FEARS OF DYING IN JOHN KEATS’“WHEN I HAVE FEARS THAT I MAYCEASE TO BE” Melissa Was English 2401:Poetry 4/5/17
Was 2In the sonnet that starts “When I have fears…” John Keats explains his fears about
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If he does not write his words down on paper, no one will be able to see his work and he will not be famous. In the second quatrain, the speaker shows his vulnerability and how he longs for love. The speaker looks at the sky and sees “huge cloudy symbols of a high romance”(6). This use of ametaphor shows how he believes the love he wants does not exist. He compares love to clouds and “a high romance,” (6) which sound unattainable. Clouds are so high up in the sky they seem
Was 3unearthly. This romance he speaks of is something that does not exist. He wants a type of love that is of the highest caliber, which sounds like he will never find. Love is out of his reach, like the clouds are. Keats’ uses powerful imagery of love being “the magic hand of chance;” (8). He paints the picture of love being based on pure luck and the rolling of the dice is not always in one’s favor. Some people will find their soulmates, while others may never find the one they are meant to be with. It is all about risk and nothing is certain. In the third quatrain, the poet brings about the subject of love. He does this by using a metaphor to compare love to a “fair creature of an hour”(9). Keats makes a point that love is not something that stays. If one is lucky enough to find love, she better grasp it because her time willbe a mere sixty minutes with that person she does find. Love can come and go that quickly, and someone can fall out of love in that amount of time as
But, we should first and foremost put this sonnet back in its context. We can easily presume that it is autobiographic, thus that Keats reveals us his own worries. In 1818, he is aware that he has short time left to live due to the fatal illness
if you look at his poem. After the 1st half of the 3rd stanza, all the
As people near the time of their deaths, they begin to reflect upon the history and events of their own lives. Both John Keats’ “When I have Fears” and Henry Longfellow’s “Mezzo Cammin” reflect upon the speakers’ fears and thoughts of death. However, the conclusions between these two poems end quite differently. Although both reflect upon Death’s grasp, Keats’ displays an appreciation and subtle satisfaction with the wonders of life, while Longfellow morbidly mourns his past inactions and fears what events the future may bring.
“My Fear,” by Lawrence Raab is a haunting poem about fear itself and how no one can escape it. In this particular poem, fear becomes an omnipresent physical being that, “follows us,” and has something in its, “black sack of troubles” for everyone. While fear is often considered to be psychological since fear exists solely in our minds when we have nightmares, the poem concludes with the speaker's encounter with “Mr. Fear” before he slept. Thus, it can be inferred that the speaker has had a potentially traumatic experience with fear and proving that fear finds us all no matter what and it does not lie at our feet but towers above us menacingly.
In conclusion, the poem points the inevitable cycle of natural and emotional events and the power that love has to go beyond that cycle. This is why the speaker assures that the way he has loved is something that
The similarities between the poems lie in their abilities to utilize imagery as a means to enhance the concept of the fleeting nature that life ultimately has and to also help further elaborate the speaker’s opinion towards their own situation. In Keats’ poem, dark and imaginative images are used to help match with the speaker’s belief that both love and death arise from fate itself. Here, Keats describes the beauty and mystery of love with images of “shadows” and “huge cloudy symbols of a high romance” to illustrate his belief that love comes from fate, and that he is sad to miss out on such an opportunity when it comes time for his own death.
Conversely, Keats does not conclude with a positive image of love; the knight’s pain is shown when Keats metaphorically places him ‘on the cold hill’s side’ along with the many other ‘pale kings and princes
To emphasize the significance of love to a human being’s survival, the poem begins with the many aspects that love isn’t capable of. By stating the ways love is useless in providing as a necessity of life, the speaker is able to persuade the reader(s) that it serves no real purpose. Displaying the a b a parts of a Shakespearean sonnet rhyme scheme, love “is not meat or drink nor slumber nor a roof against the rain; nor yet a floating spar to men that sink,” (Millay 1-3) it holds no practical value. It can’t provide you with food and shelter you from nature or even help you to survive. In other words, these stanzas connected the image of love to an idea of uselessness in surviving.
