Flaming Iguanas Essay

Caminero-Santangelo, Marta. 2007. On Latinidad: U.S. Latino Literature and the Construction of Ethnicity. Gainesville, FL: University Press of Florida.

Despite being a very diverse literature genre in terms of influence and inspiration, North American literature encompasses many works that share some very common thematic elements. Though there are several themes shared, one in particular can be found in most any work – the importance of identity. Particularly in some selected pieces yet to be named, identity is a very important element, not only because it is a necessity for a main character in any work of literature, but because these works express ideas about identity as being very individualistic – as opposed to being a mere result of cultural surroundings. Zora Neal Hurtson’s Their

The more masculine Norma Jean becomes, the more she leaves her husband behind. Norma Jean is independent and unable to cope with her husband’s constant presence. Norma Jean is a good wife when her husband comes home from work, but, now that he is always home she has become a different person. Norma Jean was able to put on an illusion of being a great wife because she only had to do it for a short while. She is very content with being alone and not being bound to her husband, “Norma Jean has never complained about his travelling; she has never made hurt remarks, like calling his truck a ‘widow maker’” (Mason 570). Norma Jean does not complain about her husband being gone because she prefers it over the latter. Norma Jean even rejects her wifely duties, “When [Mabel] visits, she inspects the closets and then the plants, informing Norma Jean when a plant is droopy…She also notices if Norma Jean’s laundry is piling up” (Mason 572). This quote symbolizes Norma Jean’s unwillingness to fall into a permanent role as a wife. She neglects her womanly duties and it is her mother that tells her when it’s time to do things. Now that Leroy is home, Norma Jeans starts extracurricular activities to not be with her husband, “Something is happening. Norma Jean is going to night school…now she is taking an adult-education course in composition at Paducah Community College. She spends her evenings

Some skeptics such as Audre Lorde: may, argue that the focus of Larsen’s novella focused primarily on the juxtaposition of race and sexual identity of Black feminism in the early twentieth century. However, Larsen makes use of unstable identities that can been seen through the passage via Brian Redfield and John Bellew. The husbands’ envelope the extent of male privilege and contrarily shows their means of working against it. By exploring these men, it offers a more critical view to understanding Clare and Irene

As hardworking women living of the prairie, Mrs. Hale and Mrs. Peters can relate to Mrs. Wright’s situation. They know personally that long days of doing laundry, cooking, and cleaning can become very tiresome (Hedges 91). They realize that living on the prairie can force a woman to be confined to her own house for weeks at a time, and because Mrs. Wright never had children, the grueling loneliness that she suffered must have been excruciating. Mrs. Hale and Mrs. Peters both experience the constant patronization and sexual discrimination that most women in the early twentieth century lived with. They empathize with the difficulties of Mrs. Wright’s life and almost immediately a bond is formed with a woman they do not even know.

This highlights that Chicanas prefer Chicanos more than they prefer each other; they perpetuate gender hierarchy by constantly placing males above females. Chicanas fear the criticism they will endure if they defy gender boundaries. Joan Riviere addresses this phenomenon in her essay “Womanliness as a Masquerade. Her essay explores the discomfort that woman feel when they act outside of the boundaries established by a male dominated society. In one example, she describes a

In “The Myth of the Latin Woman” and “If You Are What You Eat, Then What Am I?” the subject of feeling like an outcast due to being of a non-white culture is examined. From the perspectives of two different women from two separate cultures (Puerto Rican and Indian), a series of anecdotes show the discrimination they face throughout their lives, all because their heritage does not match up with the world around them. “The Myth of the Latin Woman” focuses primarily on the stereotypes of Puerto Rican women, and how these stereotypes have followed the author no matter where she traveled. “If You Are What You Eat, Then What Am I?” focuses on the lack of belongingness felt by the author both in childhood and her adult life through food.“The Myth

The racist connotation that Miss Jimenez associates with who she thinks would “fit in” society’s box is a definite reflection of the hardships Valdez witnessed in his community. For example, the Zoot Suit Riots that occurred in 1944 was rooted by a reaction by young Mexican-American males against a culture that did not want them to be a part of it. Stuart Cosgrove examines this issue when he states, "In the most obvious ways they had been stripped of their customs, beliefs and language.” (*Vargas 317) These youths were going through an identity crisis because they did not know which culture they could identify with. Miss Jimenez is a character that embodies that repression Valdez explains in “Los Vendidos.”

