Filmmaking: The Complex Process Of Making A Film

If you are unable to find any information about the social impact of the film, explain the personal impact it has had on you.

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

I chose to critique the film “The Elephant Man” it is an iconic filmmaking endeavor. Director David Lynch shows the sadness and the scariness of deformities onto the audience in a way that touches your heart and leaves you with a sense of sadness and will also leave a tear in your eye. Most of the people who have watched this film are touched and completely changes the way they view crippled, weak, and deformed people in this world.

In the reading, Violence in Movies: Cinematic Craft or Hollywood Gone Too Far?, the response that states "Point: Hollywood, Stop Exposing Our Kids to Violence" is more persuasive than "Counterpoint: Hollywood Filmmakers Should Not be Villainized for Movie Violence" because it provides better-supported facts that are reliable and credible. The "Point" response explains how violence in movies has become very excessive and is allowing children to act out and think it is okay because of what they see on TV. While, the "Counterpoint" response explains how Hollywood filmmakers should not be punished for their creative writing and that parents should monitor their kids and decide whether or not they should be watching it.

Higher Learning is a film that deals with race and issues on a college campus. I have watch this film serval times and like the concept on what the director is putting on film. The Director John Singleton is better known to director Boyz n the Hood and the second Fast and Furious movie. It starts on with the new coming freshmen a young black man named Malik played by Mar Epps a young white woman named Kristen played by Kristy Swanson and a young white man named Remy played by Michael Rapaport. They are here, to learn about the struggles of race, ethnicity, and fitting in the most important lessons that is taught by the campus itself. Professor Phipps played by Laurence Fishbone who in the film portrayal of a West Indies decent professor,

My dad and I are both huge movie nerds. We both love watching them and talking about them. Although we like some similar and some different types of movies, we like to watch and discuss them together.

Katie Mitchell’s The Director’s Craft (2009) is aimed to describe anything a starting director needs to know and do. Mitchell suggests that directors can “dip in and out of this book to solve immediate problems” in the rehearsals and production process (2). So the book is giving you detailed suggestions that one needs when directing a play. The book is divided into four parts: ‘Preparing for rehearsals,’ ‘Rehearsals,’ ‘Getting into the theatre and the public performances,’ and ‘Contest and sources.’ Each part is elaborating the process that a director should take from the beginning to the end.

"Life is like a box of chocolates. You never know what you're gonna get." (Forrest Gump)

The cinematic language that we know of today would not be as it is today if we had synchronous sound recording from the beginning of film. Cinematic Language is the systems, methods or conventions by which movies communicate with the viewer. A few examples of cinematic language are; montage; mise en scene, the use of long takes, depth of field shooting in order associate people or objects; Expressionism, the use of lighting techniques, severe camera angles, and elaborate props, to name a few aspects; and realism, a technique to make the action seem as true to life as possible. The list of techniques and styles of cinematic language go on, and can only be limited by the imagination. Early films, and early sound films both had something in common; they lacked many elements of the cinematic language. The reason sound films reverted back to the same pre-cinematic style of early films, was due to the fact that they had technical difficulties, that required them to fall into the style of the old ways. I do believe that if filmmakers would have had sound from the beginning, with the same sense of movie direction they worked with, they would have used sound as a crutch rather than an enhancing element.

With Film Analysis comes the analyzation of films and movies that depict narrative structure, cultural context, the evaluation of discourse, and many other approaches. The film, “Friday” (1995), is a comedy and drama that displays the relationship between two childhood friends growing up in an impoverished neighborhood. These two friends became affiliated with a neighborhoods drug dealer, and were startled and clueless as to how they were going to come up with the money they owed him by the end of the night! The characterization, setting, and conflicts are the three main elements, in which are portrayed can indicate the analyzation of contributing a larger meaning of this particular film.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

The movie, The Shawshank Redemption (1994), is based on a character Andy Dufresne. Andy is a young and successful banker who is sent to Shawshank Prison for murdering his wife and her secret lover. His life is changed drastically upon being convicted and being sent to prison. He is sent to prison to serve a life term. Over the 20-years in prison, Andy retains optimism and eventually earns the respect of his fellow inmates. He becomes friends with Red, and they both comfort and empathize with each other while in prison. The story has a strong message of hope, spirit, determination, courage, and desire.

With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.

There are three major standards through which I decide whether or not I will watch a film: reputation, and genre. Reputation is inclusive of friends and ratings of the film. Usually my friends and I have similar tastes and we are aroused or repulsed by the same films. Reputation is a strong and stable standard for deciding which film to go to, because with such a large population of movie watchers, major biases don't affect the reputation and ratings are fair and accurate. Also, people are inclined to give high ratings to movies that touch them or really make them think regardless

Every so often a movie is released with such tense anticipation and glamorous visual art that the public is drawn to this dramatic rendition of life in the theatre. For even just two hours or so, you are put into a different lifestyle. Action, drama or comedy it may be. We are thrust into a different way of thinking. We are forced to learn the characters thoughts and feelings. The hard work and artistic skill that goes into these magnificent films is not an easy thing to mimic. Out of the thousands of movies released worldwide each year only a handful are truly worthy of the label film art. Most of the great movies are either produced by a multi million dollar