Hero's Journey Research Paper

The Giver Hero's Journey By: Declan Ortiz. The Hero's Journey is used in most of the books that are sold today and it's mostly because of how it affects the person in their mind, like when someone likes something. The hero's journey is based on a wheel that starts with the hero becoming the hero by getting the “Call to Adventure” and he goes through the next few which are the “Mentor Helper” and others like “Test/Allies/Enemies” and eventually comes to the big bad boss at the end of the story. Like thinking about Harry Potter, he starts by getting the letter to Hogwarts. That's The Call to Adventure.

Mikhail gave the character Jeanette a harsh vocal quality. It was very realistic since Jeanette is a smoker her vocal cords would be dried out, causing tension in the larynx to create that harsh quality. Also, Mikhail used a pitch that was lower than her habitual pitch. It was impressive how Mikhail was able to keep substation that harsh quality even well singing. The rate that Mikhail said her lines were a little faster than medium, but not too fast. It was never so fast that the audience needed her to slow down, but it was faster than her habitual pace for speaking. Mikhail was able to project loudly in her character voice, so there was no problem hearing her. The problem was that Mikhail’s diction was not always the best and a couple of

Today was my first lesson in humility. Some of the elder Monks had reprimanded me for my selfish thoughts and words. This was my first transgression and thus I was taught my lesson behind closed doors.

COMPOSITION María Paula Salazar 7C Presented to: Álvaro Herrera 2017-2018          1. First what is the Hero's Journey? The Hero's Journey is a path every hero has to pass or experience. It contains 16 aspects.

So what makes a hero? What must a person have to be considered a hero? Is it his or her strength, powers, courage, morals, integrity, or knowledge? According to Joseph Campbell, a hero properly is someone who has given his or her life to something bigger than himself or other than himself. So with the help of Joseph Campbell’s Hero’s Journey theory, evidence will be given to prove why the Flash is a hero, and not a cold hearted villain like Captain Cold.

The hero’s journey is long and has many different stages that all help the reader connect to the story. The hero always starts in the “ordinary world”, which is the life he or she leads before they begin their journey, before they experience the “special world” and the life altering changes the challenge brings. In order for the hero to enter the special world he must first receive the call to action. The call to action can come in many different forms, whether it be a sudden storm or a message in a bottle. Often the hero will refuse this call to action. This may be because the hero is scared or has a sense of duty and obligation to something else. Eventually though, as the hero meets the Mentor, something or someone that gives the hero guidance,

There are 12 stages to a hero’s journey, along with the characters that go along with this journey. The first stage to a hero’s journey is called the Ordinary World. The ordinary world is what the hero is generally comfortable with. It also helps the reader connect to the Hero as it shows us where he is coming from, making us understand what drives them. The ordinary world is also disrupted by the central dramatic question which forces the hero to enter the special world, to uncomplicate the problem. The next stage is the Call to Adventure, where the Hero’s ordinary world has become compromise and a quest arises that he must take. There are times where there must be stakes to encourage taking the quest or a succession of calls. The

Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the

Ernest Hemingway poured his own traits and personal touches to his moving piece of work, and by doing this he created heart-touching original characters that will make you think deeper and darker. The novella entails a story of an Old Man going on a strenuous fishing expedition miles off the coast of Cuba for the course of three days and three nights. Sadly, the battle is lost over the Old Man losing his catch and bringing home only its bones. Over the length of the novella, the Old Man becomes enlightened by the ever-changing world around him and the crippling thoughts that haunt him. Many minor details are disclosed only to leave the readers wondering if all these details has a deeper meaning. Within the novella, Old Man and the Sea, Ernest Hemingway uses the diverse characters and events to symbolize the struggles in the life of the reality of growing-up.

This discussion will focus on whether or not the marlin and old man are representing Ernest Hemingway. By carefully looking at key research such as the novel, interviews, and resources one can come to a certain conclusion that there are historical, symbolic, and psychological connections between Hemingway, the marlin and the old man.

