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Historical Background of The Color Purple, I know why the caged bird sings, and The Awakening

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Historical Background of The Color Purple, I know why the caged bird sings, and The Awakening

In a stereotypical society, the reader expects for the protagonist of a novel to be a strong, heroic male who saves the day and gets the girl. However, in the classic works “The Awakening” (Kate Chopin), “The Color Purple” (Alice Walker), and “I Know Why the Caged Bird Sings” (Maya Angelou), a different kind of protagonist is portrayed. In these novels, the protagonist is a heroine who grows throughout the novel into a strong and independent woman. The heroines all seek to overcome a series of obstacles in the search for her identity. Even though the female characters have different individual quests, they all prove themselves and grow …show more content…

Bertha Flowers, helps promote the shy Maya’s individuality. It is a similar case in “The Awakening”, in which another woman, Mademoiselle Reisz, is responsible for the search for independence in Edna Pontellier. Edna sees how Mademoiselle Reisz lives her life for her passion, music, and Edna starts to follow her footsteps. Celie from “The Color Purple” has female figures that help her realize her potential, as well. A blues singer by the name of Shug Avery helps Celie grow into her independence. Female relationships in all of the novels provide a sanctuary for women from overbearing male figures. In “The Color Purple” and “I Know Why the Caged Bird Sings”, the quest for individuality and confidence ends happily. Celie becomes independent emotionally and financially, and Maya gets over her idea that she is ugly and becomes confident and starts a family. Edna also grows independent, but this freedom leads to her solitude after she leaves her family to seek a new relationship with another man, who in turn leaves her. The males in each novel tend to be dominant over women, expect obedience, and sometimes abusive. In “The Awakening” both main male characters, Léonce Pontellier and Robert Lebrun know that women are subservient to men. Léonce, Edna’s husband, always does what society demands, and he shows his idea that Edna is his property

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