In Shakespeare’s Macbeth, the title character Macbeth and his wife are both exceptionally ambitious, often taking rather radical measures to accomplish their goals. While this ruthless drive to power is seemingly prosperous at first, it quickly crumbles to naught as guilt infects their minds with grim consequences to follow. Macbeth transforms from a noble general to a guilt-ridden and despaired murderer, while Lady Macbeth’s usually stoic and masculine persona deteriorates into a pitiful and anxious shell of her former self. The feeling of remorse quickly plagues the two characters and overpowers ambition through manifesting itself through nightmares, ghosts, and paranoia, and ultimately leads to their demise.
Macbeth, initially a
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Macbeth immediately addresses the ghost by saying, “Thou canst not say I did it: never shake/ Thy gory locks on me”, thus attempting to convince the apparition that he is not to blame for this murder and therefore not guilty (3.4.63-64). At the same time, the purpose of this remark is defeated because if he was not guilty, there would be no need to explain anything to the ghost. A deadly combination of ambition and guilt poisons both Macbeth and his wife and leads to their deaths in the end. Ruined by her desire for power, Lady Macbeth’s descent into madness is more vivid and guilt seems to affect her more than her husband, even though he is responsible for more crimes. Her request to the spirits to “unsex [her] here,/ And fill [her], from the crown to the toe, top-full/ Of direst cruelty!” is contrasted as the more guilty she feels, the more weak and sensitive she become, a polar opposite of her usual masculine and bold self (1.5.44-46). As a result, she is unable to cope with the guilt and meets her ultimate demise by taking her life. This has an immediate effect on Macbeth: the almost always apparent tension of ambition and guilt disappears. He does not seem interested in living and is ready to face death in a manner more relatable to his former self rather than the murderer he has become. Moreover, Macbeth’s final remark is “Arm, arm, and out!”,
You can control guilt or guilt will drive you into madness. In the novel, Macbeth, guilt has taken over two of the main characters, Macbeth and Lady Macbeth, but each one responds to it in a different way. Their similarities and differences are quite obvious and both are driven to their actions by this feeling. It will eventually cause both of them a breakdown, affecting their behaviors and resulting them into going through a psychological incapacity.
In Macbeth ambition plays a huge role in character devolvement. Ambition affects four of the major characters. The characters are Macbeth, Lady Macbeth, Malcom, and Banquo. The sisters are the source of Ambition. It is as if they control ambition. The ambition the sisters’ control is negative ambition. Ambition is, wanting to have more then you have and wanting it now.
Shakespeare's "Macbeth" holds many hidden themes within its already exuberant plot. The first of these surrounds the murder of Duncan and the role that both Lady Macbeth and Macbeth himself played. However, the true guilt of the murder can fall on either character. Although Macbeth physically committed the crime, it was Lady Macbeth that pushed him to his limits of rational thought and essentially made fun of him to lower his esteem. With Macbeth's defenses down, it was an easy task for Lady Macbeth to influence Duncan's murder and make up an excuse as to why she could not do it herself. The guilt of Duncan's murder can be placed firmly on the head on Lady Macbeth.
After he kills Duncan, Macbeth carries all the guilt, and is too shaken by shame to continue, while Lady Macbeth either feels no guilt, or represses it, because she is able to continue the deed and frame Duncan’s guards.
Lady Macbeth’s strength of will persists through the murder of King Duncan as it is she who tries to calm Macbeth after committing the crime by declaring confidently that, “a little water clears us of this deed,” (2.2.67). Afterward, however, Lady Macbeth’s strong and ambitious character begins to deteriorate into madness. Her first sign of weakness occurred when she confessed that she could not have killed the king, revealing a natural woman’s feelings, “had he not resembled my father as he slept, I had done’t” (2.2.13-14). Just as ambition has affected her before more so then Macbeth before the crime, the guilt plagues her now more effectively afterward as she desperately tried to wash away the invisible blood from her sin, “Here’s the smell of the blood still: all the perfume of Arabia will not sweeten this little hand,” (5.1.48-49). Lady Macbeth’s
In William Shakespeare’s Macbeth the reader watches as Macbeth changes gradually as the play endures. He are transforms from a loyal person with a loving and loyal disposition with other people, into a tyrants who are willing to kill in order to keep himself on the throne. He is tormented with fear, regret, and guilt. When someone does something they know is wrong it causes them to fall prey to their own emotions.
