Happy Prince Personality

In the play by Oscar Wilde “The Importance of Being Earnest”, Wilde takes a comedic stance on a melodrama, portraying the duplicity of Victorian traditions and social values as the modernism of the twentieth century begins to emerge. The idea of the play revolves around its title of the characters discovering the importance of being earnest to their individual preferences. The author uses the traditional efforts of finding a marriage partner to illustrate the conflicting pressure of Victorian values and the changing presence of modern thought.

It has been said that ‘comedy, beginning in turmoil but ending in harmony, celebrates life.’ This relates well to ‘The Importance of Being Earnest’ where Wilde proves that this comedy of manners does conform to this model since it traces the movement from distress to happiness. In this comedy of manners there is a movement from distress to happiness, even though some characters such as Algernon do not learn any lessons and stays ‘bad’.

In the folktale “The Blue Beard” written by Charles Perrault, conforms to both Dworkin’s and Lurie’s representations of fairy tale heroines. Perrault states, “The fatal effects of curiosity, particularly female curiosity, have of course long seen the subject of report” (133). Andrea Dworkin author of “Women Hating” and Alison Lurie author of “Don’t Tell the Grown-Ups” explain their different views regarding the heroines in fairy tales.

There is nothing more precious and heartwarming than the innocence of a child. The majority of parents in society want to shield children from the bad in life which is appreciated. Within human nature exists desires of inappropriate behavior; envy, deceit, selfishness, revenge, violence, assault and murder. The most well-known fairy tales depict virtue and the evil in life. Even more important, the form and structure of fairy tales suggest images to the child by which he can structure his daydreams and with them give a better direction to his life. (Bettelheim).

Overall, the emphasis that fairy tales place on physical appearance can be very detrimental to a child (particularly a girl’s) development and ideas of reality. To add, fairy tales, although perhaps unintentionally, depict that attractiveness determines who is good and who is evil. The protagonist is often the princess, who is described as the prettiest in the land. The antagonist on the other hand is often less attractive and more than likely labeled ugly (Schussler). Because fairy tales often depict good conquering evil and evil succumbing to its immorality, this therefore shows the reader that ugly people are punished. This also can influence a girl’s self-esteem, considering that the created sense of beauty is impossible, thus they may feel inferior (Danish). Grauerholz hypothesizes that “[t]hese powerful messages that say women need to be beautiful may compel some women to seek beauty at the expense of other pursuits, such as careers or education” (Grauerholz). The exaggerated emphasis on beauty has potential to be a very limiting factor for young girls. However, the stereotypical beautiful princess is not the only gender stereotype that plagues women in the tales.

Wilde uses the conventions of comedy to criticize Victorian society; four examples of this are the use of inversion, the presentation of marriage as a business deal, the use of deception and lies and the comic conservative ending.

Angela Carter, an English writer, is best known for her feminist rewriting of classical fairy tales. In her stories she prominently uses themes, such as, virginity, the pornographic image, violence and sex, and many others. Degrading someone to the status of a mere object, in other words objectification, is a theme Angela Carter shows in many of her fairy tales, specifically the objectification of women. According to Carter, the objectification and subjugation of women is part of a “latent context” of fairy tales that she expressed simply by virtue of being a woman. Both “The Tiger’s Bride” and “The Courtship of Mr. Lyon” are fairy tales intertextually linked with “Beauty and the Beast” and show the reader Carters’ views on femininity. Not

Wilde’s novel is an obvious evidence of the pervasiveness of main values of Victorian society. According to Wilde, “Aesthetic tendencies have to be taken with prudence and have reasonable limits that imply moral responsibility.” According to the critic Alex Ross, “ Wilde’s aestheticism, his fanatical cult of beauty, was the deepest and most lasting of his passions, and it is now the most radical about him” (Ross 2011).