The object of examining gender roles is to answer the question why should women and men be equal and "Are there populations in which men and women are absolutely equal? Are there societies in which women dominate men?" (Gender 238) By understanding the culture in which this piece of literature is written, the gender roles and the rules of behavior for a woman, then the relationships between genders can be realized. The general myth about women and their gender role in the American society is that the mother works in the home and supports her man in every way. For each relationship, the people in that relationship must decide the particular roles that they will play. In the literary work "Girl", Kincaid shows clearly that the woman's role in this work was to serve the family and to work mainly in the house. The mother writing this story tells her daughter that "this is how you iron your father's khaki shirt so that it doesn't have a crease" (Kincaid 489). In this marriage, it is understood that the wife is to do the laundry for the husband. Today's society does not always provide these clear roles since many women work a full time job and the house chores are a responsibility for both to handle. Though the woman is still mainly held responsible for the home. There should be a constant search for equality in gender roles. Kincaid explains how the man is working to bring home the money and the wife supports

Her Wild American Self by Evelina Galang is a collection of short stories that reflects on not only what it means to be A Filipina-American but a woman in society. Being both of those things subsequently leads to everyday struggles that involve interpersonal conflicts, societal pressures, and familial obligations. Women often sacrifice so much of their feelings and consequently themselves when trying to deal with such a harsh reality. This reality which relies heavily on society also forces women to become subservient in many aspects of their lives and does not allow them to speak out and defend themselves in times of need. Myself, like so many of the women in Galang’s stories, have gone through feelings of shame and guilt while trying to

     At the same time, the readings of the women's masculinity and androgyny must be similarly reconsidered. While Irving reads Lena as one who "conforms more readily than Ántonia" and assimilates in a manner "too complete" in that "she, like Jim, is lethargic" (100), I would argue that Lena's refusal to marry and her achievement of the independent, successful life she sought belie any ready categorization of reinforced hegemony, undermining standard patriarchal demands; and her success can be contrasted with Jim's loveless marriage and the vague reference to the "disappointments" that have failed to quell his "naturally romantic and ardent disposition" (4). Similarly, as Gilbert and Gubar highlight, the happiness of the "masculine" hired girls stands in stark contrast with the emotional restriction to which town wives are subjected: "Energetic and jolly, Mrs. Harling must stop all the activities of her household so as to devote herself entirely to her husband" (197). While it may be true that "their disturbing androgynous qualities, and their unwillingness to accept traditional female roles" position the hired girls as "outsiders" (Wussow 52) and that these facts can be read as critical of the feminine, it seems more

The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.

In the opening scene of Jane Martin’s “Rodeo,” there are many stereotypical props used to portray the beer-drinking, hard-working, cowboy image with the characteristic country music playing as an added touch. Most people are familiar with this type of scene in their minds, with a man as the character, but not this time – we find a tough, smart, opinionated woman with a distinctively country name of Lurlene, and the typical cowboy kind of nickname, Big Eight. The reader will dive deeper into the true character of this unusual woman and realize that she is no different from the average woman in today’s workforce. She is feeling the frustration of discrimination and the push out of the only lifestyle that she knows, by “Them” (1667).

Betty is shown as the “perfect” mother to her children, David and Jennifer, who took on the roles of Bud and Mary Sue. Betty is a mother who is shown to be selfless, always looking out for the good of her children. White men who use social power over women, to suit their own needs and desires, reinforced this definition of motherhood. The film also reinforces how White men use social power to force the idea that women like Betty are supposed to stay in the house with the kids, prepare food for the family, and have it ready for the husband when he walks in from work expecting everything to be perfect, to suit his needs and desires while he does his everyday routine. The dominant tries to keep their own values from changing by non-coercive actions, persuading women how all change “goes away,” it's just a temporary phase if it happened, it’s nothing to worry about. However, when this non-coercive approach fails as the mayor of Pleasantville puts it: it threatens the dominant masculine values of what makes this town “great”. As a response to such threat, the all-male committee of Pleasantville reinforces their ideology by using coercive actions to put women back in their place, creating laws to infuriate women and physically abusing them as one of the men tried to do to Betty. This film shows how women of the 1950’s and today are expected by men who value the dominate ideology to look beautiful at

“Ma Joad, the inner driving force of the Joad family, has always been considered Steinbeck’s foray into the ideals of feminism, of female control, a statement far beyond the standards of the time” (Sharpe 1). The members of the Joad family are very close knit because of Ma Joad’s role she has on all of them. Many family members of the Joad family have a great deal of influence on Ma, and Ma on them.