Frank Norris’s Novel McTeague Essay

It initially praises his physique. Promoting the idea that he “was [is] a young giant” and bears a “huge shock of blond hair”, it gives him larger than life characteristics and alludes the reader to visualize him as god-like. It emphasizes him characteristics as it mentions how he has few acquaintances but Polk Street as a whole call him the Doctor. The protagonist is revealed to not have many friends; however, even though he has few friends, the neighborhood still holds him into high regards. They call him the Doctor, eliciting a sense of authority that he has amongst them. A doctor is someone who people turn to and are seen as responsible. This only lifts McTeague higher up in the eyes of the reader. McTeague is then pushed off his pedestal with the second paragraph claiming he resembled that of an obedient animal. Implying he looked like a god, then equating him to that of a “draught horse” creates a disparity of who he could be and who he actually is. This paints McTeague as a lesser being, that he has so much capability but lacks the self-efficacy to execute his potential making it easy to look down upon

A man and his son travelling alone amidst the ruins of a previously prosperous nation; a young man venturing into a treacherous land to tie up the loose ends in his life; a broken ranch hand that suspects he had a conversation with death: in the most desolate and uncertain environments, the surrounding world can lend a bleak and lifeless perspective to one’s struggle to survive. In lands without accompaniment from other humans, the will to live can be as difficult to muster as shelter for the night or the first meal in days. Cormac McCarthy explores the difficulties of survival under the tension of barren landscapes and youthful inexperience and their effects on the loss of innocence. Gained maturity enables humans to persist and stay hopeful, even in the least hopeful situations. These environments and mindsets play an important role in the messages of three novels by Cormac McCarthy: The Road, The Crossing, and Cities of the Plain.

What makes Cormac McCarthy’s post-apocalyptic novel The Road stick out from most dystopian works is that The Road takes place not before or during but after the end. The novel follows a man and his son as they survive the dangers of what once was the United States after an unspecified calamitous event. There is not much left of the world: no food, no animals, and no hope. Many readers will ponder how someone could still be motivated to keep moving forward under such circumstances. If we were living in the same conditions as the man and the boy, this question might seem more imperative. But arguably it is a question that can be applied to today: what, if anything, makes human life valuable or worthwhile? Through the dialogue between the characters, the novel provides two conflicting arguments that serve as potential answers for this question. The first argument is hope, which is associated with the Christian religion, while the other argument is futility, which has a nihilistic outlook of the ravaged world. This paper will examine the Christian imagery and nihilistic arguments contained in the novel and how the moral systems of the two conflict. While at first The Road might present itself as a powerful challenge to both Christian and nihilistic views of the world, in the end, the novel never explicitly reject either worldview.

In this deeper look into 'Trifles,' Karen goes through the plot and discusses what you should pay more attention too. She describes the symbolism in some of the objects as well as explain the scenes and their little details. Karen finds the difference between male and female perceptions of judgment to be central to the play. She explains that you need to follow the storyline of the women to help solve the case and discusses the differences between a man and a womans world in this time period. Karen shares that she believes the women are going about the case better than the men and she

Cormac McCarthy’s novel, No Country for Old Men, enlightens the life of Llewellyn Moss, a welder and Vietnam veteran, who happens to stumble upon several murdered bodies, a sufficient supply of cocaine, and two million dollars of cartel drug money. Moss decides to seize the money and consequently sets off a chase for his life against the old hand sheriff Ed Tom Bell and hired psychopathic killer Anton Chigurh. However, McCarthy essentially exploits Moss’ and Chigurh’s escapade only as a subplot and ultimately conveys a deeper meaning. The novelist heavily relies on Bell’s failure to reconcile his morals of the approach crime used to take years before. Through analyzing the characters, moral relativism, and

Mencken starts by stating what the rest of the world knows coming out of World War 1, America is the wealthiest, most powerful nation in the world and Pittsburg is the “heart” that drives the industrial changes happening within this great land, but he compares the local populace to “a race of alley cats.” The stray alley cat is known as homeless, mangy, dirty animal that eats scraps out the trashcan. This introduction by him, paints the picture for what the reader can expect, that American’s are unconcerned with their way of living and are content with living like a stray animals.

