Gilman Exposed in The Yellow Wallpaper

Mitchell was predisposed to think that women did not need to leave there bed or even their homes when they were ill. The rest cure also exacerbated normal gender roles of that era. Men were the ones who belonged in the outside world; they were the bread winners. Men needed to be outside of the home and to take care of the needs of everyone in it. In contrast, women were supposed to inside the home of take care of the home. Dr. Mitchell ensures men were not feeling emasculated by being subject to the same treatment as women and be subject to their homes where they felt only women were supposed to be. The story “The Yellow Wallpaper” by Gilman, highlight the mental distress that the rest cure tolls on your mental state. Gilman wrote “The Yellow Wallpaper” because of her experience on the rest cure and she wanted to “save people from being driven crazy”. Another reason that Gilman could have written the short story is to show that women need intellectual stimulation as much as men and that living domestically and not doing things that express a person’s creative side could drive them insane.

Creativity in women was not widely accepted in Gilman’s society and was often deemed improbable. In one of Jane’s entries she describes, “There comes John, and I must put this away he hates to have me write a word” (Gilman 175). This sentence is powerful because the written word is often more powerful than the spoken word. Women were rarely given the luxury of speaking freely, much less writing freely. John’s reluctance to allow Jane to write illustrates the narrow minded ideals men had concerning women. In “Why I Wrote the Yellow Wallpaper,” Gilman writes that Dr. Mitchell, “ concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush or pencil again as long as I lived’”(51). Both Gilman and Jane were creative women that used writing as therapy to express what others around them could not understand. Jane’s journal and her writing symbolize the creative talents and intelligence many women were capable of but were forced to conceal.

The forceful tone throughout the passage I chose, and story, shows that Gilman was forcefully trying to get her point across through the narrator of the story, that resting, and confinement were not the answers to curing mental health issues, such as postpartum depression, in the late nineteenth century, “Personally, I disagree with their ideas. Personally, I believe that congenial work, with excitement and change, would do me good. But what is one to do? I did write for a while in spite of them, but it does exhaust me a good deal- having to be so sly about it, or else meet with heavy opposition” (Gilman, P. 462). She is forceful. She does not agree with the ideas of rest and confinement as a cure. The narrator wants to be able to be free and live with the normal excitements of life. In addition, she states forcefully, that she writes in spite of her husband and brother. The narrator knows that writing helps her and wants the reader to know that she continues to do it anyways, because she knows that it is in the best interest of her health, to be able to clear her head, by writing down her

Today, women have more freedoms than we did in the early nineteenth century. We have the right to vote, seek positions that are normally meant for men, and most of all, the right to use our minds. However, for women in the late 1800’s, they were brought up to be submissive housewives who were not allowed to express their own interests. In the story, “The Yellow Wallpaper,” by Charlotte Perkins Gilman, a woman is isolated from the world and her family because she is suffering from a temporary illness. Under her husband’s care, she undergoes a treatment called “rest cure” prescribed by her doctor, Dr. Weir Mitchell. It includes bed rest, no emotional or physical stimulus, and

Gilman wrote her short story, The Yellow Wallpaper in 1892 after undergoing S. Weir Mitchell’s, a popular neurologist of the 19th century, “rest cure” treatment where she was to “live a domestic life as possible” (Perkins. 4). Through her short story Perkins utilizes gothic fiction, a type of horror fiction, to vocalize her private and personal traumatic experience so that no other woman would have to. The format of the story is written from the perspective of a woman with an unnamed nervous condition, who writes a collection of journal entries to record her daily thoughts, while she is being treated for her

Mitchell’s treatment of the typical female seeking his world famous rest cure. Wagner-Martin states that the rest cure "depended upon seclusion, massage, immobility, and overfeeding; . . . [it] had at its root complete mental inactivity" (982). Carol Parley Kessler, in her essay on Gilman’s life, quotes Dr. Mitchell’s prescription to Gilman as, "never touch pen, brush, or pencil" (Kessler 158). Gilman subjects her narrator to the same prescription. You can tell from the story that the narrator wants to write and that she thinks that being allowed to do so would help her mental and emotional condition. She says, "I think . . . it would relieve the press of ideas and rest me" (Gilman 81).

Charlotte Perkins Gilman wrote "The Yellow Wallpaper" after giving birth to her one and only child. Gilman centered her story around the depression she experienced soon after and the "rest cure" prescribed to her by Weir Mitchell. Gilman states that the purpose of writing "The Yellow Wallpaper" was "to reach Dr. S. Weir Mitchell, and convince him of the error of his ways" (Golden). What the author then labeled as "a slight hysterical tendency" (Gilman 1035), is now known as postpartum depression. In Gilman's "The Yellow Wallpaper", both doctors and society as a whole view and treat postpartum depression differently than today.

