Victor Frankenstein is an intelligent Genevese (Shelley 18) and as a student of the university of Ingolstadt (25) discovers how to give life to substances. With this knowledge, and full of enthusiasm, Frankenstein proceeds to create a new being. Shortly after finishing his venture, ''breathless horror and disgust'' fill his heart (36), and Frankenstein regrets his undertaking. But what he does not understand is that he created a new living entity. A living individual, created in a laboratory, that is the only one of its kind in the whole world. Not having any biological parents, it lacks a parental figure. This essay argues in which way Frankenstein fails in his role of being a father. Frankenstein is so much distracted by the anxiety of his …show more content…
However, Frankenstein quickly reveals that he is unwilling to proficiently fulfill his role as a parental figure for his creation. At the beginning, Frankenstein is highly excited and looking forward to finishing his creation, but, when the monster is finally complete, he does not want it anymore. Instead, he jumps over the chairs, claps his hands, and laughs aloud when the monster is gone (Shelley 39). Next, Jean Campion points out that ''[t]he young of all species need adult figures to care for them, protect them and introduce them into the rules of the group or society in which they live'' (21). Indeed, Frankenstein is the creator of the monster, and therefore, is responsible for it and should care for it like a father. But on the contrary, he abandons his creation, and even spurns it. For this reason, this newly created living being has to nurture and educate itself. For example, it does not know which species it belongs to, therefore it tries to ''imitate the pleasant songs of the birds'' to no avail (Shelley 71). As a newly formed being, the creature greatly needs the help and support of a parental figure, but there is none and as a consequence, for instance, it learns how to speak by observing a family (77). To sum up, Frankenstein should rightfully be responsible for caring for his creation, but instead, he is more than happy to be rid of it. He neglects to teach the creature how to get along in the world, …show more content…
First of all, the monster feels solitary and ''people experience loneliness as a sort of vertigo or a lack of color to life'' (Hancock 5). The monster is utterly isolated from the rest of the world. Every human being is afraid of it or tries to attack it (Shelley 73). It is ''not even of the same nature as man'' (83) and feels ''wretched, helpless, and alone'' (90). Even its creator turns away from it (91). The creature has no home, longs for love (103), and wants his creator to construct a second one of its species (101). Frankenstein agrees and the creature trusts him. But then, right before the finalization of the second creation, Frankenstein hesitates and ultimately refuses to complete the venture. The monster is desperate and cries: ''Shall each man […] find a wife for his bosom and each beast have his mate, and I be alone?'' (120). It not only threatens, but also promises revenge, and as a result, it seems, that of a sudden, all good attributes of the creature disappear (120). In brief, the loneliness, betrayal, and disappointment of the monster frustrate its last best hope for a pleasant life. Now, the only thing the monster can think of is
The creature from Mary Shelley's novel "Frankenstein" displays many different human qualities. Some of these qualities include: the creature's ability to learn, his capability to feel pain, his desire to be accepted, and his need for affection and sympathy. The need for affection and sympathy is something which the creature is unable to attain. This unrequited desire to be accepted causes the creature to be the victim of the novel. The creature is never given affection by human society because of his physical deformities, Dr. Frankenstein's denial to create him a mate, and the creature's violent behaviour.
In the novel “Frankenstein”, by Mary Shelley, the protagonist, Victor Frankenstein, bestowed life to monster which he then banishes, leaving the creation to learn on his own. The abandonment of the monster subsequently caused him emotional and mental damage, his exclusion and isolation from society induced his immoral actions. Due to Victor Frankenstein not acting as a father figure toward his creation, the monster thus developed sociopathic tendencies and committed acts as a serial killer would.
