Eight lines, eight lines is the length of the poem “We Real Cool,” but it is loaded with literary devices to help convey an underlining meaning. This poem written by Gwendolyn Brooks was published in 1960. The title is ironic because it presumes to be about a group of people and their flamboyant, cool lifestyle, but the poem explains that this lifestyle ultimately leads to a dead end. It is also interesting to note that the vowel sounds of the title and the first line go from high to middle to low. This poem describes seven pool players who skip school to do things they consider to be cool, but it ends with “We / Die soon” leaving the reader to reflect on whether living this cool lifestyle is worth it (lines 7-8). Brooks uses the techniques …show more content…
Her poem is classified as a lyrical poem because of its music-like rhythm and emotional evoking effects. Her poem is four stanzas long each with two line couplets; however, the rhyme and sentence break are in the middle of each line. This abnormal structure combined with the fact that every word is only one syllable creates a regular meter that contains three beats and a pause. This beat is lively and cheerful showing the enjoyment of the pool players, but combined with the shortness of the poem, their lives are shown to be short if they keep living this way. The pool players may be trying to live life to the fullest as though they may die tomorrow, but Brooks shows that this way of life is in the end not cool by making a reference to death. The thought of death contributes to the theme of mortality and the unique use of rhyme creates a beat that helps relay Brooks’ …show more content…
It is described in the subtitle that the seven pool players are at the Golden Shovel, which can inferred to be a pool room. Pool rooms are typically dimly lit and is ironic that this pool room is named golden which is seen as bright and symbolizes summer, youth, and daytime. It is also ironic that the pool players are described to have aimless lives, which is anything but golden. A shovel is symbolic of hard work and manual labor, but the pool players are ironically described to not be hard working. After reading the last line, shovel can be seen to be symbolic of grave digging, which exemplifies the theme of mortality. Another symbol is the number of pool players. Seven is considered a lucky number in gambling and is very likely that gambling was taking place in this pool room. The number seven also symbolizes the seven deadly sins alluding to the Bible. Brooks also intentionally makes the grammar mistake of not using the verb “are” in the title and first line. This grammatical error is symbolic of the pool players not being in school. Brooks’ use symbolism throughout her poem helps convey her message and strengthen her argument. Brooks’ poem “We Real Cool” may be a very short poem, but has an complex, enlightened meaning and purpose. This poem was published during a time of expression and confusion, but Brooks tries to guide the youth along the right path in her
The famous African American poet, Gwendolyn Brooks, grew up on the south-side of Chicago. She paved the way for many female African American woman today. In the The African American Experience textbook there is two amazing poems written by her. One is titled “The Sonnet-Ballad” and the other is titled “We Real Cool”. On the surface these two poems seem to have simple means, but if you dig under the surface there is more than meets the eye. Each poem has the three component that make a poem according to Stephen Henderson. Each poem has a theme, structure, and saturation. Each component is presented in a different way. Its presented in a way that makes the poem more affective in its message, and that is the reason why these poems are so
The poem also uses end rhyme to add a certain rhythm to the poem as a whole. And the scheme he employs: aabbc, aabd, aabbad. End rhyme, in this poem, serves to effectively pull the reader through to the end of the poem. By pairing it with lines restricted to eight syllables. The narrator creates an almost nursery-rhyme like rhythm. In his third stanza however, his last line, cutting short of eight syllables, stands with an emphatic four syllables. Again, in the last stanza, he utilizes the same technique for the last line of the poem. The narrator’s awareness of rhyme and syllable structure provides the perfect bone structure for his poem’s rhythm.
“To An Athlete Dying Young” and “Ex-Basketball Player” share the lives of two very different athletes. Both experience success in their lives, but one dies with his glory while the other lives past his days of glory and works at a gas pump where he is not recognized. The poems discuss the importance of having glory and keeping that glory as long as possible. Through the poems the readers learn the benefits of dying young as well as the consequences of living after one's glory has faded. Where Houseman glorifies the athlete for his achievements and early death, Updike portrays the disappointment of the athlete living past his days of glory and not reaching high
Gwendolyn Brooks often expressed the prejudices of being an African American in her writing. In her 1959 popular poem “We Real Cool,” published as part of “The Bean Eaters” (Layng), Gwendolyn Brooks educates readers on what often befell African American youths that chose to leave school and engage in illegal activities. The poem describes
The literary masterpiece, “To an Athlete Dying Young,” uses figurative language, sound devices, and structure to illustrate a poem
Gwendolyn Brooks is the female poet who has been most responsive to changes in the black community, particularly in the community’s vision of itself. The first African American to be awarded a Pulitzer Prize; she was considered one of America’s most distinguished poets well before the age of fifty. Known for her technical artistry, she has succeeded in forms as disparate as Italian terza rima and the blues. She has been praised for her wisdom and insight into the African Experience in America. Her works reflect both the paradises and the hells of the black people of the world. Her writing is objective, but her characters speak for themselves. Although the
During the 1900’s, society limited the rights of African Americans. Gwendolyn Brooks was a writer who experienced discrimination from the white population, and even African Americans who were fairer in complexion. She originally wrote about the oppression of African Americans, and their day-to-day struggles. Later on, she expanded her writings to include the struggles of African Americans everywhere. By the end of her life, she inspired thousands of young writers to write about things they’re passionate about. The impact Gwendolyn Brooks has on my life is incomparable to any other important figure I've studied. It's the steps that she took that made her a global leader and will impact my development as a global leader.
