Francisco de Holanda y Felipe de Guevara: Inventar, Imitar y el Arte Universal

Miguel Hidalgo y Costilla, also referred to as the father of Mexican independence, began his life on May 8, 1753. He was born on the ranch of San Vincente, the estate of San Diego Corraljo, in the Jurisdiction of Pénjamo, Guanajuato.[1] His parents were Don Cristóbal Hidalgo y Costilla and Doña Ana María Gallaga. Miguel Hidalgo was a Creole, meaning that he was born of pure Spanish blood in a province of Spain.[2] Don Cristóbal and Doña Ana María conceived three more sons subsequent to Miguel. All of their sons were beneficiaries to the reign of Carlos III in Spain. Carlos III allowed admittance of Creoles to colleges and universities, thus inspiring Creole fathers to send their

In Iris H. W. Engstrand article, “Perception and Perfection: Picturing the Spanish and Mexican Coastal West,” I initially did not know what to expect of the article. I figured Engstrand would discuss multiple views and perspectives when moving to the Spanish and Mexican Coastal front. I found the thesis, after reading through the article as it was not outrightly stated, to be: “Artists and illustrators depicted the past -- or the observable present -- in pictorial documents that became the records of current events, journalism, of reportage, and of scientific exploration, discovery, and adventure.” I believe Engstrand’s purpose is to reveal to her readers the predominant primary sources of the late-eighteenth and early-nineteenth century and how the art could be manipulated to please specific cultures or people.

Most every human being has encountered a time in their life when he or she has felt suppressed. However, not every person has stood up against the people and forces that have kept them oppressed. It takes a truly extraordinary person to stand up for their self and to take a stand for the greater good of others. According to Clare Booth Luce: “courage is the ladder on which all the other virtues mount.” The Mexican writer, Sor Juana Ines de la Cruz and the Puerto Rican writer, Julia de Burgos, acknowledged the fact that they were suppressed by the male gender. Sor Juana and Julia de Burgos did not simply stop at acknowledging the problem at hand. Rather, these two

Nation's history and culture have definitely a great effect in the art conception in every country. The same way it has a bigger meaning and influence in people that share their traditions. I found really interesting how this empathy multiplies when people happen to be far from their homeland. This is why I chose “Jose Marti” by Roberto Fabelo for this report. “Fabelo”, as he is best known, is a painter, sculptor and illustrator, he was born in Cuba in 1951.

, 204) provided images that could be appropriated by bureaucrats and clergy to help shape the Spanish imaginary of empire in the face of hyper-critical European assessments of Spain. If for Arce y Miranda casta paintings signified a form of calumny, for others such as Lorenzana and Bucareli they could represent images of colonial resources and subject populations, and simultaneously signify Spain's participation in the ‘culture of curiosity’ through the commissioning and collection of such artifacts, and in the broader scientific developments of the period. Arce y Miranda's reactions reflected

In Barnaby Nygren’s article, Fra Angelico 's San Marco Altarpiece and the Metaphors of Perspective, the rediscovery of linear perspectives and how it altered the planar space for those artist who worked in two-dimensions was methodically analyzed. Reviewing historical data and art works, Nygren revealed that artwork created prior to the 15th century was typically a religious endeavor designed to prompt devout worship through visual recollection of spiritual events. In essence, it was religious short-hand designed to trigger public recognition from mostly illiterate, but devote, religious viewers. Religious paintings were more symbolic. As such, these renditions were generally flat and unrealistic. This is due, largely in part, to the era in which the paintings were produced. Because the traditional style that had been used since the Egyptian and Byzantine periods lacked realism, not much thought was given to the use of linear perspective to create more realistic works. In fact, it wasn’t until the 15th century that realism even became valued.

God has created the world beautifully by making the combination of many natural colors, and other things. The images of the natural work of art and animals address the reality of the life as how it begins and at what stage we are now. To create your better understanding the book “Exploring Art: A Global Thematic Approach” written by “Margaret Lazzari, Dona Schlesier” has highlighted the principles and importance of the art work by relating it to the past working of art and modern work of the artists. It increases the level of understanding of the viewers and makes it easy to give their opinions on the situation or concerns addresses in the

In the novel Lord of the Flies, by William Golding, leadership was one of the main underlying messages in it. In a disaster situation, who should be the main leader? Who has the quality’s needed to herd everyone and direct them to make sure all basic needs are met? Only two people from the naval stood out above everyone else, Piggy and Jack. They are the ones who show the most quality’s needed for survival.

“I try with my pictures to raise a question, to provoke a debate, so that we can discuss problems together and come up with solutions.” In this essay I aim to address the question how does Sebastiao Salgardo’s activist photography reflect against media journalism? I will be looking into a brief history of the movement of activist photography and will also looking into Sebastian’s background. I believe that Salgardo paints a true picture of what is going on in the country’s around the world, he visits these places and then becomes at one with the people in these situations, he wants to provoke debates and discussions into these problems in order to inform people of the true problems. Its true that in the 1980’s Salgardo’s work was deemed

also when other political or social events are grotesque. Such works of art aims at awakening the Cuban citizens of their social and political situation in a time of reflection, in particular in the time of a national reflection - the rectification campaign. Since the rectification campaign tries to have everyone work on fixing the errors committed by the government, the people should take initiative and work on a better nation by reflecting and creating change in their passive approach. The art of Esson offers a space for practice, of make believe in such grotesque situations, in order for the audience to feel prepared and unsurprised of a real life grotesque situation.

Some people are born with natural god given skills and ability while others who are not that lucky and have to work twice as hard just to get the same result. And then there are those rare individual who even though they are born with the talent, they still work just as hard and sometimes even harder to keep improving. It is called determination and that is a trait that all the great athletes share and it is what separates the great ones from the just good ones. This is perfect way to describe Peyton Williams Manning, who is considered to be one of the most prolific passers in NFL history.

In this way, to render the semantic extent of the term, the meanings of forma and formatio and imago and imitatio are involved as well; and the following two concepts are implied: firstly the concept of production according to an order that gives rise to a form (to something subsident on the basis of mutually congruent rules) and secondly the conformation of the said act to an image given as assumption, as a model endowed with an absolute value which this image must resemble or aim for.

     The Scarlet Letter can easily be seen as an early feminist piece of work. Nathaniel Hawthorne created a story that exemplifies Hester as a strong female character living with her choices, whether they were good or bad, and also as the protagonist. He also presents the daughter of Hester, Pearl, as an intelligent female, especially for her age. He goes on to prove man as imperfect through both the characters of Dimmesdale and of Chillingworth. With the situation that all the characters face, Hawthorne establishes the female as the triumphant one, accomplishing something that, during Nathaniel Hawthorne’s time, authors did not attempt.

It is when the artist begins to add nuances and harmonies to the melody that the work becomes inaccessible to the unlearned ear, thus isolating a portion of the audience. When works of art are created to express the universality of humankind they are more beneficial to it. As an example, this view is dissimilar to the view if Dante, who believed that the language of a work should be elevated. Tolstoy argues the more details that are given in the work the more opportunities for disconnection from its message the audience has (391).

Ernesto Guevara Iconic Status Aged twenty-four, Ernesto Guevara pens a regular letter home to Rosario, Argentina from his flat in Mexico. It concludes: "Things are moving with tremendous speed and no one can know, or predict, where or for what reason one will be next year"[1]. This, perhaps, is one indication of the mans legendary appeal - not as a hero of socialism or political ideologist, but as a free-spirited and non-fictitious adventurer. After all, how many of us could end our letters with the same thrilling poignancy, at any age?