Growing Up In Plato's Republic

Plato characterizes the people who leave the cave as “enlightened”, and the “enlightened” one that makes a mission to enlighten others is symbolic for a philosopher. King is the philosopher in relation to “The Allegory of the Cave” because he seeks to “ create a tension in the mind so that individuals could rise form the bondage of myths and half truths” (King 81) the same way the enlightened one tries to “free another and lead him up to the light”(Plato). King plans to remove the figurative shackles of the men in the cave, being the Negro citizens, and lead them to the light, which is rebuking racism. King yearns to help men “rise from the dark depths of prejudice and racisms to the majestic heights of understanding and brotherhood”(King 81). The clergymen are the men in front of the fire who present the reality for the shackled men, figuratively the shadows but literally the court. The clergymen want to use the court as a mechanism for the men inside to follow; the court is symbolic for the shadows. King hopes to break off the shackles form the men inside of the cave by letting them know that the court is a false reality, and all

The prisoners have been in these conditions since their earliest stages of life. The cave, the wall, and the chains are all the prisoners have ever known. Behind the prisoners, there was a raised path. Above the walkway was a platform, where there was a fire burning, and in front of the fire, was a parapet, which as Plato described it , was like that of the screens Puppeteers use to hide themselves and have the puppets be visible . Each and every day, the prisoners see nothing, but the shadows of the objects and people passing between them and the fire. For their entire lives, the prisoners are exposed to nothing but those images and the sounds made by those walking around. These shadows are all they have ever known, in essence; these shadows are their only “reality”. As time passed, the prisoners would grow accustomed to these sights, later on the prisoners would match the objects with names and the familiar sounds to the images of the shadows (514; Appendix A). In discussing the allegory with Glaucon, Socrates toys around the concept of what could happen to a prisoner should they be released after having lived their lives in the cave, with the only knowledge the possess of the world, are the images and sounds by the wall.

“The Allegory of the Cave “is a theory put forward by Plato concerning human perception. People who are unenlightened have limited self- knowledge as this is illustrated by the three prisoners who live in a darkened cave without ever questioning what may exist outside their dwellings. The prisoners are chained in a particular way such that they can only see the wall they are facing. Emerging from the wall are passerby shadows created by the effect of the fire and the people walking with various objects behind them. To the restrained prisoners, the shadows are what encompassed their reality therefore making their lives a complete illusion. As a result, Plato distinguishes between people who mistake

In Plato’s essay, “Allegory of The Cave” Plato creates a story about three prisoners in a cave, through this he further makes his point that without knowledge our view of the truth is askew. Plato explains that the three hostages have been shackled in the dark cave their whole lives unable to see the real world. The only piece of actuality they can see are shadows of people crossing in front of the opening of the cave. These figures can drive anyone insane without having any real truth to what the images could be. Without any awareness of the real world just outside of the cave they are forced to adapt and therefore accept their own reality. Plato goes on to say that, “the truth would be literally nothing but the shadows of the images” (122). The obscurities are significant because they are the only apprehension the prisoners have, they have nothing to compare it to. The actuality of it to the captives is something other than the truth would be outside of the cave. The forms on the wall are only just shadows, but to them that is everything they have ever known. Plato through his legend portrays

Human beings living in an underground den, which has a mouth open towards the light and reaching all along the den; here they have been from their childhood, and have their legs and neck chained so they cannot move, and can only see in front of them, being prevented by the chains from turning round their heads. Above and behind them a fire is blazing at a distance, and between the fire and the prisoners is raised a way; and you will see, if you look, a low wall built along the way, like the screen which marionette players have in front of them, over which they show the puppets.

In the Republic of Plato, the philosopher Socrates lays out his notion of the good, and draws the conclusion that virtue must be attained before one can be good. For Socrates there are two kinds of virtue; collective and individual. Collective virtue is virtue as whole, or the virtues of the city. Individual virtue pertains to the individual himself, and concerns the acts that the individual does, and concerns the individual’s soul. For Socrates, the relationship between individual and collective virtue is that they are the same, as the virtues of the collective parallel those of the Individual. This conclusion can be reached as both the city and the soul deal with the four main virtues of wisdom, courage, moderation, and justice.

