Another Identity: Biblical Parallels of Frankenstein
Throughout Mary Shelley's, Frankenstein, the characters of the novel parallel to biblical allusions. Victor takes on the role of God, as he works to “pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation” (33), thus displaying a God-like power. The power Victor holds allows him to create a being solely from his own imagination, therefore giving him similar characteristics to God in the “Story of Creation”. However, Victor differs from God as Victor does not allow the Monster to stay in his life, as Adam and Eve stayed in the Garden of Eden, but abandons the monster directly following its animation. The abandonment significantly affects the
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The monsters extreme hatred of Victor for abandoning him, fuels his actions in killing William. The action displays the Monsters need for a parental connection. With a connection to Victor, the Monster's hatred would not have influenced his actions in killing William, since there would be no hatred. The necessity for a parental connection for the monster is paramount in the avoidance of unlawful acts. The lack of an origin causes the monster to exhibit characteristics of Satan. While talking to Victor the Monster states, “Remember that I am thy creature; I ought to be thy Adam, but I am rather the fallen angel”(81). The monster demonstrates feelings of betrayal and abandonment as he is seen by Victor as a lesser being due to his “fallen angel”(81) status. A continuous reference to Adam demonstrates the Monsters desire to be loved by Victor for being a successful creation. However, the Monster faces reality in that he was abandoned, since Victor was “unable to endure the aspect of the being [he] had created”(44). The Monster’s expulsion from Victor’s life fuels his insecurities as he begins to “considered Satan as the fitter emblem of [his] condition”(110). Victor’s abandonment parallels to the story of Satan as he was cast out of heaven by God, similarly to how the Monster was cast out of Victor’s life. Not only, does the Monster take on the name of Satan, but also a few of the
In the gothic novel Frankenstein, Mary Shelley weaves an intricate web of allusions through her characters’ expedient desires for knowledge. Both the actions of Frankenstein, as well as his monster allude to John Milton’s Paradise Lost. Book eight of Milton’s story relates the tale of Satan’s temptation and Eve’s fateful hunger for knowledge. The infamous Fall of Adam and Eve introduced the knowledge of good and evil into a previously pristine world. With one swift motion sin was birthed, and the perfection of the earth was swept away, leaving pain and malevolence in its wake. The troubles of Victor Frankenstein begin with his quest for knowledge, and end where all end: death. The characters in Frankenstein are a conglomeration of those
I have strangled the innocent as they slept, and grasped to death his throat who never injured me or any other living thing"(155). By eliminating Victor’s friends and family, the monster completes this plan of turning Victor’s life into one similar to his own. Depriving one of their family and friends, something which is done by both Victor and the monster, is a truly horrible deed which makes Victor’s creation a true "monster".
Cursed, be the hands that formed you! You have made me wretched beyond expression. You have left me no power to consider whether I am just to you or not. Begone! Relieve me from the sight of your detested form” (115-116 Shelley). Here Victor has totally changed his opinion on creating life. He states that whoever created him, Victor, should be cursed. “I had hitherto supposed him to be the murder of my brother, and I eagerly sought a confirmation or denial of this opinion. For the first time, also, I felt what duties of a creator towards his creature were and I ought to render him happy before I complained of his wickedness” (116 Shelley). After all that has happened it is not unclear who the dominant of the relationship is. Frankenstein is a cautionary tale warning mankind of the consequences of unbridled ambition triggered out of one man emulating God (Wood). Because Victor did not set himself as the parent of god figure in the beginning the creature has now taken control of Victor and is now ordering him around. It has also led to the killing of many people, which could have been avoided if Victor had realized that humans and gods are not equal. This is a clear reason as to why humans can not be God, because for people to be god they must be all
Victor Frankenstein played the role of God in hopes of getting rid of death and disease so no one else would know the suffering that he felt after the death of his mother. He is a learned man and became fixated on acquiring the ‘secret of life’. Finally he finds the secret, but is unhappy with his results, a foul mangled monster. As a result, Victor is enraged, guilt ridden and consumed with the lust of destroying his creation. As a result of Victors remorse and anger the monster is ridden with suffering and sadness. Henceforth the monster and Victor make a deal for the monster to obtain a companion. Be that as it may, Victor goes back on his part of the deal and the monster is enraged and wishes to make Victor feel
When the monster is betrayed by Victor the only thing that comforts his hurting is the thought and idea of revenge. The monster goes after Victor's brother, little William. When Victor finds out about his loss, he knows it was the monster which had made him feel devastated about what has occurred. This broke Victor emotionally because the relationship he had with his brother was robust. Victor cared about his brother more than his owned wife Elizabeth. The mindest the monster had was knowledgeably because of the way he knew taking the closest person away from Victor will harm him the most.
