Harlem Renaissance

There were many notable events taking place in the years 1900-1940, some being Pablo Picasso painting one of the first cubist paintings is 1907 , the sinking of the Titanic in 1912 , the 18th Amendment being added to the Constitution (prohibiting the use of intoxicating liquors) and then being repealed in 1933 , the 19th Amendment guaranteeing women the right to vote in 1920 , Amelia Earhart becoming the first woman to fly across the Atlantic in 1928 , and the list continues. Undoubtedly one of the most influential of events during this time was the Harlem Renaissance. Even with its many leaders and innovators, it wouldn’t have been nearly as effective had it not been for Alain LeRoy Locke: black writer, philosopher, and teacher who influenced black artists to look to African sources for pride and inspiration. Without Locke’s contribution, the Renaissance would not have flourished as much as it did, and black pride would have taken longer to develop and accept.

The Harlem Renaissance was a time period where African American influencers of the arts found cultural identity in a white domain in the city of Harlem New York. The Harlem Renaissance is the rebirth of African American culture in the United States. The rebirth of the African American Culture was not limited to Harlem, because it also took root in other places, such as Washington DC, Chicago, and Illinois. The positive culture of the Harlem Renaissance pointed out some of the injustices African Americans were experiencing throughout the United States, and it was portrayed in their literary arts. Original leaders in the Harlem Renaissance included James Weldon Johnson. James Weldon Johnson was one of the first publishers of contemporary black poetry of the 20th century. The name of the book he published titled “The book of American Negro Poetry” was a reflection of the writings of African American poets in the 1920s. James Weldon Johnson helped revitalize African American culture through his literary works and poetry; the Harlem Renaissance continues to influence the African American culture through the literary arts, poetry, and the influence of the originators of the Harlem Renaissance.

Does High Art or Folk Art Best Express Racial Pride? The Harlem renaissance was the era black people were finally recognized for their talent and uniqueness. High art and folk art were two ways black people expressed themselves through their paintings and poetry. Folk art is the better way to express racial pride, be respected by other cultures, and be original.

Does High art of Folk art Best Express Racial Pride ? What was the Harlem Renaissance? And why was this time period such a great time to express your racial pride? In what ways did African American artists celebrate racial pride?

The Harlem Renaissance was a time for vast cultural celebration. The article “The Decade That Roared” (2014) explains that African Americans had sustained centuries of compelled slavery and the endeavor for abolition. Abolitioning slavery gave hope to many African Americans. It gave them high hopes for a new life, one lead by independence. The article says that instead, caucasian supremacy was quickly, legally, and violently restored to the New South, where ninety percent of African Americans lived. The text then says starting in about 1890, African Americans migrated to the North in great numbers. This great migration eventually relocated hundreds of thousands of African Americans from the rural South to the urban North. According to the text, many discovered they had shared common experiences in their past histories and their uncertain present circumstances. Instead of wallowing in self-pity, the recently dispossessed ignited an explosion of cultural pride. Even though the African Americans had lost their short lived sense of freedom in America, they were not about to abandon all that they had worked for. This was known as the birth of the Harlem Renaissance.

The Harlem Renaissance, which is also known as the “New Negro Movement”, was a movement that was considered to have spanned throughout history from 1918and lasted until the mid-1930s. The main reason for the migration from the north to the south resulted from the Jim Crow Laws. Most Negroes felt they would be better off in the north than in the south. However the Ku Klux Klan was renounced by the republican whites but Democratic whites maintained power in the South by denying blacks the right to exercise their civil and political rights with lynch mobs and other forms of corporal punishment.

Harlem renaissance: in the year of 1920, African Americans came up with many ways to manage discrimination with the Harlem renaissance and also jazz music to which was the best way to handle the hatred they faced. It was expressive, creative and artsy revolution that altered the U.Ss culture forevermore.

The 1920’s was a great time for African American pride in their culture though High Art or Folk Art. Folk Art during the Harlem Renaissance best expresses Racial Pride through celebrated black culture, celebrates black speech, and celebrates common man. High Art having lofty imagery, elevated language, and mastery of European poetic forms. First, Folk Art celebrates black culture because African Americans in 1920’s created The Blues, a type of genre of song that shows the struggle of African Americans in the 1920’s. For example, Langston Hughes in 1927 wrote “Homesick Blues” and “Po’ Boy Blues” showing that moving north was a struggle, how they wanted to go home, and how poor they were.