In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the

The turbulent societal changes of the mid-20th Century have been documented in countless forms of literature, film and art. On the Road by Jack Kerouac was written and published at the outset of the counter-culture movement of the 1950s and 1960s. This novel provides a first-hand account of the beginnings of the Beat movement and acts as a harbinger for the major societal changes that would occur in the United States throughout the next two decades. On the contrary, Fear and Loathing in Las Vegas, a Hunter S. Thompson novel written in 1971 provides a commentary on American society at the end of the counter-culture movement. Thompson reflects on the whirlwind of political and social activism he experienced and how American society had

Civilization is the basis of life, driving human interaction in everyday life. The texts, Frankenstein by Mary Shelley and The Road by Cormac McCarthy, depict civilized and uncivilized situations, which reflect on and elaborate characterization. This can be seen explicitly with the creature (Frankenstein) and the boy (The Road). Both novels address the civilized and uncivilized in different approaches, however similarly emphasize the significance of the character’s traits and development. The ways that each character approaches civilized and uncivilized situations and behaviours, relate to the character’s experiences and emotions directly in the case of the creature, contrary to the inverse relationship in the case of the boy. The

Unlike animals, humans are able to observe past the mere monochromatic vision of survival. We have an impeccable ability to desire more than just living to breed, and breeding only to someday perish. Thus, we gradually brush this canvas with the colours of ethics, control, and knowledge. Whether the colours fade or become prominent through time, this canvas becomes our perception of normality and we allow it to justify our actions; favorable or harmful. We, as well as the narrator in the short story The Hunt by Josephine Donovan represent this. However, because of the narrator’s difference in perception, self-indulgence, and greed for power, the story introduces a feeling of infuriation to the reader.

​These two worlds Collins and McCarthy created where killing is a form of entertainment and/or necessity for one’s survival, one may assume that expressing any form of humanity is a sign of weakness. Moreover, because the main characters of both novels

Trina and McTeague both return to the primitivity of their ancestors because of their mistakes. McTeague begins to descend on the social ladder when he tries to act civilized after his elopement to Trina. After stepping outside of his comfort zone, the world crumbles around him. He loses his dental license because he never truly earned it, and slowly becomes more violent towards his wife and becomes the brute that his father was and the drudge that his mother was. Trina set herself up for doom when she wed for all the wrong reasons. Trying to elevate her status, she was clueless trying to survive in urban society. After winning the $5000, she gradually becomes obsessed with saving money. A symbol of security, the money encourages her to resume lowest level of society. She returns to the penurious peasant stock for which her family came from, which eventually led to her

The play written by Susan Glaspell in 1916 is based on the murder of John Wright where the prime suspect is his spouse; Minnie Foster. “Trifles” is fixated on the investigation of the social division realized by the strict gender roles that enable the two men and women to have contending points of view on practically every issue. This is found in the way the men view the kitchen as they consider it as not having anything of significant worth. From the earliest starting point, the two women and men possess distinctive positions. For instance, the women are unimportant guests to Minnie Foster's home while the men have desired authority obligation.

1. Throughout the story suspense is aroused and maintained excellently. This is achieved by the character the author creates. Mr. Martin is characterized as a neat and cautious man, who never took a smoke or a drink in his life. Our suspense is aroused when the author states that it has been “a week to the day since Mr. Martin had decided to rub out Mrs. Ulgine Barrows”. This arouses our suspense because we are told Mr. Martin is planning to murder this woman. The suspense is maintained with Mr. Martin’s thoughts. We as an audience are given his thoughts through the use of the 3rd person omniscient point of view. His thoughts are mostly on the issue on his dislike of Mrs. Barrows. Because of this, he

For ages, people have been debating the idea of human morality and whether or not at its core humanity is good or bad. This philosophy is explored in Cormac McCarthy’s novel, The Road. The road is the story of a man and boy living in a post-apocalyptic world. Some cataclysmic event has crippled Earth’s natural ecosystem, leaving the skies engulfed in ash and the ground devoid of much life. The duo aim to journey south as a way to escape being frozen to death in the oncoming winter. During their journey, the boy and man come across different people and places that give them a better understand of what humanity has become and where they stand on that spectrum. Throughout The Road, McCarthy revisits the idea of being the “good guy” when there is no longer a need to, “carrying the fire” as it’s detailed in the book. The dichotomy between the boy’s moral conscience and the man’s selfish ideals helps develop McCarthy’s idea of humanity losing its selflessness in the face of danger.