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Francisco Goya Essay

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Francisco Goya’s The Third of May1808: Principles of Art Design
Great insights went into the intricate composition of Francisco Goya’s painting The Third of May 1808, his painting utilizes the principles of art and design which displays all six principles: unity and variety; emphasis; balance; rhythm and movement; perspective; and proportion and scale. All six principles could also be identified and critically analyzed within his painting The Third of May 1808 which ultimately resulted in a whole cohesive composition.
Goya’s use of the principle of art design, unity is evident as the shapes and sizes he painted in The Third of May 1808 are easily recognizable when looking at the prisoners and soldiers, the viewer can notice that all the human bodies represent mass equally in the painting. Unity is defined as a method of organizing artwork to bring all the parts together to make one integrated whole by repeating elements in it. Furthermore he adds …show more content…

Emphasis is exemplified by Goya when he painted a horizontal line to represent death. Convergence is when many elements point to one thing, again this is exemplified when he painted the riffles horizontally pointing at one of the prisoners brightly painted in yellow. Moreover it focuses the attention of the viewer to that one prisoner painted brighter than the others and is easily notice when the painting is first viewed.
Goya integrates the design principle balance in The Third of May 1808 when he utilizes informal balance and is evident when he painted the soldiers and building on the right of the painting and prisoners and hill on the left side of the painting which created a balanced visual weighted artwork Informal Balance is defined as the elements of art and design used to create the same comfortable feeling as with formal balance, but in a much more subtle way, using unlike objects that have equal visual

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