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Girl Model And Documentary Argument

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Girl Model and Documentary as Argument Documentaries occupy a unique space in the film world. Not only must these films attempt to provide a perspective on reality, they must also engage the audience and provide a form of entertainment. In portraying reality, the films generally take on a specific perspective. Documentary filmmakers create a film advocating a specific point of view in order to create interest in the film and create a stronger film overall. Bill Nichols calls this the documentary’s argument (165). He states, “[I]n documentary, realism serves to make an argument about the historical world seem persuasive” (Nichols 165). Persuading the audience is vital in films pertaining to social issues such as defining and examining …show more content…

Ashley’s interview is depicted without the interviewer in the frame, and the viewer does not hear the questions being asked. Leger Grindon states that this type of interview provides the interviewee with authority (7). Ashley’s role as a scout in the film casts doubt on her feelings about the girls she recruits, so this form of interview allows her to retain some of her credibility as both a speaker and a protagonist. In discussing how she finds the girls, she claims that her employer in Japan does not care what she does or where she goes “as long as she brings them the girls” (Girl). She goes on to say that she does not have an exact description, but she gets a “commission of whatever [she brings] them” (Girl). She calls it freedom, but she follows the comment with the revelation that she does not care about the business (Girl). She does the work because she is paid to do so, but she does not enjoy the job. This interview is placed just after Nadya arrives in Japan. The juxtaposition of the hopeful young girl and the disenchantment Ashley feels in her position demonstrate the critical viewpoint Redmond and Sabin take towards the modelling industry they are …show more content…

Because of the focus on Nadya and Ashley, the audience does not gain much information about the companies who recruit and represent the models or the people who work with Nadya and Ashley. Throughout the film, the audience does view interactions between Nadya and Ashley and the people they work for, but there is very little emphasis placed on the other people depicted. There is some focus on Ashley’s supervisors and employers, but the focus is often negative. At one point, the filmmaker includes an interview with Ashley where she mentions that she believes Messiah, the owner of one of the agencies she scouts for, continues his job because he engages in inappropriate relationships with the young models he recruits. Ashley states, “[Messiah] loves models” (Girl). She never openly states that Messiah has relationships with his models, but the implication is clear. Although this claim never goes farther, Ashley clearly connects the industry to the sex trade. Towards the end of the film, Ashley addresses this point in another interview. She claims that some models find themselves moving into prostitution. Ashley states that the girls already see themselves selling their body for the camera, so they do not find prostitution a stretch (Girl). Including this interview near the end of the film leaves the viewer with a lasting sense of unease about the

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