'Grief In The Film The Rooster'

Many young people are affected in some way by suicide, and must learn to cope with the horrible loss it has taken from them. “Dogrib Midnight Runners”, by Van Camp, “was inspired by a suicide. As far as [he knew, that was] the first published story that ever takes place in Fort Smith. And [Van Camp wanted] to talk about what a great thief suicide is: the huge, never-ending echo of its fatal decision” (Vranckx). In this short story, a group of friends are faced with their friend, Justin, committing suicide for no clear reason. Justin was remembered as an intelligent, fun individual and appeared happy. The reason why Justin committed suicide was unclear. One particular humorous, happy memory his friends had of him was that when he drank too much, he would take off all his clothes and run. In Richard Van Camp’s short story, “Dogrib Midnight Runners”, the “ritual of running” is so important to healing and rebirth because it allows the group of friends to cope with the loss of their friend while rebuilding a meaningful friendship and support system they had lost during the tragedy.

She lets the cleanliness of her once perfectly kept house go to pot. She no longer cares about reality or morals and becomes lost to the raw desires of her primal nature.

Rooster is a dance piece choreographed by Christopher Bruce. It was originally premiered by the Ballet du Grand Theatre de Geneve in 1991. It is a contemporary ballet piece performed by ten dancers to eight of The Rolling Stones’ most memorable hits.

One would think that if the pet had a close connection to a person, and that person has passed away that someone who misses the person that has passed may use the pet to help with the loss. The main character’s

Yuri finds himself caring for a mouse who later in the story is tragically swooped up by a bird when Yuri was releasing the mouse out into the wild with good intentions. He ponders and contemplates death with feelings of indifference. This is demonstrated when Yuri laughs softly at the morbid encounter he just witnessed with his mouse and when Yuri feels that his death doesn’t matter because of its inevitability (Kennedy 65). This indifference to life and death reveals to the reader that Yuri hasn’t acknowledged the importance of his responsibilities or the role he plays in the world, revealing immaturity. He takes death lightly and even considers suicide.

Persona is a wonderful film that explains the story of a young nurse and an actress. The film presents a mixture of horrific and psychological drama. Animal slaughter is an important element of symbolism in the film. Animal slaughter shows an act of sacrifice for ritual purpose. Most importantly, the act of animal slaughter is used to support themes of death and insanity in a great way. When audience sees the killing and mutilation of an animal, they understand that there is an eminent danger from outside (Bergman).

The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with

The characters in Alice Sebold’s The Lovely Bones are faced with the difficult task of overcoming the loss of Susie, their daughter and sister. Jack, Abigail, Buckley, and Lindsey each deal with the loss differently. However, it is Susie who has the most difficulty accepting the loss of her own life. Several psychologists separate the grieving process into two main categories: intuitive and instrumental grievers. Intuitive grievers communicate their emotional distress and “experience, express, and adapt to grief on a very affective level” (Doka, par. 27). Instrumental grievers focus their attention towards an activity, whether it is into work or into a hobby, usually relating to the loss (Doka par. 28). Although each character deals with

Loss of a loved one and the stages of mourning or grief manifest as overriding themes in The Lovely Bones. Through the voice of Susie Salmon, the fourteen-year-old narrator of the novel, readers get an in-depth look at the grieving process. Susie focuses more on the aftermath and effects of her murder and rape on her family rather than on the event itself. She watches her parents and sister move through the five stages of grief: denial, anger, bargaining, depression, and acceptance. However, Alice Sebold makes clear that these categories do not necessarily remain rigid and that individuals deal with grief in various ways. For example, Abigail, Susie's mother, withdraws from her living children,

This shows an example of how well she could manipulate someone, and how far she would go to get what she wanted.

She allows herself to believe all she is told. She also allows herself to believe that being treated as she is is going to make her better, when in fact it is only making her worse. Her being sent up in a room, like a penitentiary will add loneliness to her illness. Her being told not to write or not to go and see family and friends, again, adds to her loneliness. She is separated from society. Therefore, she feels as though she is alone in society. She gives into the fact that the male-dominated society would rather her alone, than be with lots of women and cause chaos. She gives into everything the world wants instead of listening to her inner self. She ignores herself, causing her to act out in madness. When one does not listen to one's inner self, he or she is then turning away from his or her conscience. It's like the "devil and angel" episode that has been seen in numerous cartoons. If the person listens to the little devil, it will end up being the wrong decision. It the person listens to the little angel, it will be the right decision. The narrator listens to almost neither. She allows what is happening to happen and does nothing but sit back. This would cause anger inside anyone.

In The Death of Ivan Ilych Leo Tolstoy conveys the psychological importance of the last, pivotal scene through the use of diction, symbolism, irony. As Ivan Ilych suffers through his last moments on earth, Tolstoy narrates this man's struggle to evolve and to ultimately realize his life was not perfect. Using symbols Tolstoy creates a vivid image pertaining to a topic few people can even start to comprehend- the reexamination of one's life while on the brink of death. In using symbols and irony Tolstoy vividly conveys the manner in which Ilych views death as darkness unto his last moments of life when he finally admits imperfection.

The Russian attitude toward love during Chekhov’s time is very patriarchal and is considered normal to marry for practical reasons, parental pressures or other considerations rather than for love. The feelings that accompany love, such as passion and spirituality, are not a societal consideration and this institutional attitude toward human emotion is the catalyst for Chekhov’s story. When a person is deprived of love, he or she builds up a futility of life which consumes the human soul. In Anton Chekhov’s “The Lady with the Dog”, the readers are placed in a setting where the main character Gurov, and his love interest Anna, are given the emotional freedom to feel love toward one another. This freedom is the driving force in the story

The first woman she meets is Sophia, who marries Harpo. She isn’t afraid to stand up for herself, even to a man. When Mr. _____ asks Harpo if he ever hits her, Harpo is embarrassed, and answers that he hasn’t. So Mr. ______ tells him he should, because “Wives is like children. You have to let ‘em know who got the upper hand. Nothing can do that better than a good sound beating.” (37) While he may have thought he gave his son some good advice, when Harpo tries it, Sophia knocks him right back into place by beating him up instead. When Celie and Sophia talk about Mr. _____, Sophia tells her “You ought to bash Mr. _____ head open.”(37), but she knows she would never get away with it. She’s just coping with things as they are because

The Heart of a Dog, by Mikhail Bulgakov is a satiric novel about an experiment on a dog named Sharik, in which they give him human organs, transforming him into a human. The whole novel goes through the metamorphosis of the dog, Sharik, becoming a “human” who can think and act for himself in being able to make humanlike decisions, to his downfall and becoming a dog again. The plot of this satire is just an allegory on the communist revolution of the early 1900’s, which is why it is considered to be a satire. There are many ways in which Bulgakov mocks the Russian society of the 1920’s, one being that the Communist leaders of the time attempted to make a “new Communist man,” which is linked to the creation of Sharikov from Sharik. Under the same idea, Bulgakov is also mocking the idea that Communist Russia believed that they could improve the genetic quality of their population, which is what Dr. Preobrazhensky and Bormenthal attempted to do using Sharik. There are many allegories spread out throughout this satire made to mock Communist Russia of the 1920’s and to point out all of it defects.