My grandma once told me, “If you stay up too late at night, the boogeyman will get you”. I never believed her but I knew I wouldn’t want to see the Boogeyman if he actually existed. Most people would actually want to watch these horrible beings. In this case, they would want to view a horror movie such as “Friday the 13” or “Nightmare on Elm Street”. It is part of our Human Condition to be attracted to the films and asking for more. Stephen King’s claims in “Why we crave horror” asserts us that humans crave horror to face our fears, to re-establish our feelings of normalcy, and to experience a peculiar sort of fun.
First timers would go to a horror film showing to face their fears. Like an amusement park, horror movies can be a very scary experience for certain people. Such as, when King stated, “To show that we can [...], that we can ride this roller coaster” (“Why We Crave” King 1). When he said this, he referred to riding a roller coaster is like watching a horror movie. One special fear that almost everyone has is the fear of death itself. As King once said, “Death is when the monsters get you” (King). What he could mean here is that when you die, the monsters take over your body. Stephen King has such great information on why we crave horror and one of those reasons is to face our fears.
We yearn for horror to re-establish our feelings of normalcy. For instance, some people would watch a movie and see people melting or in an ugly form, but then realize what King said,
People develop multiple reasons to why they like to receive these odd and fear emotions, which now in society we call insanity. In the “Why We Crave Horror Movies” by Stephen King, whose main argument is that we watch horror movies to satisfy our curiosity. In the “How Tabloid Train Wrecks Reinventing Gothic Literature” by Carina Chocano, whose main argument is to prove how gothic literature is very similar to gossip; for example, gossiping makes people turn into ghosts, unnatural. It’s tempting to see Gothic tales as escapism, but these stories will sum up during times of trouble. Fascination with fear or Gothic stories satisfies some emotional need of individuals and of society by making people feed on their inner childhood that is inconstantly needed of satisfaction. People can do that by watching horror movies or reading tabloids and that is why they enjoy scaring themselves.
In fact By comparing ourselves to the author, narrator, and the victims the events that Stephen King points out. We establish ourselves and process what's going on. The reason we crave horror is because it gives us that thrill that urge to feel normal once again and we as people actually enjoy watching a man's head get severed off by some crazy maniac that's trying to kill him. Or for example, Stephen King shows in why we crave horror;shows, Freda Jackson as the horrible melting women in Die, Monster, Die! Confirms for us that no matter how far we may be removed from the beauty of a Robert Redford or Diana Ross, we are still light-years from the true ugliness.
“When we pay our four or five bucks and seat ourselves at the tenth-row center in a theater showing a horror movie, we are daring the nightmare”. When King says this he uses your imagination to put you in a practical situation at the movie theater that many people have experienced. The preparation for jump scares and nerves rushing through a person’s body creates an entirely new experience of excitement than being at a normal movie. A personal horror film experience that I have experienced was watching my very first horror film. The horror film was the worst scary movie I had ever seen and that was my first horror movie, but it was still more exciting than watching a normal movie because of the rush. The beginning of the movie said “BASED ON A TRUE STORY” which made my pulse race because I had no idea what was
Stephen King never clearly states the thesis of this essay however there is enough information provided that we can infer one. We need to keep our inner lyncher at bay by feeding ourselves with small portions of demonic, bloody, violence, found in horror movies. King writes “It deliberately appeals to all the worst in us. It is morbidity unchained, our most base instincts let free, our nastiest fantasies realized...” (Why We Crave Horror Movies, paragraph 12) and by doing so he’s implying that horror movies are like a temporary fix for our violent craves.
In horror stories there is just enough mystery to make you want to know more, and enough danger to make you glad this is fiction. Scary stories can allow people to conquer their own adversities. We all have our demons, things we’re afraid of but don’t want to admit. Some horror novels play on common fears like IT by: Stephen King which uses clowns as the source for fear, Chucky which features menacing dolls and Contagion which portrays rampant pestilence. By vicariously facing your fears in a novel, you’re able to tame them in real life. Sometimes even watching a character deal with the monster uplifts you to face your own fears. The concept of gruesome entertainment is all in human psychology. In order for us to be entertained, we have to feel the story being told. Scary stories bring us the adrenaline rush, the exploration of the unknown, and even the upliftment we all crave. Luckily the monsters in these stories are all fiction and cannot harm us in real life. Until they show up the next night, waiting for you in the
Further, King goes on to state that when we watch a horror movie, “we are daring the nightmare,” meaning we are almost begging to be scared. King also states there are multiple reasons for this, but one of the main points is “to show that we can, that we are not afraid.” He then appeals to the audience experiences by making his paper more relatable and comical when he compares horror movies to roller coasters. King states, they are both usually liked by the young, but once their age reaches to the forties or fifties, “one’s appetite for double twists or 360-degree loops may be considerably depleted.” Additionally, King uses his clever collage of comparisons to explain one of the horror genre’s many intentions are to show us right from wrong. Which might also provide some of us with “psychic relief,” throwing ourselves in a place where intensive questioning is unnecessary, giving people a small break from their complicated daily life.
