Barber, Bernard, and Lyle S. Lobel. ""Fashion" in Women's Clothes and the American Social
System." Social Forces 31.2 (1952): 124-131. Print.
Along with its useful research ideologies of the American Social System and Women’s fashion or clothes, this source supports the idea that fashion trends in certain cultures get its influence and touch from other cultures. For example, the text brings up that when Paris couturier “openings” are hosted each season, representatives from the “fashion industry” of America attend those events. After that, designers from America adapt the fashion couture they see and incorporate it into the American fashion industry (pg.127). Although, it goes far into talking about the price difference within those fashion
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Nancy Diehl is a fashion historian as well–a writer, and professor. The co-authors of the book mentioned above put together what I would call a good “refer back to” source. In other words, the book serves as a good resource for my entire paper in terms of giving information about fashion influences. It is basically a history book, but about fashion, focused on the era from the 1850’s up to 2010. The book is used to give facts about the derivation of certain fashion trends and the cultural changes that the world of women’s fashion experienced. It provides a decade by decade illustration of the evolution of fashion not only for women’s fashion, but also men’s and children's …show more content…
It aides in the description of certain fashion trends during different years. For example, to better describe what a coat-frock is to someone who might not know what it is, the book is used to describe the trend that became popular in the mid 1900’s. To say the least, it is a source used for simple descriptions of unknown and even well known fashion trends of the early, and mid 1900’s.
English, Bonnie. A Cultural History of Fashion in the 20th and 21st Centuries : From Catwalk to Sidewalk.Second edition. London: Bloomsbury, 2013. Print.
Similar to another one of my sources, this book also gives illustrations as well as information on fashion styles, well known fashion events and movements, as well as notable designers of the 20th and 21st centuries. It also gives us a perception of the social influences of fashion. Along with that, it brings about the commercial side of the fashion industry, but my focus on that will be about how certain brands came to be. It provides information about how certain fashion trends went from the catwalk, to the sidewalk. This ties down and goes back to the idea about how fashion trends evolved or become a movement.
Hill, Daniel Delis. As Seen in Vogue : A Century of American Fashion in
Advertising.Lubbock: Texas Tech University Press, 2004. Web. Costume Society of America series; Costume Society of America
From newspaper articles in 1964 announcing the London Look, to an article by Mary Quant in Vogue in 1966 and an article at the end of the decade that declared the return of Paris Power, young people in the U.S. had the opportunity to read and examine British contributions to fashion and make decisions about whether to adopt or not. The 1960s in the United States was a turbulent time –a decade of political and social upheaval. The youth quake of British styles helped to set a new energetic pace for America and a means to deal with the turmoil. College campuses in the U.S. were often the place of change and acceptance of new ideas and thus a place to study the
By looking at the authors, editors and publishing companies credentials it would be appropriate to come to the conclusion that this source is an expert source. Sara Pendergast is an author who has focused her life on writing informational book on many different topics in history. Sara along with Tom completed this volume of Fashion, Costume, and Culture along with four other volumes each focusing on a different time period and region of the world. Along with this book Sara has helped to write the Encyclopedia of Fashion and International Dictionary of Films and Filmmakers. Tom Pendergast has a background much like Sara’s, he has focused his studies on history of the world as he was a contributor in Middle East Conflicts, The Sixties in America, and World War I reference. The final main
Women’s fashion was a social controversy in the 1920’s. This controversy was influenced by women’s clothing, swimwear, hairstyles, makeup, and attitude alone. This attire and new found character traits added a certain attitude and confidence to these women, starting what would eventually be remembered as a revolution.
The fashion industry is rapidly growing and constantly generating new fashion trends almost weekly. Fashion for some may seem ridiculous and unnecessary; but fashion is not just a meaningless usage of article of clothing or farcical materials sew together for coverage. There is more to fashion than meets the eyes, fashion is precious and significant. It is a reflection of self-image, it speak the ream about who we are and how we review ourselves. Not only is fashion the reflection of self-image but also the reflection of our history as Coco Channel have said, “Fashion is not something that exist in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.” Fashion
Fashion choices made by icons like Coco Chanel affected women’s fashion in the 1920s. The famous “Flapper” was a crucial contributor to women’s fashion in this decade. Without them, it
This essay will explore the effects social and political changes had on fashion in the 1980’s. This period was chosen because the new romantic fashions were so different to the punk fashions that had been before, this essay will therefore identify the changes that had taken place to influence this change. Primary evidence used to support findings will include interviews and photographs which will show a firsthand account of the period.
