Examples Of Confucianism In The Movie Mulan

Prior to these circumstances happening, she is a “little girl of seven” (page 20). She is respectful, small (hence “little girl”) child with six siblings and as such she is probably considered insignificant or unassuming. She is only at the beginning of her journey toward full potential as a victorious warrior which comes to fruition afterward in her life. After Fa Mu Lan establishes herself as a strong, capable woman warrior who contrasts with the little girl she used to be, she marries, becomes a caring mother and “she is beautiful” (page 39). Fa Mu Lan has gone through three developmental stages now: child, warrior, and mother. Maxine Kingston uses these stages as a way to depict how she wishes she could be and also represents Fa Mu Lan’s dynamism as a

Furthermore, instead of arranged marriages that only benefited the patriarchal head, intellectuals pushed for marriages based on love which would create happy and productive citizens . In addition, based on her mother’s experience, Bao Qin rejects arranged marriages and intends to only marry for love . After hearing of two concubines who drug Cousin Hu’s mother to feign adultery and gain the favour of her husband, Bao Qin is enraged by the historic “powerlessness of women, [the] barbarity of age-old customs, cloaked in tradition .” With the broad shift from tradition as well as her own personal experience, Bao Qin rejects traditional gender roles and seeks to create her own. Furthermore, as China became divided into separate spheres of influence and opened to international markets, British and American industrialization brought new ideas of opportunities for women, challenging established gender relations . With new economic opportunities and education, women could become self-reliant, broadening their choices and their role in society. Consequently, after disobeying her parents’ command to attend Mr. Liu’s funeral, Bao Qin was able to support herself by enrolling in a new teacher training department . Reducing patriarchal control, industrialization allowed children to head to schools and factories, no longer needing to rely on their parents for education and work . As a result, while foreign

In the story of Monkey Bridge, Mai and Thanh often refer to Confucianism, and the role it plays in their lives.

Another conflict that arises from Confucianism is when Jing-mei was told to go back to China and tell her half-sisters about their mother. She said “‘what will I say? What can I tell them about my mother? I don’t know anything.’” (Tan 31). In Confucianism, very little of tradition is explicitly told from mothers to daughters in the form of text. Ritual actions are supposed to be observed, absorbed and understood in order to be preserved and handed down for posterity. But Jing-mei, who grew up in America, did not have a sense of following the tradition her mother brought to America, or rather considered the Chinese tradition to be eccentric.

In the ancient Chinese culture, the role of women was very restricted. They were raised by their parents until the age of marriage to be given away to another family. When living under their father’s roof he was the one they had to obey to, once married they then had to obey to their husband. Women were restricted to the walls of their home, which is no longer the case nowadays.

Ever since, I wondered whether this impression was correct. The goal of this thesis is to satisfy this curiosity and to determine, through textual and visual analyses, if the 1986 television series also carries a Confucian message, or whether it was solely produced for entertainment purposes. This leads to the following research question:

In the movie, Mulan, she is caught between having to stay at home and become a wife, which is her proper role in society or go fight in a war in her father’s name. After a while, they discovered that she had been a woman the whole time. I feel like they were more angry that she was a woman and fought better than most of the men there. They kicked her out, of course, and later saved them and the emperor, but was still shunned. Chi-Fu told Shang, “Tis a woman. She will never be worth anything.” This shows that Chi-Fu wants her to be a woman, just like he thought she should be. He even admitted that she would not be worth anything or be a impacting role in society. This shows even if she did risk

We need to understand that the filial piety presented in the movie with the one in the original legend is different, because in the movie Disney portrayed back the filial piety based on American people’s understanding and stereotypes on Confucianism. In this way Mulan described as a free individual who does not want to be bounded by the strict rules of Confucianism. Although, most of the time Mulan expresses her refusal to Confucianism, she still represents the value of filial piety to her father by disguising herself as a man warrior and taking her father’s duty in a war. In this sense, Disney tried to show Mulan’s dutiful character by bringing out Mulan’s “manly” and rebellious personality. However, in order to strengthen Mulan’s head-strong personality, Disney deliberately lessened the value of obedience and replaced it with Mulan’s pursuit of identity. In this sense, Mulan is described as being confused of her real identity. She is given two difficult choices between fulfilling her role as a potential wife or listening to her own calling (She wants to find her own love without the interference of other people, including her parents). Moreover, the Ballad never explicitly tell the relationship between Mulan and her parents; but everyone can assume that Mulan does not have “a close relationship” with her parents unlike the one depicted in the Disney’s version. Because in filial

