Forrest Thomson Poetic Artifice Analysis

George Szirtes article “Formal Wear: Notes on Rhyme, Meter, Stanza, and Pattern” from the Poetry Foundation opens with opinions which focus on limitations of poetic form. As a counter to these common arguments, Szirtes claims, “Verse is not decoration: it is structural. It is a forming principle and words at depth” ("Formal Wear: Notes” 2). He then develops an argument explaining, “the constraints of form are spurs of the imagination: that they are in fact the chief producers of imagination” ("Formal Wear: Notes” 2). Taking these ideas into consideration Szirtes incorporates the idea of language explaining how language connects to memory and imagination which come together to form poetic images. Additionally, when poets use form it develops

BibliographyRomantic Writings: An Anthology, edited by W.R. Owens and Hamish Johnson (1998), The Open UniversityApproaching Poetry, Sue Asbee (2001), The Open UniversityRomantic Writings, edited by Stephen Bygrave (1996), The Open University

In his article “Fear of Narrative and the Skittery Poem of Our Moment,” Tony Hoagland argues that modern poetry is “oblique,” “fractured,” and “discontinuous”. He believes that poems no longer have systematic structure or development, making them appear random with skittish tendencies. Because of the poems that Hoagland feels are different, he categorizes most new poems to be like the kind he describes in his article. He further evaluates new poetry by claiming that “narrative poetry is tainted by overuse” and that the time we live in is “simply not a narrative age.” He uses several poems to support his argument such as, “Couples” by Mark Halliday and “First Person Fabulous” by Matthea Harvey. He utilizes these poems because they possess no true focal point and the structure restricts them from having a clear narrative.

Before watching your presentation, I only knew the basics regarding William Blake. There are various interesting things that you mentioned that I did not know about. For example, you mentioned how he was more commonly known for his art rather than his poems. His art as a whole is really interesting. You mentioned how he took his encounters with the people around him, his brother’s death, and visions and reflected them into his work. One thing from that list that stood out to me the most were his visions. He was able to take his visions and portray them in his paintings even when many people found it difficult to understand the meanings behind it.

Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.

Poetry has a role in society, not only to serve as part of the aesthetics or of the arts. It also gives us a view of what the society is in the context of when it was written and what the author is trying to express through words. The words as a tool in poetry may seem ordinary when used in ordinary circumstance. Yet, these words can hold more emotion and thought, however brief it was presented.

The poem Rebirth of Slick problematizes the universal belief of success in a way that it is not only achieved by an individual, but rather a larger group of people. They protect their legacy to preserve their interests, pursue their dreams, and to continuously develop existing ideas that will broaden their influence. According to the urban dictionary, the meaning of “rebirth of slick” is “the sudden epitome of rap and hip-hop. The most original and realization of what goes down in the "hood" or lower class urban environments. Also, shows how those who live in these places do not seem to care of what happens around them and just live their life a cool, peace, groove smooth, jive, and roll”. On the other hand, the rebirth of slick is also a song composed by a hip-hop trio, Digable Planets.

Another poet that one can argue fits into this subsection of thought is Juliana Spahr, whose various collections such as Nuclear, Responses, and this connection of everyone with lungs are illustrative of the methods and means of modern women writers, and the unwavering enquiry of knowledge that all those I have mentioned exhibit. Within this connection of everyone with lungs Spahr utilises scientific language, and methods to further a thematic notion of the errors in exceptionalist thinking, that is the belief that something, someone or event, is exceptional in some manner. This collection focuses on the events of “9/11 as cellular rupture” and the arguably unique ability of poetry to reflect on the external within its frame to reach a catharsis and epistemic understanding of the conditions of modernity. In this use of scientific language and her reliance on scientific knowledge and explanations to confer meaning she arguably falls into a position of consilience.

The Vacuum by Howard Nemerov talks about a widower and his late wife, and how he uses the vacuum as a symbol for her death. The poem expresses deep sorrow and sadness that derive from the loneliness of the speaker, after his other half’s passing away. Nemerov attempts to take his readers on a grief-stricken journey, by strategically employing figurative language (mainly personification, metaphor, simile, and alliteration), fractured rhyme schemes and turns in stanza breaks in the poem.

While reading the poem “Introduction to Poetry,” Billy Collins sends a message to the readers that they should be patient and impartial when it comes to analyzing a poem in order to see the true meaning behind the without being over analytical. There is a revieting situation that takes place because Billy Collins is delivering his message to all readers about the way that one should be able to read a poem. This poems educates the reader on how to be able to read and plunge into a poem, through using many techniques like mood, tone, and literary devices to do so. In the first two lines Collins demands that we tackle a poem with a invigorating eye. There should be an exploration of what the poem means to us. How does this poem apply to our

“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”

In Edward Taylor’s “Prologue” he seeks to demonstrate the inferiority of man in respect to God’s glory. Taylor begins his piece by creating a metaphor in which his own subsidiarity to God is described in terms of physical stature and uniqueness. He then purposefully includes phrases with erroneous meter and imperfect rhymes to demonstrate that his inferiority extends to his abilities as a writer. Taylor further attempts to establish his lack of authorial skills by including repetitious words, implying that he lacks an extensive vocabulary. When combined these tactics serve to support the idea that Edward Taylor has many shortcomings, both as a human and a poet, especially in comparison to the greatness of God.

It is certainly true that one of the distinguishing features of poetic texts is the use of figurative or non-literal language – this essay highlights the fact that metaphors do contribute to the understanding of a poem. Ted Hughes’ poem, Sketching a Thatcher, is loaded with vivid imagery and ample metaphorical constructions which aids to validate this fact. In order to uncover the message behind this poem, one must take a closer look at the arguments, focus expressions and tenor/vehicle constructions of at least six local metaphorical constructions

The daily ritual of leaving work in the city to arrive home in the suburbs has been masterfully depicted in the poem, The Inhabitants. By taking the New Critical analysis approach in using scientific theory, we can unpack its meaning through a defined system self-contained within the text. In our analysis of The Inhabitants we take a structuralism approach. Structuralism as defined by Mary Klages, in her book Literary Theory: A Guide for the Perplexed, is a way of thinking that works to find the fundamental basis units or elements of which anything is made.” (p 31). The number 5 is a very powerful prime number. Taking a closer look at the poem, we see the power of the 5 paradigm and how it plays a crucial role in unlocking the poem’s very meaning.

Some of the poems and essays I have read during this class were relatable to me. Being away from college, I have struggled with not being at home. I have become a different person when I am at school, but when I am home, I feel like I am my normal self again. Some of these authors of the poems and essays that I have read throughout this class has struggled with being somewhere where they don’t belong and that they are someone else when they are not home. Unlike the other poems and essays we have read throughout the course. I enjoyed reading the ones about “home” because I actually understood what they are going through and that I can relate. Some of these poems and essays include “Going Home” by Maurice Kenny, Postcard from Kashmir”, by Agha Shahid Ali, “Returning” by Elias Miguel Munoz and “Hometown” by Luis Cabalquinto. All of these poems deal with duality.