Similarities Between Dickinson And Harriet Jacobs

In these two tales of brutal bondage, Harriet Jacobs' Incidents in the Life of a Slave Girl and Frederick Douglass' Narrative of the Life of Frederick Douglass, the modern reader can decipher two vastly different experiences from circumstances that were not altogether that dissimilar. Both narratives tell the story of a slave gaining his or her freedom from cruel masters, yes, but that is where the most prominent similarities end. Not only are they factually different, these stories are entirely distinct in their themes.

Most authors use many effective strategies in order to persuade or inform their readers of a specific topic. In this case, Harriet Jacobs uses many rhetorical strategies to highlight the significance of slavery and how most slaveholders abused their slaves with lies and physical harm. In Incidents in the Life of a Slave Girl, Harriet Jacobs uses rhetorical strategies such as rhetorical questions,vivid dictions, and euphemism to inform these white Christian women from the north about the struggles a female slave goes through. During the passage, Harriet Jacobs asks specific rhetorical questions in order to put more emphasis on her passage.

One particular aspect of Harriet Jacobs' diction in "Incidents in the Life of a Slave Girl" that I have noticed in the readings for October 4, is the pitying of Jacobs; specifically, the verbal expression of her as "poor". There were three instances I found when the term "poor" was used in relation to Jacobs. The first being where Jacobs describes her being unaware of the situation of her children's emancipation from Dr. Flint and is only able to hear a few voices discussing about it until Betty is able to tell her the true story. Betty calls Jacobs a "poor creeter" for having to wait so long about hearing of her kid's fate (88). Later, Jacobs' grandmother calls her a "poor thing" for having to drag herself from her confined hiding place

Harriet A. Jacobs Incidents in the Life of a Slave Girl: Jacobs’s construction of black female empowerment despite the limitations of slavery

The feminist movement sought to gain rights for women. Many feminist during the early nineteenth century fought for the abolition of slavery around the world. The slave narrative became a powerful feminist tool in the nineteenth century. Black and white women are fictionalized and objectified in the slave narrative. White women are idealized as pure, angelic, and chaste while black woman are idealized as exotic and contained an uncontrollable, savage sexuality. Harriet Jacobs’ Incidents in the Life of A Slave Girl, brought the sexual oppression of captive black women into the public and political arena.

Incidents in the Life of a Slave Girl by Harriet Jacobs strongly speaks to its readers by describing the brutalities of slavery and the way slave owners can destroy peaceful lives. After reading and rereading the story have noticed certain things regarding how Jacobs tries to educate her readers and her intended audience which is the women of the North. As if we do not know enough about how terrible slavery is, this story gives detailed examples of the lives of slaves and provokes an incredible amount of emotions. She uses several tactics in her writing to reach her desired audience and does so very well.

In the Incidents in the Life of a Slave Girl, Harriet Jacobs argues that her master had an undesirable obsession for her. An obsession she did not want, but could not escape. When Jacobs turned fifteen, life changed drastically; she had gained an unwanted eye of her master. Though her master was afraid to have his inappropriate behaviors and impure thoughts gossiped through town or reported to her grandmother, “he was a crafty man, and resorted to many means to accomplish his purpose” (Jacobs, 52). Despite the fact that Jacobs feared for herself, she felt as if she could not escape her unwanted fate. “My master met me at every turn, reminding me that I belonged to him, and swearing by heaven and earth the he would compel me to submit to him” (Jacobs, 53). Due to his undying

Harriet Jacobs' words in Incidents in the Life of A Slave Girl clearly suggests that the life as a slave girl is harsh and unsatisfactory. In this Composition, Jacobs is born a slave, never to be freed. She struggles through life in many instances making life seem impossible. The author's purpose is to state to the people what happened during slavery times in the point of view of a slave. Her life is so harsh that she even hides from her master for 7 years in a cramped space in the top of a shed without any room to walk. The theme of the story is a statement on how slavery was a much harder way of life than many people may have thought. Many people during these times thought that slaves were happy where they were and that their lives

Autobiographical narrative that has been written by african-american female from North Carolina by the name Harriet A Jacob, who depicts horrors of normal life of a slave, beginning her story with description of her childhood memories of her family and people who were their owners. Harriet adopts a pseudonym of Linda Brent, and assigns different from reality names to anyone important in her narrative, in order to be able to share the story of her life and probably save important to the author people since the time of publication meant, certain investigations or unwanted interest from the opposing side of the civil war. In the preface of the narrative, the author, importantly explains significance of her ability to share her story to the people of free states, in order for them to decide their future, but more interestingly she was able to set up a tone with a beginning quote, a tone of understanding the reality of the situation as a whole, a certain type of disrespect to the authorities who execute what is needed in order for the system of slavery to function. Since she begins with description of her family starting with her father who seems to be caring and responsible person, even trying to buy freedom for his children. The story of her grandmother is tragic as well, but through it we can judge the importance of family ties that Harriet was able to absorb from her relatives, especially her opportunity to live among her grandmother and

