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Figurative Language In The Lieutenant By Kate Grenville

Decent Essays

In Kate Grenville’s bildungsroman, “The Lieutenant”, Grenville uses figurative language to convey various ideas through the landscapes and character behaviours. One such idea presented is the evident secrets and distrust among characters in the novel. Grenville further presents the isolation that people who were suspected to in the late 1700s to early 1800s as well as the issues in the colonisation and slavery of the British Empire.
Grenville portrays how secrecy and distrust are an issue among differing people groups through the figurative language used to describe the landscapes and behaviours of various characters. One example is towards the end of the book, when Rooke is looking out into the bay. He sees how the “wide dark flatness” of the water and shore has “retreated into the night”. This darkness is symbolic of the deception and fraudulence that Rooke had been mulling. The abundance of the darkness is used as a comparison to the excess of deception among the British settlers, who were often disguising their true aims and intentions behind sincerity and inclusion. Despite the darkness the moon still shone out over the water like a “wide eye” but was unable to light up the whole foreshore. This demonstrates how even though some secrets may be uncovered there is often more deceit hidden. Grenville further establish distrust through the fear of the description of the trees as “gnarled pink monsters” with “twisted arthritic fingers”. By Rooke also referring to the land as made “according to a different logic from the world” Grenville is portraying the British settlers as viewing NSW as both foreign and terrifying because they no longer understand it therefore creating rift of distrust. The words “gnarled”, “monsters” and “twisted” also depict a fear of the land and all that it might hold because these words hold negative connotations of a horrifying and terrifying appearance or façade.
Grenville further utilises figurative descriptions of topography and character’s demeanours to delineate how people with differing views were often alienated by their societies. The isolation such people were suspected to is clearly evidenced by how Rooke was reluctant to join Gardiner at the window and hence Gardiner was

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