We can all agree that the Harlem Renaissance was one of the greatest and joyous milestones in African-American History. Harlem Renaissance was a time of racial pride between African-Americans and the precedents they made were proof such as the blues, their art etc., but what bothers men is that does high art or folk art best express racial pride? I believe both types of arts reflect black pride because it shows blacks as intellectually competent humans, showcases the Negros’ way to be themselves, write their own dialect and not care about other races’ opinion, it lastly demonstrates the pride of black people about their race and culture.

One of the foremost poets of the Harlem Renaissance was Langston Hughes. Many of Hughes' poems are about the act of writing poetry, justifying African-American poets' right to speak and create verse, which was denied in previous eras. The act of literacy for African-Americans was depicted as a radical, self-conscious act in Hughes' output. This is explicitly seen in Hughes' poem "Theme for English B." The poem very literally portrays a young, African-American man (presumably Hughes himself) being given an assignment by a white teacher to write about himself. The poet is forced into a paradox he is in a white-run institution, using the language of whites, and yet he must speak about himself truthfully:

The Harlem Renaissance represents the rebirth and flowering of African-American culture. Although the Harlem Renaissance was concentrated in the Harlem district of New York City, its legacy reverberated throughout the United States and even abroad, to regions with large numbers of former slaves or blacks needing to construct ethnic identities amid a dominant white culture. The primary means of cultural expression during the Harlem Renaissance were literature and poetry, although visual art, drama, and music also played a role in the development of the new, urban African-American identity. Urbanization and population migration prompted large numbers of blacks to move away from the Jim Crow south, where slavery had only transformed into institutionalized racism and political disenfranchisement. The urban enclave of Harlem enabled blacks from different parts of the south to coalescence, share experiences, and most importantly, share ideas, visions, and dreams. Therefore, the Harlem Renaissance had a huge impact in framing African-American politics, social life, and public institutions.

Harlem Renaissance, a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history. Embracing literary, musical, theatrical, and visual arts, participants sought to reconceptualize “the Negro” apart from the white stereotypes that had influenced black peoples’ relationship to their heritage and to each other. They also sought to break free of Victorian moral values and bourgeois shame about aspects of their lives that might, as seen by whites, reinforce racist beliefs. Never dominated by a particular school of thought but rather characterized by intense debate, the movement laid the groundwork for all later African American literature and had

I always found the 1920’s a very interesting decade as it went from a lively moment to a depressing and struggling one within a split second. Therefore, I believe that I learned all of the concepts pretty well. For instance, I learned about the Harlem Renaissance, the cause and effect of The Dust Bowl, and the lasting political argument of the New Deal in the United States. First of all, the Harlem Renaissance was a time period where African Americans began to embrace their roots and create art/works to reflect their experience living in US society. However, during the Great Depression many Americans were left unemployed. In addition to drastic unemployment rates, the environmental disaster, also known as the Dust Bowl, contributed to many

Have you ever have racial pride of your own race? Since 1910 and 1930 African American moves to industrialized Northern cities from the rural South. African America showed their pride by essays, arts, and, poetry. In all of which art best show racial pride high art or folk art? While high art are black artists created art that show strong and intelligent knowledge and skill to prove them to be the same as the whites, but folk art are art celebrated African American culture and the lives of everyday people. To express racial pride the best would be folk art, differ of folk art and high art, and the Harlem Renaissance.

The Harlem Renaissance and the Hip-Hop Movement are a culmination of co-related cultural art forms that have emerged out of the black experience. White people understood black people more through their expression of art during both movements. Both movements brought about a broad cross-racial following and, ironically, in both instances brought about a better understanding of the black experience for white America. The bridge between Be-Bop and Hip-Hop was made by Quincy Jones with the “Back on the Block” project; which featured such artists as Dizzie Gillespie, Miles Davis, Sarah Vaughn, Ella Fitzgerald, Tevin Campbell, Ice Tea, Big Daddy Kane, Al B Sure, Barry White and many