The nobility of character of the old man prevents him from feel hate and rancor toward the other fishermen. Despite the taunts of the other fishermen, Santiago is quiet and admits having a bad streak of luck. This makes him an honorable man, which avoids any conflict and is able to recognize his flaws as a fisherman. Although the sea has given him several bitter drinks, he is able to keeping on loving it. “A man is honest when he acts honestly, he is humble when he acts humbly, he loves when he is loving or being loved.” (Waldmeir 165). Perhaps, the crowning act of humility in Santiago is when he is forced to recognize that by his own forces he will not be enough to grab the fish, and decides to carry out prayers to the Almighty. At the end of the hunting of the big animal, Santiago does not become conceited. His simple and humble soul thanks with a prayer for the outcome of his effort. Although the fighting has been severe and bloody, the old man was not self-styled "hero”. Santiago humbly considers himself as one fisherman more, and the categorization as a hero depends on the readers. “It is the knowledge that a simple man is capable of such decency, dignity, and even heroism, and that his struggle can be seen in heroic terms, that largely distinguishes this book.” (Young 131). The evident relation between his humility and dignity helps to place Santiago as a perfect

The story of life, struggle, spirit, luck and death is all perfectly summed in the tale of Santiago, the protagonist of Ernest Hemingway’s The Old Man and the Sea. Human life is a constant struggle, and on a bigger scale the entire ecosystem could be considered a struggle. The Old Man and the Sea presents an interesting notion on conflicting human interests and emotions. Nothing could be considered just a simple matter of luck and survival, there is a strong connection between humans and nature, and that connection defines the struggle of physical and emotional survival of humans. Pride and honour are as important for the emotional survival as much as breathing

A Hemingway Hero is brave, humble, honorable, and never gives up. A Hemingway Hero lives life to the fullest and to the limit, even in the face of death. In The Old Man and the Sea by Ernest Hemingway, Santiago, the protagonist, demonstrates a true example of the Hemingway Hero. Santiago, undeterred by the fact that he has yet to catch a single fish in eighty-four days, shows great perseverance. Within the text of The Old Man and the Sea, Santiago’s reactions to certain events during his struggle prove that he is a classic Hemingway Hero.

The protagonist, Santiago, fights the elements heroically, only to lose all but the fish’s bones to sharks. This book relates to his love of nature and the outdoors and is also one of the main focus points in his writing themes. The Old Man and the Sea is characteristic of Hemingway’s fiction, featuring compressed action, and symbolism (Krstovic 2009, vol. 117). Hemingway stresses Santiago’s heroism through subtle allusions to Christ. The Old Man and the Sea is widely considered one of the most masterfully wrought tales in American fiction. The Old Man and the Sea has been viewed by people on its most basic level as a story of one man’s courage and, by extension, of all human quests and constant struggles with nature. Nature, symbolized in one form by the fish, is not a malignant force, but one that must nevertheless be respected for its power. Hemingway's use of symbols — the marlin’s sword is as long as a baseball bat, the sharks’ teeth are like human hands, Santiago’s hand, holding the fishing line, is “as tight as the gripped claws of an eagle” — highlights another theme: How all things in nature are interconnected (Malik 2015,

The largest hurdle in life can either destroy or motivate one to be their best self. Throughout Ernest Hemingway’s Old Man and the Sea novella, many obstacles fall in the way of the main character, Santiago’s path, the most prominent of which is the sea. The marlin, Santiago’s only worthy opponent, is provided by the sea, bestowing the old man a proper way to break his unlucky streak. Santiago’s unlucky streak is solely a cause of the sea, as he is a more than experienced fisherman, therefore the old man was motivated by the lack of fish to venture to the Gulf, where he inevitably hooks the marlin. The sea provides Santiago with closure from his past, aiding him to accept his youth is behind him but he is not incapable. The sea served as an unlikely protagonist by motivating Santiago to leave the safe waters of ordinary and venture further out to the dangerous yet fruitful water.