In an article titled, “Why I Wrote The Yellow Wallpaper”, Gilman talks about her personal experience with the rest cure, also denouncing the diagnosis as a whole. “For many years I suffered from a severe and continuous nervous breakdown tending to melancholia--and beyond.”(Gilman). While this ailment would not be handled as heavily today, Gilman would actually be subject to the rest cure by Silas Weir Mitchel himself. Mitchel would tell Gilman to “live as domestic a life as far as possible”, “(to) have but two hours intellectual life a day”, and “never to touch pen, brush, or pencil again.” Like the fate of her stories protagonist, the treatment would almost drive Gilman

Weir Mitchell, for the writer of the story, gives the story validation, and being from a first hand account makes the story more real and believable. S. Weir Mitchell was revered in his time, dawning the title of “Father of medical neurology” and his own method of cure, the rest cure, where women would be physically confined to either a bed or room for strenuous amounts of time, In “‘A Slight Hysterical Tendency’: Performing Diagnosis in Charlotte Perkins Gilman’s ‘The Yellow Wallpaper” by Vivian Delchamps it is stated that “Gilman famously wrote this semi-autobiographical short story to criticize her doctor, Sil Mitchell diagnosed Gilman with hysteria and treated her with his famous “rest cure”—a treatment that kept women confined to their beds, restricting their bodily and mental freedoms.” In the story, while the main character is having a conversation with her husband John, he threatens to take her to see S. Weir Mitchell, which rightfully depicts the doctor as a man to

The “rest cure” was a common treatment for depression in women in the nineteenth and early twentieth century. Women were locked in a room involuntarily and forced to “rest.” The patient was locked in a room and not allowed to leave or function in any type of way. The narrator in Charlotte Perkins Gilman’s story The Yellow Wallpaper is subjected to this cure. The story is written to expose the cruelty of the “resting cure”. Gilman uses the wall paper to represent the narrators sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession.

Charlotte Perkins Gilman published “The Yellow Wallpaper” in 1892, in hopes of doctor’s abandoning S. Weir Mitchell’s “rest cure.” It was based on her first marriage at the age of twenty-four after she had a baby and became extremely depressed. After being prescribed the “rest cure,” Gilman slowly went insane as depicted in the story. Finally, she left her husband, took her baby, and moved away to become a writer (Gilman 150). Despite “The Yellow Wallpaper” being written so long ago it is still a relevant piece of literature composed richly of symbolism.

"The Yellow Wallpaper," is a larger-than-life version of Charlotte Perkins Gilman’s own personal experiences. She grieved for several years in depression, as her physician diagnosed her with “neurasthenia” and prescribed the "rest cure" seen in the story. Unable to write or seek company, Gilman's rest drove her insane for three months. Gilman wrote the story not simply to change one man's view of neurasthenia, but to utilize the floor as a symbol of the oppression of women in a patriarchal society as mentioned in her article “Why I Wrote The Yellow Wallpaper”.

After learning of Gilman’s personal story, it becomes apparent that “The Yellow Wallpaper,” and the struggle of its narrator, carries a distinct message. Gilman grew up in an unhappy and impoverished family with a brother, a single mother, and no father figure. She later went on to marry Charles Stetson (whom she later divorced) and had a daughter with him. After the birth of her daughter, Gilman fell into a deeply depressed state, indicating the relevance of postpartum depression. When she consulted Dr. Weir Mitchell about it, she was prescribed a “rest cure.” It was this event that inspired Gilman to write “The Yellow Wallpaper,” and many similarities can be drawn between

The essay, "Why I wrote the Yellow Wallpaper" by Charlotte Perkins Gilman was written primarily for the purpose of explaining the meaning and reasoning behind her semi-autobiographical short story, "The Yellow Wallpaper". Before stating these reasons, Gilman explains that she had been suffering from a "severe and continuous nervous breakdown tending to melancholia--and beyond" (Gilman, 1913). After three years of this torment, she decided to go see a specialist in nervous diseases. The doctor she went to was named Dr. S. Weir Mitchell. Dr. Mitchell advised Gilman to be put to bed and to apply the rest cure, along with living a domestic life with limited amount of intellectual interaction and to never "touch pen, brush, or pencil again" (Gilman, 1913). As intimidating as this sounded, Gilman took the advise of her doctor, and followed his every suggestion for about three months. She had reached a point of almost complete mental ruin at the end of these three months, that she had to cast aside the specialist's advice. Instead of following his instructions, she began to work again. Ultimately, this is when and where "The Yellow Wallpaper" was written.

"The Yellow Wallpaper" is portraying a story of a woman suffering from postpartum depression. The story describes the mental and emotional outcomes of a distinct old therapy called “rest cure” that was prescribed to people. Which is what their prescribed Mrs. Gilman with. It appears that she was writing about her own suffering that she went through in the year 1887, two years after giving birth to child. From the story, it was obvious that Mrs. Gilman was writing about her own life experience which can now be viewed as a clear reflection of the feelings of women, like herself who have gone through these same treatments. In her words, “It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.” (Gilman,487).