Gunning noted that there were three assumptions of film; the general ideas that people had about the timeline of film and where it would end up. There is the cinematic assumption, the idea that film was ‘restricted to the technological reproduction of theatre’ (Gunning T.1993) early cinema was primitive and only a practice for what was to come. The narrative assumption is that film is ‘only important as it is a predecessor to a more engaging and effective form of film,’ (Gunning T. 1993) this suggests that narrative cinema is the natural form of film. The final assumption is the idea that ‘cinema only truly appeared when it discovered its mission of telling stories.’ (Metz C. 1974) These assumptions all encompass the idea that narrative is the end form of film. In this essay I am going to discuss Tom Gunning’s theory of The Cinema of Attractions and the differences between them and narratively driven films.
Human history has been kept alive through a variety of mediums over the centuries. Throughout much of time, stories were told verbally to younger generations while written records and artifacts enhanced the story’s authenticity. In the late 19th and early 20th century, technology revolutionized story-telling with the invention of the video camera. Rather than hearing anecdotal stories about historic events, people could now see images of events happening all over the world. In addition, motion pictures were created to present fictional and non-fictional stories for education and entertainment. The United States, and specifically Hollywood, became the center of the film industry world-wide. The widespread social and political changes which
To understanding the long, not just personal, but societal effects it is necessary to conduct a research on the history of film, and the individual effects of the exposure of it from any
Ever since its first introduction in 1893, motion pictures have become a remarkably successful medium that portray drama and arouse the audiences’ emotions. It allowed for the audience to escape from the hassles of everyday life and immerse themselves into the world of the story’s narrative. From the 1920s to the 1960s, motion pictures began to dramatically develop, building on the practices established from the previous years of film. Prior to this period, motion pictures were only silent films. In 1927 and the early 1950s, the addition of sound and color began to revolutionize film aesthetics and the industry as a whole.
A long time ago, at my first book keeping job, I was challenged with helping a recently divorced man reorganize and relocate the office portion of his business. Like most marriages she was the brains of the operation, when it came to the finances. After the split his business took a major hit due to his lack of knowledge of the office portion of the company. The man was a great deasil mechanic but not so savvy with paperwork and tracking expenses.
Film Industry has been expansively affected by the changes in technology. The mechanical and digital innovations give cause to the influence of equipment, distribution and the way in which films are made and consumed. New trends shape directors and filmmakers to expand creatively towards telling stories in motions. The film industry has developed to one of the most important tools of communication, it's cause so powerful affecting the way individuals and societies think, act and behave. Among the new Era approaching film, and seeing celluloid film fade is that of the Digital Era and a camera that saw celluloid films passing hastened.
The film industry has continuously changed since its inception due to rapid technology advancements. Camera technology has been a key factor that has influenced the growth of filmmaking. The first motion picture in the world was produced in the early 1880s, and the first public screening occurred ten years later. It didn’t take long for the quality of films to improve as new filmmaking equipment emerged. Ever since the first movie was produced, the film industry has been continuously changing in response to emerging filmmaking technology. Introduction of digital photography and digital data storage along with the development of internet significantly influenced the film industry (Barsam, 2015). These technologies contributed
The modern film industry was born around the beginning of the twentieth century. On April 23rd 1896 Thomas Edition showed the first publicly-projected motion picture at Koster and Bial's Music Hall in New York City. From there the film industry had an explosive growth rate. In fact,