Whether by going to a soccer game, or even reading a wife’s poems, because everyone wants the support of their loved ones, especially while pursuing their dreams. This is a poem that cannot be taken at face value. Lockward took traditional poetic elements such as rhyme, sound, and stanzas and put a unique spin on them. Her use of rhyme doesn’t follow the “traditional” guidelines and that is very refreshing. The rhymes she uses do not leap out when read, this poem but must be carefully consider and studied, which is fantastic.
The poem progresses from mourning of the deceased to praising of his achievements and fate to die before his glory withered. Therefore, the tone shifts from somber and quiet to upbeat and positive. Such shift of tone is achieved by Housman’s use of sounds. In first two stanzas, Housman describes the funeral procession as he remembers the time when the young athlete was proudly brought home after he won a race. Then, he solaces the mourners by reminding them it is better that the athlete “slip betimes away from fields where glory does not stay” (lines 9 and 10) because the laurel “withers quicker than the rose” (line 12). The soft “s” sound stands out especially in second and third stanza and it creates a sense of calm and quiet tone and evokes an image of townspeople mourning the death of their “hero”; Consonance of “s” sounds is present in words “shoulder, set, threshold, townsman, stiller, smart, slip, betimes, fields, does, stay, grows, withers, and rose.” In addition to consonance, soft sound alliteration in “road all runners” (line 5) helps to create a quiet tone. As the poem progresses into praising of the young athlete in stanzas four through seven, the consonance of hard “c”, “t”, and “f” sound become prominent. Readers can immediately detect
The language used coincides with the player's lack of education. This is evident in the poem when we are told they "left school." We later learn that instead of attending school the players go to a pool hall. The name of the pool hall, "Golden Shovel" contributes to the theme of the poem. The golden shovel has a deeper meaning and serves as a symbol. The so called "Golden" lifestyle of the players will eventually cost them their lives. In return they will eventually be ["shoveled"] in their grave. Several of the lines in Brooks's poem begin with words that start with the same consonant letter; this is an example of alliteration. The [l] sound in lurk-late, the [str] sound in strike-straight, and the [j] sound in jazz-June. The alliteration used allows the poem to flow smoothly.
“We Real Cool," by Gwendolyn Brooks is a fervent short poem that tells a story of teenage rebellion. This poem is a formal verse ballad which uses simple sentences that create a steady meter giving the poem a catchy jazz like quality. Although the poem is short, it packs a powerful message about youth. Gwendolyn Brooks centered her works predominately around the African American consciousness. During the 1960’s when the poem was written, many teens especially young African-American men felt misunderstood and like the world was set up for them to fail. On the surface, it appears this poem is a mere description of young adults that are misjudged. The deeper message of this poem addresses the dangers of peer pressure, and its detrimental effects to self-identity because of the disconnect between society and youth of that time.
The Poem begins with a personification of death as "kindly" (3). By doing this, the speaker introduces a portrayal on death that might have conflictions. Most of the times, death has a negative connotation. Whether it is an inevitable or tragic view, it opposes to what is seen in the poem. The speaker accepts death as a friendly invitation when the time is right, rather than something that is bound to happen. The speaker then joins immortality, personified as a passenger in a carriage. Immortality simply cannot be a passenger as it is a non-living thing. The reasoning for this could be that immortality ties together the link between the speaker and death, ultimately introducing the voyage to come. The first stanza sets a precedent of a meter to follow throughout most of the poem. The first line contains eight
The poem “To an Athlete Dying Young” by A. E. Housman depicts the funeral of a young champion runner, who has died at the peak of his youth and athletic career. The poem makes note of the sorrow of a young life being cut short, but also glorifies the death of the athlete for capturing the young runner in the prime of his life. Housman’s poem was written in the form of the classical lyric poem, which could be influenced by Housman’s early tutoring in Greek and Latin lyric poetry (Holzberger 4). The poem also makes use of a four-line ballad stanza, which Housman forms into an elegy for the young runner as he reflects on the runner’s death (Holzberger 7). The use of symbols throughout the poem such as the
The poem “We Real Cool” is a very powerful poem, although expressed with very few words. To me, this poem describes the bottom line of the well known “ghetto life”. It describes the desperate and what they need, other than the usual what they want, money. Without actually telling us all about the seven young men, it does tell us about them. The poem tells of the men’s fears, their ambitions, and who they think they are, versus who they really are.
The poem is structured with 26 lines and each line is of nearly equal length. There is fluidity