Examples Of Metaphors In The House On Mango Street

Did you know that Esperanza has changed in several different ways throughout the book? If you didn’t know this then you should read this book. Esperanza is very different from the people from the camp they went to. In the beginning Esperanza is selfish when she had gotten on the train. She was also very naive too. But in the middle of the book she changes a lot. She is very nice and giving.

All the people on Mango Street were struggling to get by, but they seemed satisfied with just making it. Esperanza was not. There were characters like Esperanza’s mother who was a “smart cookie,” and could’ve been anything, but she let shame get the best of her and dropped out of school. There was also Rafaela who got married before the 8th grade just so she could move into her own house, but her husband never let her leave the house afterward. He never let her see her friends, and the highlight of her week was getting coconut or papaya juice from someone who would send it up in a paper bag attached to a clothespin since she couldn’t leave the house. Lastly, there was the time when she was left stranded by the tilt-a- whirl waiting for a friend that never came back and got molested by a group of boys. The only witnesses were the red clown statues that seemed to be laughing at her. Nevertheless, she let none of this stopped her from going forward and perusing her dream. She still seemed to be struggling with a sense of belonging, but maybe that’s because she didn’t.

Connection: In the House on Mango Street, Esperanza visits the Monkey Garden. To her the garden is a safe,

“I am an ugly daughter,” she says. “I am the one nobody comes for” (109). She feels she can relate to the four skinny trees outside her window. “Four skinny trees with skinny necks and pointy elbows like mine” (93). Just as the trees survive under a harsh environment, Esperanza finds difficulty in accepting the neighborhood in which she lives. She is very self-conscious about her name, whose mispronunciation by teachers and peers at school sounds ugly to her ears. She struggles with jealousy of her younger sister Nenny and cynically says that she “has pretty eyes and it’s easy to talk…if you are pretty” (109). Ashamed of most everything she identifies with, Esperanza is maturing with a very low perception of herself. She is not content with her home and surroundings, and cannot be until she is happy with her own character.

These two quotes from the vignette shows her new-found confidence: “I am the ugly daughter. I am the one nobody comes for,” (Cisneros 88) which is followed by the quote: “Her power is her own. She will not give it away. I have begun my own quiet war. Simple. Sure.” (Cisneros 89) These two quotes show that despite her acknowledgement of her flaws, Esperanza has come to accept them. It is definitely a challenge to accept oneself’s flaws, and Esperanza has done exactly that. Another thing that the quote shows is how Esperanza has become stronger. She has resolved to become a warrior, to become an independent woman. She is no longer the timid and insecure child from “A Rice Sandwich,” and she has matured greatly since “Papa Who Wakes Up Tired In The Dark.” Now, she has grown into an independent and strong woman-- a woman with confidence. She is her own woman, she is free, and she will not be giving that away to anybody, as she implies in the first quote. She is also going to fight her battles as independently as possible. All of these are parts of confidence, and Esperanza has definitely achieved just that in “Beautiful and

As a young girl, Esperanza is a young girl who looks at life from experience of living in poverty, where many do not question their experience. She is a shy, but very bright girl. She dreams of the perfect home, with beautiful flowers and a room for everyone. When she moves to the house of Mango Street, reality is so different than the dream. In this story, hope (Esperanza) sustains tragedy. The house she dreamed of was another on. It was one of her own. One where she did not have to share a bedroom with everyone. That included her mother, father and two siblings. The run down tiny house has "bricks crumbling in places". The one she dreamed of had a great big yard, trees and 'grass growing without a fence'. She did not want to abandon

Growing up as a child in a poor family, Esperanza Cordero was very ambitious. She was ashamed of her family and her house, and she always had dreams of one day having a beautiful house on a hill, with flowers all around. A house she wouldn't be ashamed to point to and say it was hers. She knew

Eventually, Esperanza decides she does not need to set herself apart from the others in her

Esperanza is able to look at her great grandmother and realize what she does not want to become, but also she realizes what she does want: to become a strong, independent woman.

The book I read was “The House on Mango Street” by Sandra Cisneros. There was many themes in this book. The two I want to focus on are Loss of Innocence and The Power of Words.

Often in literature, authors create plot by writing about characters maturing throughout the story. One work that explores childhood to adulthood is The House on Mango Street by Sandra Cisneros. In this novella, Esperanza Cordero is a young girl who lives in a poverty stricken area in Chicago. During the story, Esperanza grows up from being an adolescent to a young adult. In the novella, the theme is that losing innocence brings about maturity. Cisneros expresses Esperanza growing up by juxtaposing vignettes. Tone is also used to enhance the change in Esperanza’s thoughts while maturing. Both the juxtaposition of vignettes and tone support the theme that the loss of innocence and the gaining of

Esperanza is the strong-willed main character who wants to break free from the limitations and expectations of a women set by her community. Unlike majority of the women in her neighborhood, she dreams of her escape from this discriminatory treatment. As she blossoms from a young girl to a mature women, she comes to the realization that she can never escape, because that house on Mango Street is a part of her. She can only learn from her experience living her never flee from it. When Esperanza creates creates an original piece of poetry, she shares it with Aunt Lupe, who in return, shares some insightful advice. (60-61) Writing through all forms can allow people to escape the realities and bounds of life.

Esperanza is a shy but a very bright girl. She dreams of the perfect home now, with beautiful flowers in their luscious garden and a room for everyone to live in comfortably all because of the unsatisfied face the nun made that one afternoon--when she moves to the house of Mango Street. She thinks it’s going to be a “grand house on a hill that will have a bedroom for everyone and at least three washrooms so when they took a bath they would not have to tell everybody.” (Cinceros 4) Reality is so different for her when her dream is shot down in a heartbeat when she

The House on Mango Street by Sandra Cisneros uses many rhetorical devices to push her viewpoint of how sexual maturity and individuality come with age and experience. Cisneros’ effective use of symbols, syntax, and tone convey and persuade Esperanza’s upbringing.

In The House on Mango Street, by Sandra Cisneros, a little girl from a Latino heritage is given birth to. Not literally, but in the sense of characterization. Esperanza is a fictional character made up by Cisneros to bring about sensitive, alert, and rich literature. She is the protagonist in the novel and is used to depict a female’s life growing up in the Latino section of Chicago. Cisneros creates the illusion that Esperanza is a real human being to communicate the struggles of growing up as a Latina immigrant in a modern world, by giving her a name, elaborating her thoughts and feelings, and illustrating her growth as a person through major events.