Hawai I Research Paper

Hawaiian Folk music was first documented around 1778. Hawaii began a period of acculturation, with the opening of many styles in European music, including the hymns introduced by Protestant missionary choirs. Paniolos, Spanish-speaking Mexican cowboys, were especially influential. They introduced string instruments such as the guitar, while Portuguese immigrants brought the braguinha, similar to a ukulele. In the 1880s and 90s,King David Kalakaua promoted the growth of Hawaiian culture. Throughout this period, Hawaiian music evolved into a new individual style. Hawaiian folk music includes varieties of chanting, called mele and another meant for highly dance known as hula. Traditional Hawaiian music

Music and Dance of Puerto Rico Through the years, music has changed drastically all throughout Puerto Rico. Originating from the Taíno people, music has become one of the most noteworthy exports of the small island nation. From selling instruments across the world, to exporting gifted children to further their learning in the musical art. The music of Puerto Rico has evolved in several ways throughout the years, transforming from classic to modern as the years themselves changed. Origins of Puerto Rican Music

The music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources have been Spain and West Africa, although many aspects of Puerto Rican music reflect origins elsewhere in Europe and the Caribbean and, in the last century, the USA. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially indigenous genres like bomba to recent hybrids like

“What constituted uncivilized "Indian" music, the OIA boarding school curriculums included instruction only in what it construed as "civilized," European-derived forms of music” (Troutman 44). Viewing the Native American music as being inferior and “uncivilized” is an example of racial antipathy and a close-minded way of thinking the European way is a more civilized form of music. “Western-trained ear, they may all sound very much alike, but they are, in truth, dissimilar from each other as the folk songs of Norway and Greece” (Parthun 38). To a listener who is accustomed to reading sheet music and experiencing European sounds, Native music would be tough to decipher as being intricate and having more layers such as throat singing and howls which are not written on paper, however the artist improvises to increase the intensity of the music and excite the

The music of Hawaii is an impression of what Hawaii is - a blend of various societies. Present day Hawaiian melodies are really a jumble of antiquated and current impacts. Hawaiian melodies are simply one more work of art through which the general population of Hawaii love nature. The verses of the nearby tunes are by and large about the spots of Hawaii and different things identified with the Hawaiian method for living. The early music of Hawaii is religious in nature. Fundamentally, it is made out of serenades joined by musical instruments. Since Hawaii needs metals and minerals aside from magma, individuals made utilization of the plentiful materials around them. This is the reason the early musical instruments of the Hawaiians were generally

African influence is evident in African secular and religious practices, in instruments modeled after African instruments, and in the use of musical traits associated with Africa’s ethnic groups.

In the first article they say, “Miranda worked with Hawaiian songwriter and musician Opetaia Foa’i, so the music would sound authentic.” This once again shows the dedication to making the film authentic. In addition the directors understood that music is a big part of the Polynesians culture and i’m sure the Polynesians appreciated having authentic music. A further quote from article 1 is, “They found Auli’l Cravalho, and it is her first acting job. The teen grew up in a small town and attended an all-Hawaiian school where she learned the folklore of Maui, which is one of the islands of Hawaii.”

According to Rose, within the Native American music, “No harmony is ever incorporated, although sometimes many people sing at once, and other times the vocals are solo. The Native American vocals are passionate, used to invoke spirits, ask for rain or healing, or are used to heal the sick.” Like Rose, Native American Music – The Beating of Native Drums and Flutes, agrees that the “Native American Indians worshipped the spirits of the animals, the sun, the moon and the stars and everything else that they could not explain. The songs they sang and danced to were meant to honor these spirits as stated but many of their traditional celebrations would also have re-enactments of these stories, where members of the tribe would dress up and perform ceremonial dances to the gods while they would re-enact tribal myths.” As made aware through thr exploration of what the music is, the representation is lost through study and inappropriate understanding due to westernized intuition.

Traditional music in Hawaii was not originally used for entertainment, but instead, for worship. It was not until the modern age, when Western influences began to emerge and tourists began to arrive, that the music was used as pleasure. The native music is primarily chanting accompanied by percussion. A Chant known as an oli, while a song or a piece is called a mele; there are two main types of meles. The mele oli is an unaccompanied chant sung by one person, while the mele hula is a chant which is complimented by dancing and percussion, and can be sung by multiple musicians. These songs (meles) were passed down hundreds of years through oral tradition, and Chanting in these meles can be characterized by their use of vibrato (small, rapid variations in pitch), as well as a deep vocal tone. In traditional Hawaiian culture, meles and olis

The idea of song among the majority of Native Americans is pretty short and to the point. Songs consist of short, easy to remember phrases. They aren't just for ceremonial purposes, but for everyday life as well. They are important during religious or spiritual ceremonies. During these events, however, most songs are designated a time in which they will be performed.

The Zuni Lullaby illustrates a contrast with Plains singing to assist in confirming that there is not an individual style to Native American music. Through the Native American styles of music, repetition becomes a prominent feature. This is not because the Native Americans can’t find words to fit into the music, but because repetitions with slight variations are often too insignificant for outside listeners to notice.

Music has been around for centuries. In the early ages, music started off as a beautiful melody of instrumental sounds. The beginning of surf music began the same way in the Hawaiian Islands. There is no exact date as to when Hawaiian music originally began, but we do know that they had music instruments such as shakers and drums or as they call them pahus. They would use these instruments in a melodic way in rituals and festive gatherings, before they became more associated with surf music. Surf style music of the Hawaiian islands didn’t come about until European settlers came to Hawaii in the late 17th century to late 18th century. These European settlers brought along their musical knowledge and instruments to the

“An introduction to Samoan music is an introduction to the Samoan people as a whole (Moyle, p1).” Music had a strong, complimentary presence in traditional Samoan life, and is still a powerful presence today. Although, now, the traditional means for Samoan music has evolved along with it. Traditionally, music was the medium used to tell stories, depict lifestyles, emit warning signals, and to transmit many other things for tribes inhabiting the island. Without the need for a powerful method to transfer signals with the aid of technology; modern day Samoan music has modernized and changed to focus more on the storytelling during a performance. Traditional music in Samoa was a product derived from how they lived their everyday life while blending their voices into song,

In this course we have learned about all of the different cultures and their musical traditions. My favorite so far has had to be the west African music culture. They have a variety of different music, instruments, and dances to contribute to the reasons I liked this music culture so much. So, I have taken it upon myself to further my research on this particular musical group. I will compare and contrast a variety of different videos from the west African music culture and I will analyze how they connect to this culture.

With the variety of life throughout the world, there are different expectations for musical literacy. For instance, the style of Japanese music is very different from that of Cajun music, or Hispanic from West African. These variances give each culture a particular style of expression. Music literacy isn't even confined within cultures; it also produces a way for different cultures to learn from each other. For example, western rock musicians often incorporated traditional Indian music into their style during the 1960's, which broke boundaries between different approaches to literacy.