Why do people watch horror movies when they know they are going to experience negative emotions? Why do people want to put themselves through that? Furthermore, Stephen King, an author of many horror books, has his own opinion on this, this referring to people and the need to watch or read horror. He wrote an essay, “Why We Crave Horror”, that explains why people want to experience those emotions that are a part of the Human Condition. Stephen King rightfully claims that people crave horror to show that they are not afraid, also to re-establish their feelings of normality, and to have some fun.
In the essay, “Why We Crave Horror Movies” by Stephen King, the author talks about the benefits of the horror movies on human beings. He argues that we all behave like mad people by performing weird things like talking to ourselves, showing disgusting faces and having odd fears. Comparing the horror movies with roller coasters, he states that young people are more fascinated by these adventures to prove the point that they can do this and are not afraid of taking challenges. He argues that we get fun by watching people getting hurt and suffering from menacing pain in the movies. Despite having insane thoughts in their mind which they want to execute in reality people are expected to show emotions that are accepted by the society. Horror movies gives psychic relief to these insane
In the essay, "Why We Crave Horror Movies", Steven King explains that the modern day horror movie is our relief for violence it is what feeds the gator. He uses horror movies because of there violent nature. We all need to be able to step outside life's boundaries and certain
sample, but it also appeals to population and emotion. To further explain why we crave
It was a dark, cold, November night. The moon overlooked the lake as it mirrored its reflection. It was peaceful, too peaceful. I was on my way to my aunt’s, who lived a mile or so from my house. I didn’t want to go, but my mother made me. She was working a double shift at the hospital and she didn’t want me to be alone tonight. Tonight was the night my brother died two years ago. It’s a funny story how it happened, but that’s a story to tell another time. According to Stephen King’s essay “Why We Crave Horror Movies” he draws viewers into horror stories like the one above simply because we crave it. King claims in his essay we obsess over the wanting of horror as if we are daring the nightmare. The human condition is finally allows people
So say my personal tastes in movies make me a sick bastard just because of the subject matter portrayed in the narrative. Ok, well that isn’t exactly about what Stephen King was saying. King tells us that the horror movie does a dirty job of satiating our urges and letting our instincts run free, which in turn means that most people have something deep and dark inside them, merely a hairpin away from freaking out and murdering adorable puppies for no good reason (and there are plenty of good reasons, stop lying to yourself). I don’t know about you, but I don’t feel anything deep and evil inside of me that must be satiated so I don’t go on a weekly blood rampage so I feel like that isn’t the reason.
Do you enjoy watching murder, the paranormal, and any other morbid scene which makes the hair on the back of your neck stand up, your palms sweat, and your adrenaline surge? Why people enjoy watching murder, tragedy, and carnage in their spare time has been a mysterious phenomenon. If these gruesomely horrific scenes would not be enjoyable in real life, why is watching a recreation of it so riveting? Stephen King, a world-renowned horror novelist, wrote “Why We Crave Horror Movies” to give insight as to why horror movies, although gruesome and morbid, captivate audiences. King also aims to persuade readers to continue to watch horror movies, arguing that they are a crucial part of keeping sanity. King delves into this psychological aspect of humans and believes that the desire to watch horror films is a normal tendency of humankind. “Why We Crave Horror Movies” includes appeals to emotion, logic, and author credibility in order to convince readers of the positive, normal desire to watch horror films, why it is important to watch them, and why the reader should believe what the author is saying. King utilizes the rhetorical devices—pathos, logos, and ethos—in an effective way through the use of metaphor, logic, humor, and emotion to persuade readers that watching horror films is normal.
In Stephen King's "Why we Crave Horror", the famous novelist argues for a rather depressing explanation of society's fixation with horror movies. He insinuates today's generation's obsession over gory and demonic storylines is a result of our internal need for violence that must be satisfied. Such claims may shock readers at first, however, King's use of diction, imagery and tone leave us no choice but to agree with his analysis of human behaviour. He uses these rhetorical tools to prove to the naive reader that we truly are "mentally ill".
Horror is designed to scare, cause alarm and dread, while also entertaining the audience at the same time in a cathartic experience (Dirk, 2016). Horror films are meant for a specific type of audience that enjoy scary films. Dirks (Tim, 2016) approach to genre horror, is that films went back as 100 years ago, from the earliest days our vivid imagination in seeing ghosts in the shadows to be connected emotionally of the unknown, and fear things that are improbable. You watch a horror film, it makes you aware of the scary surroundings, the essence of fear itself, without actually being in any sorts of danger. Dirks argues that there is a fun and thrill factor in being frightened, or watching something disturbing. It gives you that feeling of an adrenaline rush, as well as having that feeling someone is actually next to you lurking in the dark (Dirk, 2016).