Easily one of the most notable themes in Mary Shelley’s Frankenstein, the role of nature versus nurture in developing children, recurs throughout the novel with the two main characters, Frankenstein and his creature, believing in opposite sides of this theme. Favoring nature, Frankenstein maintains that the creature was always evil from the moment of creation, regardless of the creature’s experiences. However, the creature, in his narrative to Frankenstein, argues that “[he] was benevolent and good; misery made [him] a fiend” (106). In adherence with John Locke’s concept of tabula rasa, the creature was born with a blank slate, and only through his experiences does he gain knowledge and personality. Struggling to persevere in the human world, Frankenstein’s creature merely wants humans to welcome him as one of them. The change of the creature from looking “upon crime as a distant evil” because “benevolence and generosity were ever present” in him to seeking revenge on Frankenstein results from a culmination of horrible experiences (103). While it may be hard to see the creature as a trustworthy narrator because of how he has acted and his ulterior motives, he does present physical evidence to support his tale. Facing rejection in different forms, he becomes truly evil, giving up hope of companionship as a result of his trials and lessons. From the moment of his creation, the creature encounters abandonment, violence, isolation, and rejection everywhere he turns.
A predominant theme in Mary Shelley’s Frankenstein is that of child-rearing and/or parenting techniques. Specifically, the novel presents a theory concerning the negative impact on children from the absence of nurturing and motherly love. To demonstrate this theory, Shelly focuses on Victor Frankenstein’s experimenting with nature, which results in the life of his creature, or “child”. Because Frankenstein is displeased with the appearance of his offspring, he abandons him and disclaims all of his “parental” responsibility. Frankenstein’s poor “mothering” and abandonment of his “child” leads to the creation’s
As the creator and father of the monster, it was Frankenstein's duty to teach it right from wrong, to care and nurture it like you would a child, because that is what the monster was inside- an unknowing child. As soon as he was created, the monster had a need for love; it reaches an outstretched hand towards Frankenstein showing a want for recognition and love. ' A grin wrinkled his cheeks' The monster even tries to communicate but it can only utter 'inarticulate sounds' as it was yet to be taught how to speak, which should have been the task of Frankenstein.
Mary Shelley, the author of Frankenstein, was raised by a single parent, her father William Godwin. She acknowledges the mentally stimulating role a father plays in the development of a daughter, presumably speaking from personal experience. She declares, "There is a peculiarity in the education of a daughter, brought up by a father only, which tends to develop early a thousand of those portions of mind, which are folded up” (Veeder). Shelley offers in Frankenstein a portrait of how children’s minds are shape, and ultimately their fates sealed, due to influences from their fathers. Alphonse, Victor’s father, made mistakes in his parenting that negatively shaped the development of Victor’s mind and how he treated other living things.
Frankenstein's monster is destined to lose all innocence as he spirals downward into evil. When the monster is first "born" he can be compared to a baby, young and unknowledgeable to the ways of the world and in need of a caring parent and mentor. Unfortunately his foolish creator neglects the creation and
In Frankenstein, written by Mary Shelley, the creation, made from scraps of corpses, was built by Victor Frankenstein, a man fascinated and obsessed with the knowledge of life. Following the creation’s rouse, Victor immediately abandons him with no desire on keeping or teaching his new being. Because of his lack of nourishment and direction “growing up”, the creation goes through a process of self-deception. He endures a period of deceit by believing that he is a normal human being like everyone around him. But as time progresses, he learns to accept how he is alone in this world and disconnected with everyone. Because of the creation’s lack of guidance and isolation, he grows up feeling unwanted.
