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Feminist Criticism In The Thirteenth Night

Decent Essays

Feminist criticism, a “direct product of the ‘women’s movement’ of the 1960s”, is a broad school of theory that examines the representations of women in literature as well as the socially constructed concept of femininity (Barry, 2009, p.116). Besides challenging the previously-unquestioned ‘naturalness’ of gender roles in society, feminist criticism is also concerned with female experiences of oppression, and seeks to expose “how aspects of our culture are inherently patriarchal” (Purdue University, 2010). In addition, feminist criticism raises the question of whether or not an inherently female language exists, and aims to change the traditional literary canon that previously marginalized women writers.

Written in the early years of Meiji …show more content…

Oseki’s identity is defined by her social roles in relation to male figures, in line with the Confucian concept of ‘Three Obediences’ – a daughter to her father, wife to her husband, and mother to her son. Winston argues that “she exists in an inchoate body, for she is neither her own person nor a corpse”; her true ‘self’ exists acceptably only within the cracks of her fragmented identity, and she struggles to suppress her desire for agency (Winston, 2004, p.10). Her attempt to give up her roles as wife and mother – an attempt to reject the roles dictated by the patriarchy – for example, is deemed as “selfishness” despite her husband’s abuse (Winston, 2004, p.2). Moreover, Oseki’s lack of consent to her marriage to Isamu, in addition to the fact that her attempt to seek divorce cannot be done without the consent and support of her father, are both clear evidences of how she is commodified within the patriarchal institutions of family and marriage. When she asserts at the end of Part I that “after tonight I'll think of myself as completely belonging to Isamu”, she emphasizes her own position as little more than a property and object of exchange between male authoritative

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