Female Identity In O Brien's The Love Object

Three probing questions that you have as a result of your reading: 1. Oates reflects a lot in Foxfire on female rage against men. Does her reflection on this in the novel express her own sentiments toward men? 2. Each narrator in Oates’ novels seems to speak very clearly and distinctly about what is going on around them.

39. O’Brien meticulously incorporates this chapter directly after “Sweetheart of the Song Tra Bong,” to portray the counteracting ideals of the role of women and femininity in both sections. In “Sweetheart of the Song Tra Bong,” the entire chapter is dedicated to discussing Mary Anne’s somewhat bolstering and heartening presence for Mark Fossie. It demonstrates the ideal view of women’s comforting role during the war and how they provided devoted their entire being in making their counterparts happy. In contrast,“Stockings” demonstrates the ideal of how soldiers were still reassured and remedied by women on the homefront who present the bare-minimum effort. This is ideal is exhibited by Henry Dobbins who is consistently alleviated and invigorated by his girlfriend’s stockings, yet in actuality, she hardy demonstrates affection and compassion for Dobbins, eventually ending their

Does deviating from one’s gender norms inevitably doom one down a spiral of moral corruption? Tim O'Brien, author of “Sweetheart of the Song Tra Bong” and Ernest Hemingway, author of “The Short Happy Life of Francis Macomber”, certainly seem to hold this view, as evident by the fates of the major female characters in their respective works. The deviance of the major female characters in both works appears to corrupt not only themselves, but also pollute their partners, causing them to suffer injury or harm as a result. The degree of injury ranges from negligible, like Fossie’s demotion and broken heart, to fatal, like the bullet that rips through Macomber’s skull. It begs the question, are these stories meant to serve as cautionary tales for their female readers, or possibly for their husbands, so they may recognize gender deviance and stop it in its tracks before their wives transform into Margot Macomber or Mary Anne Bell? This essay will analyze what such characters say about pervading views of women, both in society and in literature.

In the three short stories “The Chrysanthemums” by John Steinbeck, “Where Are You Going, Where Have You Been?” by Joyce Carol Oates, and “Sonny’s Blues” by James Baldwin, each author provides insight into the complexity of human nature through the internal struggles faced by a main character within each story. In “The Chrysanthemums” Steinbeck paints Elisa in a way that displays her lack of feminine identity, highlighting her personal sexual views of herself and ¬¬the internal struggle it creates, then in “Where Are You Going, Where Have You Been?”, Oates also presents a female who struggles with her sexual view of herself which we see throughout the story as Connie hides her sexuality at home but lets it run wild for the rest of the world, ultimately leading to her demise, and lastly in “Sonny’s Blues”, Baldwin introduces Sonny and the complex issues he goes through as his brother doubts his

The author, Margaret Atwood demonstrates the theme that in a violent isolated world, feminism is despised by the offended society, the inhuman treatment that women received may lead to physical and psychological perils; conversely, one’s firm belief could embody hope and reveal a precise future. Atwood uses irony to impart the theme. Significantly, the protagonist Offred feels she increasingly losing control of her body as “ an instrument, of pleasure” (Atwood 84). But the infinite emptiness inside her can never swap out the

Contemporary novels have imposed upon the love tribulations of women, throughout the exploration of genre and the romantic quest. Zora Neale Hurston’s Their eyes were watching God (1978) and Virginia Woolf’s Mrs Dalloway (2000) interplay on the various tribulations of women, throughout the conventions of the romantic quest and the search for identity. The protagonists of both texts are women and experience tribulations of their own, however, unique from the conventional romantic novels of their predecessors. Such tribulations include the submission of women and the male desire for dominance when they explore the romantic quest and furthermore, the inner struggles of women. Both texts display graphic imagery of the women’s inner experiences through confronting and engaging literary techniques, which enhance the audiences’ reading experience. Hurston’s reconstructions of the genre are demonstrated through a Southern context, which is the exploration of womanhood and innocence. Whilst Woolf’s interpretation of the romantic quest is shown through modernity and an intimate connection with the persona Clarissa Dalloway, within a patriarchal society.

Cinema is taken by feminists to be a cultural practice representing myths about women and femininity, as well as about men and masculinity. Many characters in the novel break the boundaries of traditional male or female gender roles. Sofia’s strength and sass, Shug’s sexual assertiveness, and Harpo’s insecurity are major examples of such disparity between a character’s gender and the traits he or she displays. This blurring of gender traits and roles sometimes involves sexual ambiguity, as we see in the sexual relationship that develops between Celie and Shug. Disruption of gender roles sometimes causes problems. Harpo’s insecurity about his masculinity leads to marital problems and his attempts to beat Sofia. Likewise, Shug’s confident sexuality