In Mary Shelley’s “Frankenstein,” Dr. Victor Frankenstein has a fascination with life and death, particularly life, and through his scientific studies he decides to attempt to build a body and restore the lifeless body to animation. He succeeds in this, but once he restores the body to animation he looks in the eyes of his creation and immediately deems the creature a monster. He even, after only a few moments of animation, calls the creature a wretch. He then runs away, and when he returns his creation is nowhere to be found. Many other events occur where the creature comes in contact with humans and they deem him a monster as well. One even goes so far as shooting the creature after the creature has just saved the life of this man’s
Abandoned, left to die with nowhere to go, Frankenstein's monster desperately searches for a savior and turns towards violence when the entire world alienates him due to his appearance. WIthout anyone to teach him about life, the monster learns the language, history, and culture of humans and becomes a better human his creator could ever become. While a victim of child abandonment, the monster still strives to live his life to the fullest, upending the doomed life of an abandoned child. Although left with short term psychological scars, abandoned children can still live fulfilling lives in the long term because abandoned children turn towards self determination to survive, and others who care about the children step in to provide the necessities
Victor Frankenstein created life, a monster that was born into this world with no purpose, and no one to love. He did not even have a name, he was called a monster from the start. Just like a normal human baby, he came to life not knowing anything, and had to learn from his surroundings. Just like a person, he watched and learned from others, and tried to understand the world and the people in it. From that, the monster understood that he just wants to find a life for himself, and not be viewed as an evil monster, but there are many things that are preventing that. In the novel Frankenstein by Mary Shelley, the author portrays Frankenstein’s monster as a friend through details in his character and his outlook on life.
Frankenstein puts the monster into a situation that causes him to be one of a kind. The monster had no one to whom he could relate. Victor thrusts the burden of existence upon the monster by creating him, leaving no route for escape from the situation. Frankenstein causes the monster to live a life in solitude, and the monster realizes the contempt others have for him. The monster feels as if he is no different, and believes he “deserved better treatment”(Shelley 114). Through his observations, the fiend ponders whether his existence is truly that of humanity or rather of “a monster, a blot upon the earth from which all men fled and whom all men disowned”(Shelley 119). By creating him, Victor forces these hardships upon the monster.
In doing so, Frankenstein condemns the creature to loneliness and persecution. The creature's hatred and violent acts are not an inherent part of his character, as he explains, "I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous" (81). If Frankenstein had raised and cared for him, the creature would have experienced compassion, and had someone to support him and be his advocate. Instead, the creature is left to learn about the world on his own, and develop a set of morals based on the way society treats him. Because he grows up outside of, and shunned by, society, he feels very little moral obligation towards other human beings. "...and tell me why should I pity man more than he pities me?" the creature asks Frankenstein. "Shall I respect man when he contemns [sic] me?" (122) The creature is not a monster in his own eyes; he is behaving rationally given the treatment he has received. If he were taught a better way to act, he would almost certainly behave in that way. The monster is not born a monster, his ugliness notwithstanding; he becomes one because society behaves monstrously towards him.
The gothic fictions “Frankenstein” by Mary Shelley and Henry James’ “The Turn of the Screw” approach the importance of a parent role and the effect of such role on the child’s life. In Mary Shelley’s novel, she uses Victors past and present to demonstrate how the poor treatment from his parents lead him to poorly fathering his own child. In contrast, James’ takes the approach of showing parenting in a more overbearing and overexerted way, in demonstrating the relationship between the governess and the children and as their guardian how she seeks to protect them from all danger. This essay will look at these two works and how critics have interpreted this theme to view the similarities in the effects of certain parenting and the differences that led to these outcomes. In looking at the main characters of both narratives and their approach with their children it is possible to see how there must be a balance in the presence and absence of parental figure in the developmental period of a child or creature’s life. Moreover, if such balance cannot be attained this could be the leading factor to the detrimental downfalls of the families in these novels.
In the gothic novel Frankenstein, author Mary Shelley offers an ominous tale of science gone terribly wrong using the theme of the father and son relationship that also goes terribly wrong. Though Victor Frankenstein does not give birth per se to the Monster, Frankenstein is for all intents and purposes the Monster's father as he brings him to life via his scientific knowledge. Once the Monster is alive he looks to Frankenstein to protect him as a father would, but Frankenstein who is mortified by his creation shuns him. The longer the Monster lives without Frankenstein's love and the more he discovers what he is missing, the angrier he gets and he sets out on a mission to destroy Victor Frankenstein. In Frankenstein, Shelley's purpose is to reveal what happens to society at large when individuals fail in their duties as parents.