Examples Of Figurative Language In I Hold Fast Like A Sand Crab

This test does not give background information about this poem other than the title and who it was written by. There is no identifiable form in this poem. However, there are still patterns to be found. This poem contains 3 stanzas and has 7 lines each, making it 21 lines long. This poem has an open form, containing several end stopped lines. Another noticeable pattern is that despite the end stopped lines, there are full sentences formed and proper capitalization at the beginning of the sentences, and periods used at the end of them. Rhymes are used in this poem, however, it does not have a specific rhyme scheme pattern. It has the inconsistent pattern of ABBCDEF/BEGEEHH/IIFIJKK.

1. What do you notice about this poem? (where is the repetition...remember this from Module 2 on speeches). What is different about the free verse of this poem and the rhymed poems you studied in Module 4 with Edgar Allen Poe? When you write your own poems, do you use rhyme or free verse? What I have noticed about this poem is that Whitman continuously repeats the word “singing” as he introduces all of the people, based on their occupation, from all over “America”. Whitman and Poe write about completely different things. I think that choosing between writing in free verse and rhymed depends on the subject that you are writing about. I like writing in both.

into the poem. The section of the poem that will be analyzed is the final ten lines (25-34). The

The poem does indeed have a rhyme scheme, yet doesn?t conform to conventional forms of rhyme such as A, B, A, B, etc. Rather, each stanza seems to follow the order of A, B, C, A, C, B, which may not be apparent to the reader at first, but doesn?t

The poem also uses end rhyme to add a certain rhythm to the poem as a whole. And the scheme he employs: aabbc, aabd, aabbad. End rhyme, in this poem, serves to effectively pull the reader through to the end of the poem. By pairing it with lines restricted to eight syllables. The narrator creates an almost nursery-rhyme like rhythm. In his third stanza however, his last line, cutting short of eight syllables, stands with an emphatic four syllables. Again, in the last stanza, he utilizes the same technique for the last line of the poem. The narrator’s awareness of rhyme and syllable structure provides the perfect bone structure for his poem’s rhythm.

She also presents a slight rhythm to the reading that allows for smooth reading. In keeping with her open form, there is no set scheme to the rhyme pattern. However, there is a single ending sound constantly repeated without a set pattern throughout the work. She also connects pairs of lines at random just for the sake of making connections to make that particular stanza flow. At the same time, she chose blatantly not to rhyme in certain parts to catch the reader’s attention.

With a few exceptions, the poem primarily follows the form of accentual-syllabic verse. The majority of lines are composed of three syllables, most often two unstressed and one stressed. Using a combination of structural technique and descriptive language, Williams emphasizes the action of visual perception.

The most visually noticeable part of this poem is the format. It isn’t written in familiar stanzas with any kind of meter or complex

Because the poem is long, it won’t be quoted extensively here, but it is attached at the end of the paper for ease of reference. Instead, the paper will analyze the poetic elements in the work, stanza by stanza. First, because the poem is being read on-line, it’s not possible to say for certain that each stanza is a particular number of lines long. Each of several versions looks different on the screen; that is, there is no pattern to the number of lines in each stanza. However, the stanzas are more like paragraphs in a letter than

Along with the irregularities in meter, neither poem has a regular line length or rhyming pattern. Dickinson’s poem contains alternating tetrameters and trimeters, with the exception of the first line, which contains 7 syllables. The poem contains some irregular rhyme; ‘heard’ in line 5 rhymes with ‘bird’ in line 7, and ‘Sea’ in line 10 rhymes with ‘Me’ in line 12. Whitman’s poem contains even more irregular line lengths. The first 4 lines of each stanza vary from 12 to 15 syllables, but the last 4 lines of each stanza vary from 5 to 8 syllables. Unlike in Dickinson’s poem, the rhyming scheme carries throughout the whole poem, although the AABBCDED rhyme pattern contains a few cases of near rhyme.

One of the most frequent figurative language used in this poem is imagery. In fact, imagery is used throughout the whole poem. For example, in the first poem the reader can imagine a man jumping into the river and sinking, since the stanza states, “I went down to the river, I set down on the bank. I tried to think but couldn't, So I jumped in and sank.” There is also imagery in stanza two, when the speaker says, “I came up once and hollered! I came up twice and cried! If that water hadn't a-been so cold I might've sunk and died.” From this quatrain, the reader can imagine a person drowning. They can also infer that the man was shivering, considering the water felt

The poem does not follow a rhyme scheme or meter, which means that there is rhythm in the poem and it makes the poem more like a song. The poem has four stanza’s and has five lines within each stanza.

One of the first things you notice is the usage of an almost perfect rhyme scheme. Dunbar uses this frequently through the entire poem, using the AABB method. I personally think that Dunbar uses this to fit in well with other poems, so peers understand that it is, in fact, a poem.

There is a rhythm throughout the poem with strong rhyme, this pattern is like heavy breathing you have when you try to go to sleep it could also represent the rhythmical counting of sheep.

* The opening of the poem,it could be argued, isn’t poetry,it is ordinary,everyday speech.And yet the arrangement of the lines on the page and the overall rhythm create a musical flow.