Gary Lightbody’s “Set the Fire to the Third Bar” Imagine two people hopelessly in love yet they are nowhere near each other. They are constantly thinking about each other, wondering what the other is doing. Then one of them decides to close the distance, to go after the person they love. In “Set the Fire to the Third Bar” by Gary Lightbody, that is exactly what happens. Lightbody creates a haunting melody about love and distance, where two people are desperately wishing they could be with each other. Using imagery, Lightbody creates a beautiful tale of how two lovers try to close the distance and can not get each other out of their heads. Two people sing “Set the Fire to the Third Bar”, telling the listeners that both of them are making …show more content…
These two lines“ Their words mostly noises, ghosts with just voices” (11-12) is how the lovers feel as everyone around them is talking. The hustle and bustle of the world around them barely breaks through the fog of their turmoil. It’s like they are in a house that is haunted, yet the ghosts are going about their business without causing in incidents. No one around them is making a lasting impression. All they can think is about each other “ Your words in my memory, are like music to me.” ( 13-14). Even though everyone sounds like ghosts, barely there to them, the two lovers can not get each other’s voice out of each other’s head. Their voice is like music to them because that’s what they want to hear. They don’t want to hear what everyone is saying or doing, because they don’t have each other yet. The only thing that can make them feel alive again is the one they love. They feel cold and numb without each other“ I lay down on the cold ground,” (16) However, they know once they get to each other, they will be filled with warmth, “ I pray that something picks me up, and sets me down in your warm arms.”(17-18). Warm arms can also describe how they feel safe and whole with each other. By the end of their journey they have arrived to the third bar. They describe setting the bar on fire in a sense that they finally got to each other. They can hold each other and let each other’s passion and desire flow in the third bar because they are with each other
America’s answer for dealing with crime prevention is locking up adult offenders in correctional facilities with little rehabilitation for reentry into society. American response for crime prevention for juvenile’s offenders is the same strategy used against adult offenders taken juvenile offenders miles away from their environment and placed in adult like prisons.
“Love and Other Catastrophes: A Mix Tape” is a work by Amanda Brown that makes everyone recall a relationship at one point in their lives. The music we listen to tells a lot about what we are going through, and in this story, the author is going through a breakup. Despite all of these songs on this list, there is a song that is not. “You Always Hurt the One You Love” is a song by the Mills Brothers that was released in 1957. Without a doubt, this song should been included in this work.
In Neil Diamonds song “Sweet caroline” he reveals many things. He does this by using multiple literary devices. He first writes the lyric “look at the night/And it don’t seem so lonely.” This lyric uses personification and its purpose is to describe how the night is so quiet and dark. It also affects the poem by changing/setting the mood of the poem. He then wrote the lyric “Warm, touchin’ warm/Reachin’ out, touchin’ me, touchin’ you.” This lyric uses the literary device of Diction and it was used to replace words so they aren’t repeated multiple times in the song. In this case the words “hands, touchin’ hands” is changed with “warm, touchin’ warm.” Another lyric he wrote was “Hands, touchin’ hands/Reachin’ out, touchin’ me, touchin’ you.”
“Cherrylog Road” and “Come under the Covers” both artistically and subtly imply the coming together of two people in love. In James Dickey’s poem “Cherrylog Road”, he discusses the forbidden love of two young teens forced to find refuge in an abandoned junk yard while Nick Petricca’s song “Come under the Covers” discusses the coming together of a seemingly summer fling attempting to keep the love alive. The theme of love between these two works may be compared by their use of figurative language and sensory imagery, approach, relation to theme, and rhyme scheme.
In stanza four the pronoun “you” is introduce. We assume its Collin prior relationship, as its only stanza that doesn’t contains Collin pet analogy and first evidence contributing to the theme. The metaphor shift to abstract when Collin deny her worthiness and what she meant to his life. But, as he subtracted himself to the “combination”, he was able to discover her value rather measuring his spouse love and intimacy. Repetitions occur, such as “awkward and bewildering” to represent the time when his spouse was companion to him, but he couldn’t reciprocate those same nurturing feelings back to her. In addition, his spouse “held” him more than he ever did. He regrets it now when he is holding his dog but the dog is incapable to measure that same actions and words because of law of nature. The last stanza line, “..now we are both lost in strange and distant neighborhood.”, is another metaphor reference the way a lost dog might feel to his lost love that can’t ever be the same
In the second stanza it is the semantic field of cold: ‘winter’, ‘ice’, ‘naked’, ‘snow’. All these lexical items give us a feeling of cold which evokes loneliness, unknown, fear.