African-American culture in the US involves the cultural contributions which have been made by African Americans to the United States culture. The unique identity of African-American culture is based on the historical experience of the African American people. Darboe argues that black history influenced and continues to impact the African American experience in the US. African American experience and culture in US history has existed outside the mainstream American culture with slavery and racial discrimination major influences in the country (58). An analysis of "Incidents in the Life of a Slave Girl" by Harriet Jacobs and "The Souls of Black Folk (Excerpt)" by W. E, B. DuBois provides great insight into how African American literary tradition influenced and has been influencing African American culture in the world's history.

Imagine yourself a female slave, living a life of service on a large plantation during the early-19th century. Imagine waking every morning at dawn to begin a never-ending day of cooking, cleaning, washing, and sewing. Imagine being at the beck and call of a master who not only uses you for daily chores, but also for his personal sexual pleasure. Imagine the inexhaustible fear of his next humiliating request and the deep feelings of shame and remorse for your inability to stand up against him. Imagine lying in bed at the end of the day wishing God would carry you to heaven so you would not have to wake and experience this hell on earth all over again.

Jacobs autobiography which is known by the name of ‘Incidents in a Life of a Slave Girl’ gave a true account of the treatment that black women faced during that time and also throwing some light on a perception which has been kept in shadows from the society. While writing the story of her life, Jacobs though focused on her defeat due to obstacles like race and gender, gave voice to something which was hidden from society regardless of the presence of patriarchal society of the nineteenth century.

Shielded from the atrocities of slavery during her childhood, Jacobs depicts family life among slaves as one that remains intact in a “comfortable home” (29) through the example of her own family. Each member held limited rights along with the ability to work and the privilege to use their earnings as they pleased. It is not until the death of her mistress where she finally begins to feel the effects of slavery in the sudden separation of her family who are “all distributed among her [mistress’s] relatives” (Jacobs 33). The separation of family is one of the most integral subjects of her narrative since “motherhood [plays a great role] in her life” (Wolfe 518). Jacobs appeals to the emotions of her female audiences by contrasting a slave mother’s agonies in her separation from her children with the “happy free women” (40) whose children remain with her since “no hand” (40) has the right to take them away. The separation of families in Douglass’s narrative does call for some pity but the event is not as tragic in comparison to

The introductory line of Harriet Jacob’s preface to Incidents in the Life of a Slave Girl, “Reader, be assured this narrative is no fiction”, is short yet serving (Jacobs 224). Although brief in its nature, this statement manages to encompass two major aspects that characterize African-American literature: audience and truth. In all writing, understanding the target audience and how to arrange an argument or essay to appeal to that specific crowd is paramount. However, it is especially important for African-American authors, who typically need to expose injustices or call for social change in their works. In particular, two African-American authors who understood their audience and how to manipulate that understanding were Charles W. Chesnutt and Marcus Garvey. Although they were born only twenty-nine years apart, Chesnutt and Garvey technically wrote for different time periods. While Chesnutt’s work is associated with “Literature of the Reconstruction”, Garvey was grouped with authors and activists from the Harlem Renaissance (Gates and Smith 580 ). The separation of their literary epochs drove Chesnutt and Garvey to write for contradistinctive audiences that demanded unique written techniques and rhetorical strategies, but that both asked for utmost honesty.

The poem, “A Woman Speaks” by Audre Lorde is a both a confessional and identity poem. She is not only addressing her internal battle and self-suffering, but also discussing the societal inequities African American women were suffering in the United States. The poem’s diction, on the surface, produces a tranquil tone to the poem. This facet of tranquility in the poem is used to express how her battle against inequity will not be fought with violence or hatred, and how she is not blaming any specific party or institution for her personal suffering. She instead plans to use the power and beauty of words to communicate the flaws of the image of women, fight against injustice and racism, and alleviate her internal despair. “A Woman Speaks” by Audre Lorde is an anthem for African American women and uses vivid imagery, ancestral references, and a call to action to connect to the reader and enact a fight against the underrepresentation of African American women.