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Forms Of Sexual Hypocrisy In George Eliot's Middlemarch

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The 19th century literature depicts the bodily desire largely rather than being enunciated explicitly. The forms of love and desire in this era has philosophical, historical and aesthetic contexts. Visual arts and literature has shaped love in this time. The Victorian period on one hand where publicly used to have a respectable discussion on sexuality, on the other hand had undeniable modesty in matters of speech, gesture and clothing.
There was once a society which is still held above all others to be the paradigm of sexual hypocrisy. An ostensibly, even ostentatiously virtuous society which furtively broke its own rules of conduct; a society which had nothing to say on sexual matters but left them but left them to the professionals. The summary image of Victorian Society is extraordinarily tenacious.
The novel Middlemarch written by George Eliot (1871-1872) enjoyed immense popularity as it dominated the European Literature in the 18th century. Eliot showcases social values and personal importance by theorizing desire in her novel. The scene between Dorothea Brooke and Will Ladislaw in the library at Ludwick, that scene which lends itself to a dynamic representative reading to desire's function in Eliot's work. In An Erotic’s of Detachment: Middlemarch and Novel reading as a Critical Practice David Kurnick places Dorothea in the role of the restless and perpetually desirous novel-reader. Kurnick argues that Middlemarch as a 19th century novel depicting English society

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