An allusion is a figure of speech that is a reference to a well-known person, place, event, or literary work. These allusions are typically used by an author who intends to make a powerful point without the need to explain it. Mary Shelley 's Frankenstein provides many examples of allusion 's. She connects the story of “Prometheus”, Coleridge 's Rime of the Ancient Mariner, and Milton 's Paradise Lost to her own novel to convey the critical points of the meaning behind the story. Not only does Mary Shelley make use of the mythological symbolism, but includes biblical allusions of the creation of Adam and Eve as well. The
Victor Frankenstein in the book Frankenstein faces many terrible situations and has to face many consequences for trying to play God’s role in creating life. Victor seen and dealt with many situations as a young boy that will lead to his madness and obsession with science. Victor has always been intrigued with science and life ever since he was a boy. He studied natural science endlessly trying to master how to create a creature that could sustained life. When Victor finally creates his creature, he becomes disgusted with how it turns out. Victor runs from his creation failing to teach him any social or moral qualities. The creature haunts Victor killing many of his family and friends. Victor will try to run from the many problems he has caused. This causes Victor’s misery throughout the book. Victor becomes the true murderer in the book for trying to play God and create life with science.
When the monster returns, he learns of the family’s sudden plans to move away. With no other direction, the monster seeks out answers from his creator. He comes across Victor’s papers, which reveal his identity and residence. With his newfound information, the monster decides to find his way to Victor. Throughout his journey his curiosity begins to turn into hatred and rage towards his creator. As he treks across the continent he discloses, “the spirit of revenge is enkindled in my heart” (119). This shows the monster’s capability of harboring dark emotions; it shows his benevolence quickly slipping away.
The monster is not faultless for the awful things that he has done. He kills three of the people that his creator was very close to including his adopted sister Elizabeth. Losing these people is very hard on Victor. The loss makes Victor so distraught that, “he calls the spirits of the dead” (179) to help him make the monster feel the pain of loss that he feels. In addition to killing those close to Victor, the monster destroys the house of the De Lacey’s with fire and then “dances with fury around the devoted cottage (123). Additionally, the monster appears to like the trouble and anguish that he is able to trigger in Victor: “your sufferings will satisfy my everlasting hatred” (181), the monster writes
In the Bible, the book of Genesis 1:27 states that "God created humankind in his image, in the image of God he created them; male and female he created them." Creating both men and women in His image, God is the only person who can do this successfully, giving us unconditional love and never abandoning us throughout our journey in life. On the other hand, Victor Frankenstein, a young scientist creates a life form due to his love of natural sciences. His desire to create this life form only for an experimental purpose unknowingly leads to disastrous outcomes for both Victor Frankenstein and his creation, the monster. In Mary Shelley's novel, Frankenstein, the protagonist, Victor Frankenstein uses his knowledge
In the book, Frankenstein by Mary Shelley, the author illustrates similarities between both Victor and the Monster he creates. She draws parallels between the two regarding their feelings on family, nature, on exacting revenge, and how they both become isolated from society. Both are able to demonstrate extreme intelligence. As the novel progresses, Victor and the Monster become more similar to each other. Their relationship turns to one in which each is consumed with getting revenge on the other at all costs.
During Frankenstein Victor’s mental state was altered after witnessing the power of nature firsthand when he saw lightning destroy a tree near his home in Geneva.This observation leads him to study philosophy at the University of Ingolstadt where he became obsessed with anatomy. Victor takes God’s power into his own hands, “When I found so astonishing a power placed within my hands, I hesitated a long time concerning the manner in which I should employ it.” (Shelly 32) He has the gruesome idea to create his own human from the remains of the dead. Victor sneaks into charnel-houses, digs into graves to collect limbs, disturbing the resting corpses, and studies uses them to find the answer how to make life come from death. During the process of creating his monster, Victor
As a result, this can lead to disobedience and unethical acts that can result in violence. This is shown within the book. That due to the lack of basic needs, the “monster” kills William, the brother of Victor. What led to his shameful phase, was the painful feeling of humiliation or distress caused by the consciousness of wrong. That he knew that he killed William, but due to Victor actions and behaviors of Mistrust, his only way to learn was to demonstrate violence. The monster states, “I grasped his throat to silence him, and in a moment he lay dead at my feet… clapping my hands, my enemy is not impregnable.” This offers some evidence on why he continued the murder, he wanted to deeply hurt the person that forsaked him. He wanted to have pride, rather than shame, but it was inevitable.
The book of Genesis was created by God to express his image of companionship, but also bring awareness to the idea of sin. Shelley forms Frankenstein around Genesis, however, she separates the two by stating, “Frankenstein’s monster is created as a test of Frankenstein’s power” (Shelley 34), implying that the monster is simply created to challenge the power of his creator just as God’s power was challenged by Adam and Eve. Following the creation of the monster, Victor wants absolutely nothing to do with it. The monster is composed of decomposing human bodies and therefore it is not anyone’s ideal image and has no one to look up to in the aspect of, “let us make man in our image, according to our likeness” (Genesis 1:26). Due to the monster being created with the limps and interior of dead bodies, it promotes an extraordinary element of not having an original origin. Victor takes advantage of the fact that the monster is not a