Millay throughout her poem utilizes symbolism which sets the tone of loneliness and nostalgia, making it easier for the reader to grasp the meaning of the poem. The first two lines of the poem, “What lips my lips have kissed, and where, and why, / I have forgotten, and what arms have lain” (Millay 1-2) the speaker explains in a subtle way about her former lovers she has now forgotten. “Under my head till morning; but the rain/ Is full of ghosts tonight, that tap and sigh/ Upon the glass and listen for reply,” (Millay 3-5) the speaker uses symbolism on her former lovers as ghosts that are tapping and can be interpreted as them prompting her memories. “And in my heart there stirs a quiet pain/ For unremembered lads that not
Similarly, the phrase ‘the next moment, you are no longer there’ is perhaps suggesting that he was shocked at seeing her go so suddenly. However, the fact that when she next reappears she is ‘perfectly framed shows us that the joy of seeing her after thinking she has gone for good is a surprise to him. ‘Fragrant survivors of last night’s frost’ shows us that the flowers are strong, which is a suggestion that their love is strong. In the fourth verse the phrase ‘my heart misses a beat at love for you’ shows us that the love was so intense that time seemed to stop too. ‘Knowing a time will come when you are no longer there’ shows us that he is not looking forward to that time and that he knows it is inevitable. ‘Meanwhile let us make sure we clasp each shared moment’ shows us that he wants to make sure they use their time together wisely, and ‘in cupped hands, like water we dare not spill’ shows us they know that their time together is precious.
The tone of the speaker was very sad, cold and lonely for misses his father. Evidence that support that he misses his father can be found in the poem. The second and the third stanza reflects how he feels about the weather and I think he meant the fall season in which he uses a cold tone “the garden is bare now. The ground is cold, brown and old”, he clearly just mentioning the negative sounding around fall. A lonely tone also found in the last few stanzas, when he mentioned that his food is almost cooked “White rice steaming, almost done. Sweet green peas fried in onions. Shrimp braised in sesame oil and garlic. And my own loneliness. What more could I, a young man, want.”. The part where he said, “And my own
The woman and man caught in their passionate embrace are set above the wartime images. It seems that symbolically the man and woman are above the war, that their love transcends the tragedy and the tumult that surrounds them, if only because they are fighting their own romantic war. Below them is a burning city. The couple on the carriage fleeing the city looks to be the same couple that is staring into each other’s eyes. This further suggests that they were apart of the events in the war, but were still caught in the throws of their own love life. The girl that rushes from her
“A Wall of Fire Rising”, short story written by Edwidge Danticat, presents one man’s desire for the freedom and also, the gap between reality and fantasy which is created by the desire. Two different perspectives of evaluating the life bring the conflict between the Guy and Lili who are parents to the little guy. Throughout the story, the Guy implies that he wants to do something that people will remind of him, but Lili who is opposing to the Guy, tries to settle the Guy down and keep up with the normal life that they are belong to. The Guy is aggressive, adventurous and reckless while Lili is realistic and responsible. The wall of fire is the metaphorical expression of the boundary where divides two different types of people. One
This implies that something clicked within the man and woman that they cannot keep tugging back and forth living the way they had been. Lines 13-15 resembles a hyperbole that seems to exaggerate an x-ray, “we held ourselves up to a light that X-rayed our flesh to see if we were made for one another”. Though an X-ray does allow one to see inside their bodies, it cannot literally tell one whether or not they are a perfect match with someone. Throughout the stanza, the theme is represented in a way that the couple starts to question whether or not they are right for one another. This shows one of the many issues real relationships face in the real world—questioning whether what they have is real and worth
Every song has a story to tell, and some contain hidden stories or lessons, while others are completely blatant. In Billy Joel’s song, “We Didn’t Start the Fire,” he does not hesitate to be very obvious with what he tries to prove, which is how all of the events in his song contribute to one large fire. I chose to remediate Joel’s song because it spoke to me with historical context. When researching the song, I read a majority of the history behind it and decided to reflect upon it in a visual picture collage, combining a majority of the elements he mentions with pictures--all circled around a fire in the middle. I decided to also make red-dyed cupcakes reflecting the fire Joel speaks of and ice them with a flame, yet placing an X over it,
The two are also given many ghostly qualities. In particular, the repetition of the phrase "like phantoms" in the opening two lines of stanza XLI, coupled with the suggestion that they "glide", acts as a powerful metaphor for the death ' of their romance. Together, their hearts have been killed ' Madeline 's by the
I interpreted this poem as a very sad one. A love unrequited by the pursued. In the first two lines the poem tells you to forget about the love you share and hear a tale of this. Not to literally forget, but possibly put aside. The man is a winter breeze, cold and rough and sort of roams the land. The woman is a window flower, shut off from the outside. This sets up the separation.