At the beginning of Book Seven, in an attempt to better describe the education of the philosopher Socrates begins to set up an analogy with an ascent and descent into “the cave”. In Socrates’ cave analogy there was a group of people who were from childhood held in a dimly lit underground cave. The people were kept there in bonds that were designed to allow them to only what was in front of them by depriving them of the ability to turn their heads around. Also present in Socrates’ cave was a certain wall or partition separating the prisoners from another group of people who simply walked along a path carrying statues shaped after all that of beings and occasionally uttering sounds as the others remained quiet. The shadows of the statues

Socrates describes people in a cave since birth, bound so they can only see what is in front of them. There are shadows and sounds that can be observed but the source is unknown. Socrates says in 515c, “…such men would hold that the truth is nothing other than the shadows of artificial things.” Their reality is limited by their experience. Then a prisoner is freed from the bonds and is forced to look at the fire and the statues that were used to cast the shadows on the walls. He is overwhelmed by the revelations and learns that the shadows were not the reality.

Plato, a student of Socrates, in his book “The Republic” wrote an allegory known as “Plato's Cave”. In Plato's allegory humans are trapped within a dark cave where they can only catch glimpses of

The "Allegory of the Cave" is Plato's attempt to explain the relationship between knowledge and ignorance. Starting with the image of men in fetters that limit their movement and force them to look only ahead, this is the idea that all men and women are bound by the limits of their ignorance. Men and women are restricted by the limits of the education of their parents and the small amounts that can be culled from their environment. Images and shadows are representations of those things surrounding us that we see but do not understand because of our limited knowledge. As we obtain the ability to see things more clearly in the cave that is our ignorance, we start to then

Humankind is filled with individuals testing each other and competing with one another to be the greatest, ignoring the reality of life. In the “Allegory of the Cave,” Plato justifies this by displaying a parable that serves as a metaphor for life. This parable teaches the reader how people wish to remain in their comfort zones and disregard the truth. It portrays the struggle of facing different realities that alter the illusion of one's life. In the story, he described a group of prisoners chained inside a dark cave; their only source of light comes from a burning fire that is used to create shadows. These shadows display images that the prisoners each interpret as the reality; however, once one is released and is struck by the light, he

Just as the soul has three distinct parts that compose it the republic has three distinct social classes and without each of the three parts, the republic cannot function properly. There is dependability among the three social classes in the republic because people cannot survive alone, "a farmer won't make his own plough, not if it's to be a good one, nor his hoe, nor any of his other farming tools. Neither will a builder- and he, too, needs lots of things" (Republic, II, 370d). Dependability will become a key element amongst the citizens because one man alone cannot maintain an entire republic, he cannot take on twenty distinct roles in society at the same time. This will not uphold an entire city and will only prevent the republic from having

In the allegory Socrates gives an account of a man that breaks free from his bonds and makes his way out of the darkness into the outside world. His story represents a man's journey to enlightenment. To reach enlightenment a man must use education to break the bonds of ignorance and direct his sight towards true things that originate from the "Form of Good." Man already has the capacity to see, he only needs guidance. Guidance is the job of the philosopher kings. After these kings have reached enlightenment it is their duty to travel back into the cave and educate some of the ignorant masses.

In the Allegory of the Cave there are chained prisoners in cave who can only stare at the cave wall in front of them. At the back there is a long entrance with a staircase the width of the cave and a fire burning in the distance. They see only shadows projected in front of them from a raised platform and hear an echo that they attribute to what they observe. They talk about and name the shadows of objects they see before them. To them the truth are the shadows. Then one day one of the prisoners is released. He is told that what he saw before was an illusion. Once he is outside it takes a while for his eyes to adjust to the sun. First he observed the shadows of thing then their reflection and finally the actual object. Remembering his previous state he goes back to the cave and tries to explain that everything is an illusion but they laugh at him and think he’s crazy. They believe it best not to ascend and they choose to remain as they are. The cave represented opinion. The shadows that are cast on to the wall represented physical objects. The prisoners represented the common people (Welles).

"Unless," I said, "the philosophers rule as kings or those now called kings and chiefs genuinely and adequately philosophize, and political power and philosophy coincide in the same place, while the many natures now making their way to either apart from the other are by necessity excluded, there is no rest from ills for the cities, my dear Glaucon, nor I think for human kind, nor will the regime we have now described in speech ever come forth from nature, insofar as possible, and see the light of the sun."(THE REPUBLIC OF PLATO By Allan B- 473d - 473e)