There have been and still are hundreds of fashion designers in the world. But only a few of them have had any major impact on fashion industry today. And even fewer have revolutionised the fashion industry completely. One of these revolutionaries is the renowned Christian Dior. He reestablished Paris as the centre of the fashion world, and created his name as a symbol of elegance, quality, and modernity. I will be looking into how Dior’s context informed his practice, by using three of his most iconic and popular designs; The Bar Suit, Venus Dress and the Cygne Noir dress. And how these were a direct representation of 1945-1950 France.
Let’s take a look at the women’s of the 1920’s, the changes that took place in fashion and the roles of women in society. Women’s fashion will be compared from early days up until the 1930’s, with a brief comparison of the roles of women before and after the 1920’s. A discussion of the different avenues that opened up for women after 1920 and the impact that it has had on modern day women will also be covered within this paper. you need a stronger introduction
The 18th century, more precisely between 1715 and 1789, was a significant time period in the fashion sphere for women in France. The time period itself was a mark of great change for the history of France due to various political reasons as well as various art movements and often times fashion, despite being a branch of art, is overlooked by most viewers. However, fashion during this time excelled in France and was essentially the symbol of a new era in this domain; French fashion was now snowballing into something much greater that still echoes to this today. Ultimately, the goal of this essay is to describe women’s fashion during the period of 1715-1789 and the shifts it made through the analytical use of various sources including artwork, literature, museums’ online archives and internet sources.
The 1920’s fashion was a period of liberation, change, and even more importantly a movement towards the modern era. Fashion in the 1920’s varied throughout the decade but one could see the noticeable change from the previous fashion statements and eras. At the start of the decade, women began emancipating themselves from the constricting fashions by wearing more comfortable apparel. As women gained more rights and World War I forced them to become more independent, flappers came to be, mass-produced garments became available, and artistic movements increased in popularity, one can see how the fashions from the roaring twenties characterized the time and redefined womanhood. (1920s clothing 1)
Throughout the 1920s through the 1950s Women’s clothing in America was affected by World War II, which lead to the exploration of different styles, the encounter of new trends and the exchange of ideas and new styles.
Fashion is very important in modern day society, and can be seen all around. Most of what people know about fashion today came from the fashion during the renaissance. From the vibrant fabrics to the spectacular jewels, renaissance fashion has been thoroughly threaded in the fashion of modern society. Modern day women often wear shorty, fun gowns, tightly fitting jeans, and lower cut tops. Popular fashion trends for men in modern society include saggy jeans, V-neck shirts, and stylish watches. “A fashion is merely a form of ugliness so unbearable that we are compelled to alter it every six months” (Oscar Wilde). Fashion in modern day society is ever changing, but most changes do not stray too far from the original product.
The fashion process is viewed as competition between these two types of symbols. Conflicts of fashion versus anti-fashion are most likely to occur in societies experiencing major social changes, mobility and competition for status among cultural groups. In this manner the cultural view integrates with a more social view of fashion, and proposes a political (power-seeking, social status) aspect of fashion as well.
This essay will be considering the historical development of haute couture by analysing Charles Frederick Worth’s (father of haute couture) key factors in the success of haute Couture. I will then discuss Coco Chanel’s thriving impact on haute couture as well as ready-to-wear caused by the second world war. Saint Laurent’s drift to ready-to-wear and the high street fashion system will also be discussed in order to answer if haute couture is relevant in fashion today. The books I will be analysing and referencing are ‘A Cultural History of Fashion in the 20th Century’ by Bonnie English, ‘Couture’ by Ruth Lynam, ‘How Fashion Works’ by Gavin Waddell. Which will thoroughly breakdown the evolution and historical development of fashion by cultural, economic, environmental and social changes to finally come into a conclusion.
The Years between the 1950’s and 1960’s was an explosive time in fashion. The 50’s represented an out coming of the new generation. People began to gain their own personal style and appearance, influenced by films and singers (“Vintage Fashion”). Their styles incorporated leather, jeans, corduroy, and the ballet shoes for the girls. Men’s wear began to drastically change. Men would wear a leather jacket, with jeans that narrowed at the bottom, and a simple t-shirt (Peacock 210-211). This was the first time in history that jeans were not just worn by the working class but by all men (“Brief History”). The man’s lust for flesh grew during this time, so women’s skirts began to get shorter and the bikini was invented. Clothes were made to glorify the female body and emphasize every curve. It wasn’t until the Barbie doll was created in the late 50’s that young girls began to have a separate fashion from their mothers. Young girls would wear sweaters with full skirts or pants