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Gone With The Wind Analysis

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Gone with the Wind opens with beautiful shots of the Georgian countryside, accompanied by sweeping romantic music and the sentiment rolling down the screen: “There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind” (Selznick) The film explicitly describes its objectives before the audience even sees the famous Scarlett O’Hara. Nostalgia for this old Southern way of life is palpable throughout the entirety of the film and we see an alternate world portraying benevolent white slaveholders, their complacent, jolly slaves, and the noble Cause of the confederacy they tirelessly fought for. However, when viewed in the modern context, this illusion of the South is easily broken and the historical inaccuracies become evident underneath the appearance of Southern romanticism. Though Gone with the Wind romanticizes slavery and the Old South and glosses over racial issues, it represents an important part of American history in its portrayal of white southern attitudes during the civil war.
Gone with the Wind is so broadly interpreted, which makes it is very difficult to say that this film focuses on one specific aspect of “Southern life”. From watching the film it is very clear that the southern pride and way of life is

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