h a character's growth from childhood to adulthood changes throughout the book. The House on Mango Street by Sandra Cisneros is a perfect example of using the technique of a Bildungsroman throughout the novel. We will see how the protagonist, Esperanza in The House on Mango Street, will grow mentally and physically. Here are three specific vignettes in The House on Mango Street that will show how Bildungsroman is used; these are “Hips”, “The First Job” and “Papa Who Wakes Up in the Dark”.
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Topic Sentence: Esperanza’s maturity and growth, physically and mentally is very evident in the vignette “Hips”.
There are two distinct focuses in this vignette. One focus is about the body and the other topic is about sisterly love.
• When Esperanza and her friends discuss the topic of hips, the thought is a mature one and not a mocking one, especially when the statement of “what I’m saying is who here is ready? You got to be ready to know what to do with hips when you get them” (50). In reality they are discussing their body and their fully developed hips
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It’s the bones that let you know which skeleton was a man’s when it was a man and which a woman’s” (50).
• As previously stated Esperanza shows another aspect of herself by defending her sister Nenny. Nenny… silly remark by saying “if you don’t get them you may turn into a man and she believes it” (49-50). Esperanza defends her sister by saying “that’s right, I add before Lucy and Rachel could make fun of her. She is stupid alright, but she is my sister” (50). “She is this way because of her age”
Esperanza is able to look at her great grandmother and realize what she does not want to become, but also she realizes what she does want: to become a strong, independent woman.
In the novel, The House on Mango Street by Sandra Cisneros, the theme of growing up is prevalent throughout the book. Throughout the novel, a young mexican girl named Esperanza goes through experiences as she matures that involve her friends, society, dangers that expose her to the outside world and help her to realize what the real world is like.
CM: At first, Esperanza’s mental image of herself changes as she feels more confident with who and how superior she feels while walking in the heels.
A boy comes up to ask her to dance and she declines, still focusing on how her feet don’t fit her shoes. Later, however, she is forced to dance with her Uncle Nacho and she notices that, “All night the boy who is a man watches me dance. He watched me dance” (48). The boy she declined watched her dance gracefully with her uncle and this made her feel unconformable. It seems she is just understanding what girls, or women, represent to boys, or men. She doesn’t need to be told because she is now more aware. There is a feeling that she doesn’t like it and it makes her more self conscious of how she looks, but that comes with growing up. In the last vignette, “Hips,” Esperanza is connecting the information she has been told by Alicia to her new experiences. Esperanza continues to inform everyone else what she has learned, saying, “They bloom like roses. They just one day open. Just like that. One day you might decide to have kids, and then where are you going to put them? Got to have room. Bones got to give”
Esperanza is a shy but a very bright girl. She dreams of the perfect home now, with beautiful flowers in their luscious garden and a room for everyone to live in comfortably all because of the unsatisfied face the nun made that one afternoon--when she moves to the house of Mango Street. She thinks it’s going to be a “grand house on a hill that will have a bedroom for everyone and at least three washrooms so when they took a bath they would not have to tell everybody.” (Cinceros 4) Reality is so different for her when her dream is shot down in a heartbeat when she
Esperanza does not want to be like the other women in her town, always locked inside and the only freedom they have is a small window. Her great-grandmother was a role model, she showed Esperanza the way she did not want to
Self-exploration is hindered in this book and my life. I can very much identify with Esperanza perspectives on societal issues that Latin women face. A society dominated by men and women relying on them, whether it is a father, spouse or friend. Men are considered the strong reasonable as where women are weak and emotional, in turn women need men for protection. A young girl may have two story paths, one where she relies on the protection of her father while she watches her mother cater to him or two, witnesses the struggles of a single young woman and absence for a father. This book describes marriage as priority for every girl or else how could she survive; appearances and physical features are highly valued traits. This attitude is not one that Esperanza agrees with, nor do I. For example, Marin she is the girl standing on the street just “waiting for a car to stop, a star to fall, someone to change her life.” This character implies that she does not dream of actively setting life goals for herself and working to earn them, instead she will wait until a man makes it happen for her. The ideology behind this thought being that as a woman she must thrive to be as attractive as possible to heighten her chances of marriage and acquire
“I am an ugly daughter,” she says. “I am the one nobody comes for” (109). She feels she can relate to the four skinny trees outside her window. “Four skinny trees with skinny necks and pointy elbows like mine” (93). Just as the trees survive under a harsh environment, Esperanza finds difficulty in accepting the neighborhood in which she lives. She is very self-conscious about her name, whose mispronunciation by teachers and peers at school sounds ugly to her ears. She struggles with jealousy of her younger sister Nenny and cynically says that she “has pretty eyes and it’s easy to talk…if you are pretty” (109). Ashamed of most everything she identifies with, Esperanza is maturing with a very low perception of herself. She is not content with her home and surroundings, and cannot be until she is happy with her own character.