Shakespeare wanted his audience to believe that witches and supernatural beings do exist. In Shakespeare’s Macbeth, Macbeth demonstrates to the audience that he has a lot of ambition and is driven to power. Macbeth is easily threatened and seems gullible shown by his actions of how he gets paranoid and does whatever it takes to keep his power safe. Although Macbeth does many of the actions to get where he was, he could not do it without Lady Macbeths persuasive arguments. Macbeth let Lady Macbeth tell him what to do which led to the downfall of their deaths and possibly the demonstrating to everyone that she is a witch. A guilty conscience is set throughout the play due to the actions of both Macbeth and Lady macbeth through their injustice
Macbeth is confused as he is arguing with himself on what he should do. He states reasons not to kill Duncan, because Macbeth is his noble kinsmen and the act would bring dishonor. However, he also states reason why he should kill him, because Macbeth will then become king and fulfill the witches ' fortune. Lady Macbeth, who appears in the beginning as the driving force for the murder of King Duncan, also develops internal conflict. At first, Lady Macbeth seems to be a woman of extreme confidence and will. But, as situations become more and more unstable in the play, guilt develops inside her. For instance, she exclaims; "Wash your hands. Put on your nightgown. / Look not so pale. I tell you again, Banquo 's / Burried; he cannot come out on 's grave" (Shakespeare V, ii, 65-67). Lady Macbeth sleepwalks and frets about her evil wrongdoings because she is extremely guilty of her influence on Macbeth to commit the murder. Lady Macbeth reacts emotionally and dwells on her actions as guilt eats at her soul.
In Shakespeare’s Macbeth, the theme of guilt and conscience is one of many explored throughout the play. Macbeth, is a well respected Scottish noble who in the beginning of the play is a man everyone looks up to; however as the play progresses he makes a number of bad decisions. Eventually, as a result of his actions he suffers guilt and this plays heavily upon his character until his personality is completely destroyed. Shakespeare uses a range of techniques in order to develop this theme such as, characters, imagery.
The play Macbeth written by William Shakespeare is based upon old Scotland and this is used as the general time frame. During this time, Monarchy still existed and Scotland is in war with Whales. There are many emotions that arise throughout the play, but the most important of all is ambition. “Ambition is the desire for personal achievement. Ambitious persons seek to be the best at what they choose to do for attainment, power, or superiority” (“Ambition”). The motif of ambition in the play is that being ambitious leaves one blind to certain areas and can drive one insane to reach the intended goal. Numerous characters that showed this trait throughout the play were Banquo, Macduff, Lady Macbeth, and Macbeth.
As the late English poet William Shakespeare said, “suspicion always haunts the guilty mind.” In other words, the fear of getting caught is always a persistent thought in the mind of someone who is guilty. William Shakespeare and Edgar Allan Poe both utilize literary devices to portray the theme of guilt in their stories and to show how a guilty conscience can lead to insanity.
The story “The Tragedy Of Macbeth” also called The Scottish Play was written in 1606, by William Shakespeare. The story takes place in Scotland where King Duncan is in charge the country. Macbeth who is the Thames of Glamis, will go on an adventure to take leadership of the country of Scotland, while he also battles with his personal insanity along the way. Macbeth will eventually be King of Scotland and have a miserable reign due to his guilt, inadequacy and tyranny.
Macbeth, a tragedy written by William Shakespeare and edited by Maynard Mack and Robert Boynton, displays the many ways in which guilt manifests itself and the effects it has on its victims. Throughout the play, characters including Lady Macbeth are deeply affected by guilt in ways they had never expected. Macbeth takes its audience on a journey through the process in which guilty gradually eats away at Lady Macbeth and forces her to do what she thinks is best. Though Lady Macbeth may have initially seemed unaffected by the murders she had been involved in, her desires eventually faded and were replaced with an invincible feeling of guilt which eventually took her life.
After the murder of Duncan, he delivers the bloody daggers to Lady Macbeth which in a way surprises her, and she ends up leaving them next to the guards, which makes it look like they were responsible for the murder of the loyal king Duncan. Throughout the play, Lady Macbeth begins going crazy, constantly crying about the “blood” on her hands that will not come off. The blood symbolizes the guilt that she is encountering because she cannot clean her soul of what she has done, and even the doctor doesn't understand what is going on with her, they just think she is crazy. A few acts later it gets to the point where she eventually commits suicide, just because she was unable to deal with the guilt. (The Theme of Guilt). Several quotes throughout this play can help relate to the destruction that guilt causes. “Out, damned spot! Out, I say! – One: two: why, then, 'tis time to do't, – Hell is murky! – Fie, my lord, fie! A soldier, and afeard? What need we fear who knows it, when none can call our power to account? – Yet who would have thought the old man to have had so much blood in him?” (Macbeth, act 5 scene 1). This quote is showing Lady Macbeth being entrapped by the guilt of the murder, which causes her to sleep walk and talk about it in a sort of dull way every night. “But screw your courage to the sticking place, And we'll not fail.” (Lady Macbeth, act 1 scene 7). Another quote by Lady Macbeth when she wanted Macbeth to continue on
Macbeth is one of William Shakespeare’s most powerful and emotionally intense plays. Macbeth, once known for his courage and bravery is transformed into a ruthless tyrant. His wife, Lady Macbeth, once known for her strength and great ambition is soon engulfed by guilt and sensitivity greatly weakens her. As the tragic hero Macbeth is overcome by tensions in his criminal act and the reactions by his conscience (Nix).