Today's culture is one dominated by the media. People, especially young, impressionable females, are bombarded with images of “beautiful” and “desirable” women; these “sexy” women are lacking modest clothing, wearing copious amounts of make up, and are content to be viewed as objects, particularly by members of the opposite gender. In a society where the vision of true beauty has been distorted to such an extreme, fairytales serve as a reminder of the value of a beautiful

Judging from most classic fairy tales, a prerequisite for being the heroine of the story is being incredibly beautiful. Beauty, in life as well as literature, is incredibly valued. To be beautiful is to be good and vice versa. This line of thinking is well-represented in classic fairy tales. “Cinderella” by Lin Lan is one of the best examples of how a piece of literature, as well as a society, sees the relationship between virtue and physical attractiveness. Lin Lan’s Cinderella, as with many fairy tales, believes that beauty and goodness are strongly correlated, shows this through the characters and how other characters value beauty, and represents the opposite as well: to be evil is to be ugly. This point of view shown in “Cinderella” is

Fairy tales have been told for years and have been adjusted as authors see fit to portray their particular message or create a more applicable story for a new culture or era. At times, these tales remain true to their purpose even when written in different. By specifically evaluating the purpose, moral, and characters within two versions, Brothers Grimm’s titled “Briar Rose” and Charles Perrault’s “Sleeping Beauty in the Wood,” an understanding of their relevance can be distinguished. These versions of Sleeping beauty act as one of these tales though “many…have done their best to make her story go away” (Tartar). Although written in an earlier era, Brothers Grimm’s “Briar Rose” and Charles Perrault’s “Sleeping Beauty in the Wood” work effectively on a modern teenage and young adult audience evident in the similar purpose through their tale’s distinct morals and character portrayal.

The genre of comedy, throughout the history of dramatic art has always served to not only entertain audiences, but to make them aware of their own individual flaws, or flaws that exist in society. (Weitz, E.) Comedy has no precise definition, and its boundaries are broad. One function of comedy however has remained the same - to hold up a mirror to the society of the time but through pleasure, inviting audiences to reflect and also providing amusement. Set in the late nineteenth century, the play An Ideal Husband by Oscar Wilde (1895) epitomises comedy, as both a literary and dramatic genre. Wilde was masterful in his ability to combine aspects of evolved comedic traditions and dramatic conventions to critique Victorian society. Drawing on characteristics of Greek and Roman tragicomedy, the choices in the play’s plot involves elements of tragedy as well as scenes that serve as comic relief and give the audience a sense of finality through a happy resolution. (Bureman, L) Focussing on the upper class stratum, Wilde employs a comedy of manners Molière style, of the Restoration Period in the seventeenth century in the play by combining forms of comedy with aspects of realist drama. The portrayal of archetypal figures such as Lady Chiltern and Lord Goring satirize rigid moral value of the time and expose their hypocrisies, through dialogue involving irony, wit and humour. Elements of farce and disguises characterized by ‘commedia dell’arte’, a form of comedy first developed in

In fairy tales, female characters are objects, and their value centers around their attractiveness to men. Since fairy tales rely on cultural values and societal norms to teach morals or lessons, it is evident that fairy tales define a woman’s value in a superficial way. Fairy tales teach that, typically, beauty equates to being valuable to men because of their fertility and purity; whereas, ugliness equates to being worthless and evil, including being ruined because of their lack of virginity. Descriptions readers see from fairy tales like “Rapunzel,” and “Little Snow-White” revolve around the women’s, or girl’s, physical appearance, and both stories play out to where the women remain in a state of objectification. In addition, they are damsels

Margaret Atwood’s satirical poem, “There Was Once”, aims to disrupt the generic conventions of a traditional fairy tale. Atwood begins with the traditional opening of a fairy tale by writing, “there once was a poor girl, as beautiful as she was good, who lived with her wicked stepmother in a house in the forest” (Atwood 406). Atwood begins to dissect the aspects of a fairy tale by first calling out the normal backdrop, which is a forest. Then, she points out that the girl in the story was never poor to begin with since she lived in a house. Atwood questions why the protagonist must always be beautiful, pointing out the current problems surrounding women and body image. Atwood also complains about the fact that all of the female leads in fairy tales are white, possibly alluding to Hollywood’s constant whitewashing of films. She attacks the idea that the “evil stepmother” must always be evil and be a female, pointing out that if the stepmother had to be

The audience assumes that people in the real world as lucky and benevolent as this are so becuase they worked hard and are earnest. By creating a character like this who took the easy money and built a marriage and friendships around lies, wilde has challenged the earnestness of the many victorian people because there were many poeple in a social position like robert's who may have done a similar thing to get there. In An Ideal Husband Wilde presents a view (the least flattering view presented in the play)that victorian society is viciously hypocritical. This is acheived through the characterisation of Lady Gertrude chiltern, as her ridiculously high morals (an important factor of earnestness) almost cost her her marriage.