While both Martin Scorsese & Gore Verbinski share a similar telling of mental illness, and the hospitals the patients confined in Scorsese's direction of sound, cinematography, and editing in his film "Shutter Island" is drastically different from verbinski'sA Cure for Wellness."
When it comes to sound both film’s carry a singular theme song that plays out across duration of each films run time. However, Scorsese manages to make his leading song more impactful. Using Gustav Mahler, a composer whose music is not something that a general audience will be familiar with thus not having a preexisting emotional reaction. (Reeb, the Artifice) Scorsese uses Mahler music to manipulate the audience. During the scene in which Daniels and his
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Again, the music becomes diegetic as we are given another shot signifying that song is being played in the real world of the film via a record player inside of office of dying Nazi officer. The long-drawn-out notes convey sense of longing or love (Reeb) which works in this context. As Daniels stands over the dying officer and documents fall around him we feel his discomfort. Like Reeb states the slower tempo, along with the passion with which the notes are played, indicate a type of longing. Everything from the prisoners longing for their freedom from the camps, the officer longing for freedom from death, and Daniels longing for the family that he lost. This song sticks with him over the entire film. Acting as the key to all his memories and the life left behind. The singular theme song for Verbiniski's "A Cure for Wellness" takes on a greatly impactful but less meaning route. In the very first scene of the film we are presented with Benjamin Wallfisch "Hannah & Volmer". The song is non-diegetic at this point simply plays righter a man mysteriously dies one night in his office. The humming of a young girl provides sense of wonder almost like a fairy tale but the slow tempo of the piano keys playing behind her contrast this. The keys create sense of mystery sense of uncomfortable darkness that will soon be reviled. Even though this song foreshadows the theme of this film it leaves a lesser meaning and
Herrmann utilized a unified score that is constantly dissonant. Although there are variation of mood from loving sound to the terror of the shower, all the cues are observed to be used with minor seconds and major sevenths. He also uses distinct sound using the “percussive-sounding strings” through deploying microphone close to the instrument to demonstrate the sound to be harsher, which can be seen as some of the new approaches that Herrmann accomplished through this film as the start of “a New American Era”. In addition, new approach in film scoring can be seen through the lack of contrast in a cue. When a cue starts, it stays consistent and repeats the mood with no variation where there are absence of shifts within a cue. Moreover, descending and ascending chords of the Transition theme have an aloof characteristic with no display of emotions. This in return provides an overall disquieting mood to the story. During the Norman’s story, Hermann employs ostinato to maintain tension and discomforting sound of melody.
In “The Departed”, which takes place in South Boston, State Police are tasked with bringing an end to Irish American organized crime. One of the stars of the movie is the great actor Leonardo DiCaprio, who plays undercover cop Billy Costigan. The cast is packed with high demand actors; one of them being Irish mob boss, Jack Nicholson, playing Frank Costello. Costigans counterpart is Colin Sullivan, played by Matt Damon. Both men just-graduated from Massachusetts State Police Academy; Sullivan is on the side of the mob, and joined the police force to be an informer for the mob boss. There is a key interplay between each man, and the people they are trying to deceive. The stakes are high, as each operative becomes entrenched in their double life,
The movie “Gone with the Wind” is about a rich southern girl named Scarlett O’Hara and her life hardships set during the time-period of the Civil War. In the story, Scarlett is forced to watch helplessly as her family’s wealth and lives fade as the confederacy loses the Civil War. Even though, the movie is mainly centered on the dilemmas of Scarlett’s love life, there are many historical accuracies that immerse the viewer in the southern mindset as well as the timeframe. The portrayal of class structures and the confederate attitudes before the Civil War are both accurate and engaging details that the movie successfully implements. In the film, these examples are displayed mainly through the dialogue and setting.
Analytical Thesis: Get Out is a psychological thriller that analyzes the racial issues in modern America through the use of visual rhetoric: such as film noir, symbolism and metaphors.
Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.
One would have to say that one of the most notable features of the film would have to be its soundtrack, which incorporates no music but only diegetic sound, from the preliminary noise of the river flowing under the bridge through the even louder sounds of the forthcoming American tanks to the quaking clamors of the ending battle scenes. A prodigious example of sound transpires within the middle of the film. It is when the boys are woken from their cots and called into combat; the sequence features electronically distorted sounds that together equally insinuate the boys’ disorientation as well as the disorientation of the viewers.
The music interacts with dialogue in the film; the techno beat is, at times, accompanied by vocals, which correspond with not only what is happening in the scene, but also the internal diegetic dialogue—another important motif.
Paradise Now is a 2-hour film released in 2005, it depicts a perspective alternative in a highly controversial topic of suicide bombers or also known as a ‘martyr’. The movie takes place in Palestine during the Israeli occupation and illustrates the mundane life and frustration felt by the main characters Said and Khaled due to the oppression experienced during the conflict. A key feature that is also portrayed is the reasoning, and almost justification of an attack on that level. However, the perpatrators can be seen showing feelings of hesitance and even inquisitiveness in relation to the afterlife that they are promised and whether violent resistance is the last option. This paper, will discuss how “Paradise Now” provoked my views and
In conclusion, Shutter Island shows a relatively accurate portrayal of a person struggling with Delusional Disorder, Persecutory Type. Throughout
Now, here is where things get a little complicated. Because as "free moral agents" we each have a right to decide what has value or merit in our lives and our environment could very well determine how our value system is formed. Boston University professor and social scientist Glenn Loury raises some critical issues in his essay "Values and Judgments: Creating Social Incentives for Good Behavior." He claims there are underlying factors that lie at the root of behavior. This is particularly true when we examine dysfunctional behavior.
“Insidious” is a 2010 horror movie centralizing around the lives of protagonists Renai (Rose Byrne) and her husband Josh (Patrick Wilson). The movie mainly focuses on the supernatural activity going on within the house, and it is later revealed that the cause of the hauntings is due to demons attempting to take over the body of their unconscious son, Dalton (Ty Simpkins).
Music has played a major role through out the entire film. It is used as a
This clearly explains the significance of music and the role that has in motion pictures. Music has to match the emotions that the actors are showing and the environment they are in. If fail to do so, the movie could be a dreadful thing to watch.
The film Shutter Island depicts the story of a World War 2 veteran Andrew Laeddis and his experience with mental illness, specifically portraying the memory phenomena of repressed and recovered memories also known as dissociative amnesia and dissociative fugue (Kikuchi et.al. 2010). The illness is triggered by a psychologically traumatic event, which included discovering his wife had murdered his three children, and in response, he killing his wife (Kikuchi et.al. 2010). Additionally, the portrayal exhibits many of the criteria for a diagnosis of Post Traumatic Stress Disorder (PTSD) (Friedman et.al. 1994). The DSM-V now classifies dissociative symptoms as an additional subcategory of PTSD diagnosis, however, the film concentrates
The film, the Untouchables, was directed by Brian De Palma. It was set in the prohibition era, which was right at the start of the 1920’s. Prohibition can be described as a law that made selling and manufacturing alcohol illegal. By putting this law into effect, it actually increased the amount of crime and violence throughout cities in the US. This was ultimately due to the rise in organized crime, also known as gangs. In the movie specifically, it was centered around the rise of the Mafia in Chicago. By looking at the production of the movie, we can see how during prohibition, the Mafia controls everything and the violence ultimately it leads to.