Giotto Di Bondone Distinctively Visual

Photographical equipment at this pictorial was still primitive and many photographers felt that their lens’ recorded too much detail. Photographers started to employ different techniques to soften their images, their main goal was to create images that looked more abstract and with similar characteristics to paintings. This movement then transformed into naturalism where it was encouraged to treat photography as an independent art form. There was a belief that photography should be used to communicate something personal, and that the environment would be used as an inspiration.

The manipulation of perspective was not only significant for symbolic meaning. It was used as a visual tool in order to create the “magic” that the painting is known for. Because the vanishing point is approximately 5 feet from the bottom of the picture, which is practically floor level, this allows for both the top and bottom of the picture to come together and establishes an illusion of an actual structure. While this “created space” within the picture appears to be real, it is actually just one of the

Another change that occurred during the Italian Renaissance was the artistic perspective of this world. People were no longer painting two dimensional art, and non logical portraits. A new technique, chiaroscuros a technique that involved light and shadows, gave their paintings more depth and a realistic imagery. They also made their paintings more realistic by making the objects relative to one another. They emphasised emotions and belief in a universe full of harmony.

4-1: Why does Duccio 's painting "Annunciation of the Death of the Virgin" lack linear perspective? The right side of the bench appears too placed awkwardly to the right and crawling up and into the wall. The angel arm appear to be reaching though the wall. Duccio Maesta uses foreshortening in the beams to give the depth in the artwork though. In one point linear perspective lines are drawn on the picture plane in a way that parallel lines receding to a single point on the viewer’s horizon which are consider vanishing points. Two point linear perspective a more dynamic ccomposition. The two point linear perspective is where two or more vanishing point are in the composition. So the biggest difference is that two points have more than two vanishing points and creates a complex composition.

4. Space- Perspective is demonstrated in many ways. This artwork takes up almost the whole canvas. The horses on the edge look like they were maybe even squeezed in. All of the characters in this artwork look to be congregated to the middle of the painting, besides the villages in the distance. Linear perspective is used in the placement of the villages in the background and in all the men and horses, which are grouped in the middle of the screen. Looking at the features in the painting I notice the use of overlapping and vertical placement, which both imply depth. The horses overlap each other as well as the gentlemen and other elements of the painting. The brown horse’s head overlaps the black one hiding its mouth. The villages and hills in the background appear to be very far away (diminishing size); they look smaller and distant from the rest of the main aspects of the painting.

Giotto’s Lamentation was painted in 1305 during the commencement of the Early Renaissance. In the Early Renaissance, we witness a shift away from medieval times. The Early Renaissance brings about huge economic prosperity and social shifts

In the historia, or the work of the painter, there is circumscription, the first step in painting that is defined by Alberti as the recording of external outlines. He explains that this step should be given special attention and, ¬in fact, suggests that composition and reception of light should mean nothing without it. Alberti says that to do circumscription well one must outline everything with a visible line, and then use a veil. He describes this veil as a layout of parallel lines that allow for the correct depiction of objects regardless of the position they are in.

Another technique that was developed was perspective. Perspective was formed with the creation of the vanishing point to make paintings more realistic. Masaccio was one of the great painters of his time because of his skill of recreating lifelike figures and movement, along with portraying a sense of three-dimensionality. One of Masaccio’s greatest paintings is the Holy Trinity which was painted in 1427. This painting has a great use of perspective and chiaroscuro to show realism. Chiaroscuro was another technique that was formed to show light and dark intensities to give the impression of depth and texture as well as a source of light. With the use of different shades of colour, sfumato was a new technique that emerged during this time that produces soft, imperceptible transitions between colours and tones to show blending and oneness. These techniques established a basis of modern art. These techniques are still used till this day and have shaped the way art is currently produced.

Perspective lines occur also in the background of the painting in the upper right in the trees getting smaller as they descend into the painting. This painting is an example of linear perspective. All lines converge at a vanishing point.

From what can be understood by the viewer, West has created the piece with a head-on perspective. Through the use of many imaginative sharp diagonal lines, that can be drawn from either the more centralized figures whose hand rest atop his head and back is turned toward the viewer or the figure from the far left corner who learns at an angle and holds a spear across his body, towards the very last beast that is placed near the far upper right corner, West is able to create space and distance. The pyramidal construction of figures, foreshortening, and atmospheric perspective also work collectively to draw the viewer into the painting more closely.

The Renaissance also brought drastic changes to the artistic world. The decisive break with medieval tradition occurred in Florence, Italy in 1420 with the invention of linear perspective. This innovation made it possible to represent three-dimensional space on a flat surface. In previous years, objects had been represented on the canvas as one-dimensional. This paralleled the one-dimensional thinking of the time and served to create rigid and unrealistic portrayals in art. Another ideal that evolved was the culmination of harmony and proportion. The human form was seriously analyzed for the first time. Careful attention was payed to minute details such as the shape of muscles and how they looked as they moved. This led to a more realistic and accurate reproduction of the human body. During the Renaissance "...the medieval aspects of the Christian religion were swept away, especially by the violent surge of the Reformation: No other artist managed, as Michelangelo did, to portray this change in his works..." (Heusinger 3).

He uses linear perspective as a method of leading the viewer's gaze immediately to Jesus, therefore making him the prime subject, encircling his disciples around him so he is at the center. His body is in full view, with no one covering his form by standing in front of him, and everyone's eyes are concentrated at him. He also marks the horizon line, the mountains in the distance indicative of this. Furthermore, Masaccio also applied atmospheric perspective by creating a foreground, middleground, and background. In the foreground you see Jesus with his men, along with Peter giving money to the tax collector.

From each ends of the table, the hallway appears to recede and the imagined lines meet behind the head of Christ where the vanishing point of the picture is. Leonardo Da Vinci skillfully applied the technique of linear perspective to give a sense of space of a hallway on a flat surface. Leonardo Da Vinci succeeds in drawing viewers into the picture by creating an illusion of depth. However, even while we are drawn into the scene, the long white table acts as a barrier between viewers and the otherworldly realm where Christ and his apostles are.

This was a technique to represent light shade and shadows in painting. Giotto learned this technique from his teacher Cimabue. He learned to use this technique to model volume and

Giotto di Bondone was regarded as the first painter in the period of Proto-Renaissance and some scholars described that Giotto was the father of Western pictorial art. Giotto was from Florence, which was a famous city especially on the aspect of artistic centers and town of trade and textile. In fact, Giotto’s patting style is naturalism; it is more focus on the realistic stuff, so everything painting is based on real life. Dante and Cimabue might affect Giotto painting style; therefore, Giotto 's painting was more focus on the nature and reality.