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Foreshadowing In Macbeth Analysis

Decent Essays

Foreshadowing, irony and characterisation are used in William Shakespeare's play, Macbeth, to explore the ideas of violence, power, and gender. These stylistic techniques are presented through the start, middle and end of the play to highlight a diverse range of significant ideas consistently throughout the play.

William Shakespeare contests the idea of violence through the foreshadowing included in the witches prophecies. The idea of violence is fluid in Macbeth when the witches deliver the prophecies which foretell the future of the kingdom, leading Macbeth to turn to violence to fulfil the prophecies. The first foreshadowing was in Act 1, Scene 3 where the witches deliver the prophecies to Macbeth and Banquo, as the third witch states “All hail, Macbeth, that shalt be a king hereafter!” (1.3.2) These prophecies are then continued when the third witch tells Banquo “Thou shalt get kings, though thou be none. So all hail, Macbeth and Banquo” (1.3.69-70). In these prophecies, the witches are highlighting that somehow, Macbeth will become king. When Macbeth finds this out, his desire to fulfil the prophecies leads to a selfish act of violence to acquire the throne. Of course, since the witches’ prophecies were cleverly designed to manipulate his weak mind, Macbeth murdered Duncan to satisfy his ambition. He results in framing the chamberlains by planting the bloody daggers beside them. The foreshadowing is ever present as Macbeth remembers the prophecy of Banquos son

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