He also calls the addressed “fair creature of the hour,” and recognizes the constraint of time on love, for an hour is fleeting. He also recognizes the fickleness of it – who is to say someone else will be his addressed the next hour? He continues to suggest that the addressed has some sort of deceptive and illusory “faery power” that creates an “unreflecting love.” Deception and illusion typically are detrimental for those who experience it. Keats does not reflect on losing the chance for love as something terribly unhappy, for he has a pre-existing negative perception of love. Love is also “unreflecting,” so love won’t be reciprocated. Keats then ends the segment about love half a line earlier in this quatrain than all other quatrains.
Keats was very aware of his own mortality and his poetry reflected the intensity and the passion of a man who didn't have very long to live. His poetry remains some of the densest prose ever penned because, like his brief existence, he had to condense so much life into so little space. The thought of impending death would be enough to make anyone fall into hopeless despair but Keats's incredible talents and commitment to live in the moment perhaps allowed him to three lifetimes.
As life progresses people come to the understanding that nothing in life is promised except death. It is inevitable, and it happens in many different ways. Every death is accompanied with an interesting story behind it. In the three works, “The Masque of the Red Death”, “Annabel Lee” and “The Fall of the House of Usher” all written by Poe, death is a big picture in all of his works and the fear of death is something witnessed a lot in his works. In, “The Masque of the Red Death”, Prince Prospero, who is a selfish leader, locks himself and other friends out of harm's way of the Red Death. He later throws a party and ironically the Red Death finds its way there. Annabel Lee on the other hand, is a wife, who was madly in love. Annabel was taken
After I read Keats’ poem, When I Have Fears That I May Cease to be, it really made me think about all the things that I want to accomplish in my life. Before we know it our time will be here, it’s just a matter of when. This poem really made me think about the way I am living my life right now and how I should not be taking it for granted. I need to change my lifestyle if I want to accomplish all of these things. These three things that I plan on doing in my lifetime before God decides that it is my time to
The Poem “The Second Coming” from William Butler Keats, is about Revolutions, (John 2.18). When Keats wrote “The Second Coming” the world was filled with violence and turmoil, WW1 had just ended, The Russian Revolutions had started, and the world was on the eve of The Angelo Irish War. Through these events, Keats looked around his world and was left trying to understand these events that left him struggling with the concept of religion. Keats felt the world was changing and because of these events the 20th Century was changing and that an end of an age was upon the world. Keats uses the narrator to tell the story of “The Second Coming” and uses the language in his poems of Irish traditions and the Gaelic language to bring back the old traditions of Irish culture through his poems. In “The Second Coming” Keats uses automatic writing, to write this poem, Keats could dictate spirits that would take over his writing and used elegant syntax and Latin’ to describe the spirit of the universe instead of saying the devil or the anti-Christ and uses Bethlehem in the meaning of Christ’s birthplace. Keas uses a pose sonnet, Keats liked to break up the coherence of his sonnets and write them to be rugged, colloquial, and to have concrete language, he rhymed through his poetry but often off-rhymed for example, in “The Second Coming” the sun and the man are the only words that rhythm and used linear writing and short sentences. Throughout “The Second Coming” Keats uses the importance of symbolism such as of the “gyres” more and more
Love is a special emotion that most individuals strives for. Part of a human’s nature is to love and long for another individual. This feeling has existed since the beginning and will continue to exist until the end. The term “love,” however, is very broad. To understand more easily what the term means, the Ancient Greeks came up with three terms to symbolize the three main types of love. The three classical types of love are very important to understand, as they will continue to exist until the world ends. The selected poems read reflect three classical types of love.
The twenty-four old romantic poet John Keats, “Ode on a Grecian Urn” written in the spring of 1819 was one of his last of six odes. That he ever wrote for he died of tuberculosis a year later. Although, his time as a poet was short he was an essential part of The Romantic period (1789-1832). His groundbreaking poetry created a paradigm shift in the way poetry was composed and comprehended. Indeed, the Romantic period provided a shift from reason to belief in the senses and intuition. “Keats’s poem is able to address some of the most common assumptions and valorizations in the study of Romantic poetry, such as the opposition between “organic culture” and the alienation of modernity”. (O’Rourke, 53) The irony of Keats’s Urn is he likens