In the poem “A Storm in the Mountains,” the title does a great job of summarizing the poem. It literally means exactly what it says, that there was a storm in the mountains. Figuratively, though, it could mean different things. When I think of a storm, I think of someone going through problems and they don’t know if they will make it through. There could be big problems and scares, like the crashing thunder of a thunderstorm. Or their problems could occur and that is the lightning, so the person is hoping that it won’t strike. The title contributes to the poem’s meaning by adding the theme to what the poem is going to be about. This poem uses a lot of figurative language in it. First off, it has alliteration, like when the author says “split
Kate Chopin wrote the short story “The Storm” one of her most bold stories and did not even intention to publish it (Cutter 191). The two main characters in the story are Calixta and Alcee. They both used to be attracted to one another in previous years, but now they are both married to someone else. After Alcee arrives to Calixta’s house looking for shelter they are driven into a passionate moment. In the story “The Storm” the storm has a significant meaning; without it the affair of Calixta and Alcee performed would not have been as powerful as it was between them. “The Storm” has a great deal of symbolism throughout the story: the clouds, the use of color white, the storm relative to the affair, the after effects of the affair, Calixta,
Throughout the poem the tone and harmony is showing many different moods including shyness, anger and calmness. An example of shyness is at the start of the poem “softy, silently it swishes”, an example of anger is in the middle of the poem “it thumps, it sprays it rips at shores, its ozone spray”, and finally at the end of the poem calmness is shown, “it spends its strength, it sings, it sighs. The wave recedes”. One aspect of the poem I find intriguing is the alliteration and personification. For example, “it sighs, it sings, it seeks”.
In Billy Collins’ poem, Neither Snow, the speaker shows a reflective tone towards the idea that every individual has their own perspective on any given situation through figurative language and choice of detail. The speakers’ reflective tone is visible through a shift in the diction choices he uses and a rhetorical question he presents. Early in the poem the speaker compares snow to krill with the words “looked like”, the connotation behind these words which are repeated suggest and emphasize uncertainty in thought as well as a belief that the image can be interpreted in more than one way. As he thinks more about the events of that Sunday afternoon however, he comes to the conclusion that “it was a run of white plankton”.
In Daniel Woodrell’s audacious novel, Winter’s Bone, he establishes the character, Ree Dolley, through the usage of literary devices such as figurative language, imagery, and symbolism. Venison, also known as dead deer, is a symbol that is persistently exhibited within the exposition of the novel. With Venison comes an emerging universal theme of hunger. Initially, the first thing Ree saw in the morning was meat.
"Who can lose it and forget it? Who can have it and regret it? Be interposer 'twixt us Twain." Mark Twain absolutely loves word play. Whenever he gets the chance he will use some form of figurative language.
As the storm intensifies so does the physical relationship between these twomarried people. The incessant lightening is the nagging desire between this man and woman. As the storm begins to fade and the thunder to growl from a distance, these two lovers are reminded of their forbidden love (668). The glistening green of the world is the happiness of a fulfilled and closed relationship that allows life to continue (668).
Apart from that, the poem consists of a series of turns that reflect different parts of the speaker’s feelings and the experiences he had. The significance of these turns is made possible through the use of stanza breaks. For example, the first
Stanza two and three depicts two types of storms, one externally and one internally, that are bound to happen. As the storm persists, the speaker observes that “weather abroad / And weather in the heart alike come on / Regardless of prediction.” The speaker associates the storm currently happening as a parallel to the troubles he has metaphorically. The “weather abroad” speaks of the disorder present outside of his sentiments. Even though predictions or storm warnings can aid people in toughing through the occurrence, such as stocking up on food and basic disaster supplies, the storm is imminent either way; the weather cannot be manipulated and it will continue to bring forth destruction. Meanwhile, in regards to the emotional state of the speaker, it is of the heart. An individual can attempt to brace themselves in the face of trying times that will weather away the heart, however, they can’t hinder the turmoil set to come. The speaker “can only close the shutters” to the storm raging outside or within. However, by closing the only way he can view the turbulent storm, either from the house or within oneself, he is closing his eyes to the destruction, choosing to be blind to it. Nevertheless, the storm will go forth and wreak havoc that will remain for an extended period of time, engendering suffering. Instruments may well predict the storm, but it is unavoidable and the outcome depends on what one does with the
A tornado is portraying a mad woman that eventually comes to a calm after being destructive and out of control. Mora is able to do this by using certain diction, an abundance of personification, and the actual shape of the poem. The author depicts the tornado as devastating in saying , “She spews gusts and thunder,” (Mora line 10). Exerting tremendous amounts of swift winds and thunder only leads to disastrous consequences in the area affected. Therefore, using a raging woman as a metaphor for the tornado only adds depth to the writing and gives it life simultaneously. With the pathetic fallacy, “tumbleweed skirt starts its spin,” (13), the furious lady is simulating the same motion as a tornado with her skirt. Furthermore, the diction of ‘tumbleweed’
This poem includes hyperbole, symbolism, and extended metaphor, are just three literary devices he included in this poem.
Furthermore, this poem heavily uses a mixture of literal and figurative imagery. One of my favourite examples of imagery in this poem was “hands reaching out / fists raising up / banners unfurling / megaphones booming” (Jetñil-Kijiner 62-65). This quote allows the reader to imagine the protests and the movements that people are trying to do in order to save the planet. That was a case of extremely powerful and inspiring literal imagery as it shows people’s fight for change. This is an example of people who are fighting to save the planet for not only the current generation but for future generations as well. There are also several examples of figurative imagery, the most prominent is personification. An example of personification is “they say [the lagoon] will gnaw at the shoreline / chew at the roots of your breadfruit trees / gulp down rows of your seawalls / and crunch your island’s shattered bones” (12-15). In this example, it is talking about the repercussions of climate change and what the future will look like if people do not change. The use of personification helps the reader understand the awful things that can
Although this is a short poem, there are so many different meanings that can come from the piece. With different literary poetic devices such as similes, imagery, and symbolism different people take away different things from the poem. One of my classmates saw it as an extended metaphor after searching for a deeper connection with the author. After some research on the author, we came to learn that the
The title of 'The Storm'; gives the reader a peek into the underlying meaning of the story. It obviously
Kate Chopin implies in the selection, "The Storm" that the setting and the plot reinforces each character's action, but only two characters exemplify the title itself, Calixta and Alcee. The storm becomes the central element of Alcee's unrequited love for Calixta and ultimately the instrument of their forbidden love to each other. Hurston concurs in the "The Storm" that a forbidden relationship can become a cancerous love and silent death sentence.
In this poem there is a lot of figurative language. One of the biggest types of figurative language used in this poem is irony. The irony in this poem is how the mother wouldn't let her child go to march because she feared her child would get hurt. Instead she sent her child to church because she believed it was a safe and sacred place but ironically the church ended up being bombed. Another piece of figurative language that is very effective in this poem is imagery. The way the poem is written helps me create images in my head for example, "She raced through the streets of Birmingham." I can imagine her running around desperately, looking for her child. The metaphors and hyperboles in this poem also help with the imagery, for example, "...night dark hair," and "…rose-petal sweet." These metaphors make me think of the girls smoothly combed black hair and her fresh and beautiful rosy smell. A hyperbole that had a huge effect on the tone was, "But that smile was the last smile to ever come upon her face." This hyperbole really helps me understand the effect of a tragic moment like this and how it can completely ruin