As Mulan’s father is enlisted to fight in the war, Mulan rebels against her gender role and speaks out on the drafting of her injured father who would unquestionably die to protect his country. Noticeably having crossed a line, she is shamed for her outburst and is now determined more than ever to bring her family honor. Mulan sets off to fight under her family’s name portraying the male role of a man named Ping. Under this role, Mulan begins to find her true identity, which is not necessarily that of a man, but of a single individual who is strong-minded and brave. As she prepares for war, Mulan leaves behind a flower pin from her hair and this flower reoccurs throughout the film. The flower represents her leaving behind this societal view of femininity as she

Confucius also recognizes that filial piety should be expressed naturally. According to Confucius, being filial to our parents is the utmost expression of respect. This is an essential element in obtaining the title of Chun-Tzu, or noble person. However, filial piety is not a one-way street. Parents are also filial to their children and to their parents. Both parent and child have a natural position and responsibility within the family; therefore natural filial piety is reciprocal. It is through recognizing and practicing filial piety in the family that a person will know how to act outside of the family. For in the Confucian tradition, it is realized that filial piety also exists between all beings. This is evident in the Confucian Golden Rule: "Never do to others what you would not like them to do to you” (Book XV). As in Taoist thought, filial piety is something that naturally exists and is reciprocal in nature. To force filial piety into being or to intentionally practice reciprocal filial piety would be going against its true nature. Filial piety must be freely and naturally expressed for it to be truly realized.

It all begins with the call to adventure. Mulan hears her father being called to fight for the emperor in a war against the Huns.. Outraged as she was, she pleaded for her father to not be taken away, as he already fought for the emperor in the past. Her

Consequently, she did not know the range of opportunities that were present in America and took them for granted, unlike her mother, who recognized and pushed her daughter toward them. More than anything, Jing-mei wanted to be her own self, not what her mother wanted her to be despite having Jing-mei’s best interests at heart, both the result of their generational and cultural divide. Her careless perspective on life resulting from her American identity are strongly juxtaposed with her mother’s hard-working and optimistic views. Furthermore, Tan describes when the pair’s brewing tension due to their cultural differences culminate when Jing-mei refuses to practice after a failed performance and her mother yells, “Only two kinds of daughters… those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter!”(67). This defining moment clearly lays out the obvious divide between the cultures of Jing-mei and her mother. Jing-mei has been greatly influenced by the individualistic, independent ways of the United States, whereas her mother has retained her more traditionally Chinese values of respect and obedience. The “two kinds” of daughters represent the two cultures that Jing-mei and her mother embody, and how these differences influence their separate views on their place in the world. Jing-mei’s mother believed that if a person worked hard enough,

Another aspect of cultural conflict is that humility and obedient are considered as the traditional virtues of the Chinese culture. Children should unconditionally obey their parents because parents have the ability and willingness to teach and control their children. For example, according to Jing-mei’s mother, Jing-mei has to practice piano assiduously. She would not be punished if she devotes all her effort to playing piano. We can clearly see this point in her mother’s word in the quarrel, “Only two kinds of daughters, those who are obedient and those who follow their own mind! Only one kind of daughter can live in this house. Obedient daughter” (461). But Jing-mei cannot understand this, because she is not familiar to Chinese culture. As a consequence of Jing-mei cannot understand her mother, she does not cooperate and has rebellious attitude against her mother. In the story, Jing-mei decided, “I didn’t have to do what my mother said anymore. I wasn’t her slave. This wasn’t China. I had listened to her before and look what happened. She was the stupid one” (460). As described above, Jing-mei cannot understand the humility and obedient of Chinese culture, even they are recognized as the

Mulan is a Disney animated film that takes place in ancient China during Han Dynasty War. Mulan is a young girl in China, the only child of her honored family who struggles to find her identity and meaning in society. While Mulan is a lovable, spirited girl who doesn’t fit in with Chinese tradition because she speaks her mind and follow her heart. Being a girl who experience culture, gender role, and self-image demonstrated what a non- tradition person will do to bring honor to her love one’s and the family.

Mulan, in fact, has more in common with male Disney leads than the female Disney leads. Mulan is a thinker. She 's resourceful, like Aladdin. She is quick to act, like Eric (from The little Mermaid.) And she sacrifices herself for the sake of others, like Hercules. She also speaks her mind, even in a culture that does not allow such a thing. She doesn 't waste time pining about "will I ever