In contemporary 21st century thought, sexual liberty is at the forefront of the feminist movement. Women are taking their bodily autonomy back, and ascribing a sense of ownership back to themselves. This movement to gain bodily and sexual liberty, however, are not new concepts. Philosophers and literary greats tackled these issues prior to the 21st century. Both Edith Wharton’s novel The Age of Innocence and Kate Chopin’s short story, At the ‘Cadian Ball and which were written prior to the 21st century and its third wave of feminism. portray women’s sexuality throughout their texts. However, in both novels, the sexuality that is portrayed is confined within boundaries that are prescribed by the men in the story. By writing the female sexuality this way, they are exposing the problematic nature of being able to express a woman’s sexuality, and the lack thereof. Through the focalisation of the narrative as well as plot development of the female characters and their lack of freedom and autonomy in other aspects of their life, the authors make their points clear about women and their freedom, sexual and otherwise.

Gender equality, Identity, and Relationships. All of these themes can be found in She’s the Man. In She’s the Man there is a scene in which Duke sees Olivia run and kiss Sebastian, but what Duke doesn’t know is that it isn’t the Sebastian he has been living and grown to by teammates with. Duke then becomes very angry and soon after kicks “Sebastian” who is really Viola out of their room, and she has no idea why. It was Viola’s decision to change identities that started much confusion, and severed the close bond between her and Duke. This movie has many examples of the theme identity. I personally have learned that it is always important to stay true to who you are, and if you do want to change your identity, that you need to be mentally and

Oates takes us to a journey of rebellion as the protagonist sorts through self-created illusion in order to come to terms with her own sexual inexperience. Connie’s desires for attention from the opposite

During the 19th century female authors were commonly degraded especially when books had a sexual nature. A now notable biography from this period is Charlotte Brontё’s “Jane Eyre”, a detailed account of the life of a young girl that blossoms into adulthood having to face the challenges and social norms of the time. In many works of literature a character intentionally deceives others to either hurt or offer protection. In “Jane Eyre” a character intentionally deceives a loved one with the intention to protect everyone including himself. This particular deception plays a large role in developing the characters of the narrative and the plot development, contributing to the work as a whole.

Women are also treated as a male’s property in the tabloids. O’Connor (1989) expands on this and underlines how women are cast in supporting roles to men rather than leading roles. An example of this within the contemporary tabloid press today, is the two-page spread in the Sun covering the Brexit and how Sarah Gove and Sam Cameron conflicted. However, the piece rarely refers to the women by name, only “PM’s wife”, “Mrs C”, “David Cameron’s wife” and “Michael Gove’s partner” to name a few. This portrays them as property rather than their own personal identity, which is similar to the character of “Curley’s Wife” in the novel Of Mice and Men, which begs the question as to whether society has progressed into equality of the sexes. Gibon (1999)

There is a fine distinction in the fabric of DNA that separates men and women- one has the opportunity to give life and one does not. Although beneath skin and flesh is the foundation of a body, the bones. What every human being also shares with each other is the ability to cast emotions. However throughout history, men have been brought up to be seen as if they have little to no feelings at all and women are to be too emotional. Everyone has the potential to feel pain at some point in their lives. Objectification is the central concept dear to feminist thinkers. Many think that objectification is something that remains in history, but it continues to be a problem in modern society. F. Scott Fitzgerald applies this to the characters in his book: The Great Gatsby. The underlying theme of the podcast: Relationship Radio dealt with the objectification of human beings. Aidan Buckner, Olivia Lujan, and Penelope Tucker’s three podcasts: You Can Buy Me Love, Daisy, Money and Usage, and Puppy Love tie the notion of objectification through the relationships: Jay Gatsby and Daisy Buchanan, Tom and Daisy Buchanan, George and Myrtle Wilson, and Tom and Myrtle Wilson through the book The Great Gatsby.

James Joyce’s book of short stories entitled Dubliners examines feminism and the role of women in Irish society. The author is ahead of his time by bringing women to the forefront of his stories and using them to show major roles and flaws in Irish society, specifically in “Eveline” and “The Boarding House”. James Joyce portrays women as victims who are forced to assume a leading and somewhat patriarchal role in their families. He uses them to show the paralysis of his native land Ireland, and the disruption in social order that is caused by the constant cycle of abuse that he finds commonplace in Ireland. Joyce is trying to end the Victorian and archaic view of

During the postcolonial times the presence of the Roman Catholic Church dominated the Republic of Ireland making Irish Christianity the largest religion. It is through marriage that Eveline is able to fulfill the personal desire enculturated within her through society. O’Brien identifies in Study: An Irish Quarterly Review that Eveline believes that by becoming Frank’s wife, she can “completely valorise her female identity” (207). By becoming a married woman she would gain ‘respect’, as Joyce explains, “then she would be married – she, Eveline. People would treat her with respect then. She would not be treated as her mother had been” (73). It is through Frank that Eveline can find her