Goan Gothic By Gordon Parks Symbolism

America in the 1960’s was a dark, despairing environment for African Americans, or Negroes. Conditions in all areas of life were poor, chances of success were slim to none, and appreciation or acceptance in the community was barely a dream. Negroes of this time were downtrodden, disrespected, and poorly treated. In his book, “Why We Can’t Wait,” Martin Luther King uses historical allusion, emotive imagery, rhetorical questions, and juxtaposition to convey the negative, daunting poor social conditions of Black Americans in the 1960’s.

He wants his readers to imagine the pain and humiliation of the ill treatment that African Americans endure on a daily basis. King writes of vicious mobs lynching people’s mothers and fathers, policemen killing people’s brothers and sisters, a man and his wife not receiving the proper respect they deserve because of their skin color, and the notion that African Americans feel insignificant within their communities; this is why these peaceful demonstrators of whom the clergymen attack “find it difficult to wait” (King, 20). However, King believes that soon, injustice will be exposed, like “a boil that can never be cured so long as it is covered up” (King, 30). This vivid description helps arouse an emotional response, driving shame into the hearts of his white readers.

In Jennifer Baichwal’s The True Meaning of Picture, she focused on the subject of American photographer Shelby Lee Adams’ works. Adams’ pieces emphasize the culture people in poverty from the Appalachian Mountains. Baichwal also spends some time focusing on the controversy of the photographer’s images. The documentary shows direct quotes from Adams himself, the subjects of his pictures, the subjects’ family, and even art critiques. The film collides the views of all these people so that we may learn more about the Appalachian people. Throughout the course of the documentary, the

Brent Staples “Black Men and Public Space” is a look at how people perceive black people in the 1960s. Staples explains how people would treat him on a day to day basis. Even when he was a child he would be looked at differently because of his color. He quickly establishes ethos, logos and pathos credibility tough the many examples. This article shows the injustices done to him while living in New York. Brent Staples Black Men and Public Space uses pathos, ethos, and logos effectively throughout the essay.

In today’s American society, being born black is often life threatening and comes with many struggles and fears. The author Brent Staples visibly demonstrates the presence of black men, in his article “Black Men and Public Spaces”. Staples illustrates to the readers how black men attempt to live their lives as normal as possible, but are unable to because of the fear society has of them. Brent Staples attests to the turbulent lives black men face in society, from their childhood to an adult age. Staples is able to demonstrate the various issues black men face in society with the use of logos, ethos, and pathos.

There have been many cases of social injustice on a number of occasions in the expansive history of the United States. The oppressions of the early movements for women’s suffrage and the relocation and encampment of Native Americans are two of many occurrences. Around the middle of the 20th century, a movement for equality and civil liberties for African Americans among citizens began. In this essay, Notes of a Native son James Baldwin, a black man living in this time, recalls experiences from within the heart of said movement. Baldwin conveys a sense of immediacy throughout his passage by making his writing approachable and estimating an enormous amount of ethos.

The author uses tone and images throughout to compare and contrast the concepts of “black wealth” and a “hard life”. The author combines the use of images with blunt word combinations to make her point; for example, “you always remember things like living in Woodlawn with no inside toilet”. This image evokes the warmth of remembering a special community with the negative, have to use outdoor facilities. Another example of this combination of tone and imagery is “how good the water felt when you got your bath from one of those big tubs that folk in Chicago barbecue in”. Again the author’s positive memory is of feeling fresh after her bath combined with a negative, the fact that it was a barbecue drum.

In the featured pop art piece “Race Riot,” the artist, Andy Warhol, depicts racial tension that often occurred in the mid 20th century. During the 1960s, racism was on a high among the American people, with a particular focus on the African American race that was trying to pass the American Civil Rights Movement. The art piece addresses not only Warhol’s political views, but also the inequality people faced in a land that was meant to be “free”.

It represents a majority of ills that afflicted 18th, 19th, and early 20th century America. Through this photograph, one can appreciate how far America has come as a nation in terms of having the capacity to resolve the issues that plagued American society. Further, through this photograph, one can tell how the suffering faced by migrants who came in as slaves played a huge role in creating a better American society.

The black race has faced many hardships throughout American history. The harsh treatment is apparent through the brutal slavery era, the Civil Rights movement, or even now where sparks of racial separation emerge in urbanized areas of Baltimore, Chicago, and Detroit. Black Americans must do something to defend their right as an equal American. “I Am Not Your Negro” argues that the black race will not thrive unless society stands up against the conventional racism that still appears in modern America. “The Other Wes Moore” argues an inspiring message that proves success is a product of one’s choices instead of one’s environment or expectations.

Society, as viewed today, is not the same as it was at the end of the twentieth century, treatment of minorities was much different. Brent Staples was a writer at the time and choose to highlight this treatment in a piece titled Black Men and Public Space. Staples published this piece in Harper’s Magazine in 1986 which was an American magazine that covered politics, society, culture, and the environment. Even though the readers of the magazine were most likely aware of the culture surrounding African Americans it still was an effective piece. In Black Men and Public Space Brent Staples analysis the cultural identity of African Americans through the descriptions of personal experiences that he has had.

All their dazzling opportunities, were theirs, not mine…. With other black boys the strife was not so fiercely sunny…. Why did God make me an outcast and a stranger in my own house? The shades of the prison-house closed round about us all: walls strait and stubborn to the whitest, but relentlessly narrow, tall, and unscalable to sons of night who must plod darkly on in resignation, or beat unavailing palms against the stone, or steadily, half hopelessly, watch the streak of blue above.

From the audiences’ perspective, Malcolm and his weapon are the main focus of the photograph since they’re positioned in the centre of the page. This image aims to communicate the ideology that equality needs to be fought for, however the use of weaponry suggests violence is the solution. Whilst the symbolic use of weaponry enhances the meaning of “by any means necessary”, the attire worn by Malcolm embodies how he’s not only fighting with guns, but his fighting with his knowledge and beliefs. In summary of this, the front cover of the novel effectively explores the hypocrisy of the American Dream as it visually illustrates the extremes black people would take in order to be equally recognised.

Staple’s “Black Men in Public Spaces” and Rae’s “The Struggle” address misperceptions with ethnicity. Staples and Rae share similar circumstances making it easy to understand each viewpoint. Culture settings and gender define the authors’ differences. Both essays give the readers different perceptions of African Americans’ lives.

Author and editorial writer for the New York Times, Brent Staples, skillfully uses both his educational and racial background to exemplify and reflect on the harrowing times black men faced during the mid-1900’s. Growing up the oldest of 9 in 1951, he pushed himself through primary schooling and against the predications of most, was accepted into college where he earned his B.A, and eventually, a coveted Ph.D. His anthology of literary works focus on politics and cultural issues and popularly include, Parallel Time: Growing up in Black and White, which won the Anisfield Wolf Book Award, An American Love Story, and the piece in mention, Just Walk on By: Black Men and Public Space.