She doesn’t let men rule over her. In this vignette thou, Esperanza doesn’t agree that hips were made to do “womanly” things. As stated in the quote that says “Hips are good for holding a baby when you’re cooking.” Women have hips to hold babies and do other things women are expected to do. For example, women are expected to pick up the plates and clean the table after everyone is done eating. “I am the one who leaves the table like a man, without putting back the chair or picking up the plate.” Here Esperanza is making a statement. She isn’t doing things women are expected to do. By defying this “rule”, Esperanza is showing that she is different and she doesn’t believe that men should be the dominant gender role.
This relates to the theme of the struggle for self definition, because at first Esperanza was under the impression she could change a man, but as she’s exposed to these horrible encounters she comes to the conclusion that boys and girls live in different worlds.
The vignette “Beautiful and Cruel,” conveys the impact it has on Esperanza. In this vignette, Esperanza feels that she is “an ugly daughter” and “the one nobody cares about” (Cisneros 88). She does not need, or want, a man to lead her life, unlike the women she knows. She does not need, or want, a man to make decisions for her. Unfortunately, she still feels the pressure to look gorgeous and stunning: “Nenny has pretty eyes and it’s easier to talk that way
Thesis statement: Esperanza has a variety of female role models in her life. Many are trapped in abusive relationships, waiting for others to change their lives. Some are actively trying to change things on their own. Through these women and Esperanza’s reactions to them, Cisneros’ shows not only the hardships women face, but also explores their power to overcome them.
Symbolism is key in this novel as Cisneros expresses a lot of information through symbols The concept of the high heels that the girls; Esperanza, Lucy, Rachel, and Nenny had received showed one of their first tastes into their sexual maturity. Beforehand, Esperanza believed that boys in girls live in separate social spheres as shown in the vignette “Boys & Girls” where she discusses how her brothers are best friends and that she wants another friend, specifically a girl, to talk about her feelings and share her secrets with. This is also where Esperanza talks about another key symbol in this story.
With this in mind the internal conflict is important, because it shows Esperanza’s sensitivity about everything what concerns herself and her being insecure. One of the vignette that tells about is called “ Chanclas.” It recounts about her being non confident, because of her old shoes that she gets every year. For example, the quote says, “ Then Uncle Nacho is pulling and pulling my arm and it does not matter how the new dress Mama bought me is because my feet are ugly.” (Cisneros 46). This quote shows that she cares so much about one detail and even the prettiest dress cannot divert her attention. She does not pay attention to the dress, because she just thinks about her shoes and she assumes everyone will look at her feet. Another quote which supports her insecure, is “ Meanwhile that boy who is my cousin by first communion or something asks me to dance and I can’t. Just stuff my feet under the metal folding chair stamped Precious Blood and pick on a wad of brown gum that’s stuck beneath the seat. I shake my head no. My feet growing bigger and bigger.” (Cisneros 47) According to this quote Esperanza does not want people to notice her imperfection so she stays out of society contact. It is not because she does not want to she explains it as a cannot thing. She does not want to embarrass herself. The quote which stays for her having low self esteem is “Until my uncle who is a liar says, You are the prettiest girl here, will you dance, but I believe him, and yes, we are dancing. And Uncle spins me, and my skinny arms bend the way he taught me, and my mom watches, and my little cousins watch, and the boy who is my cousin by first communion watches, and everyone says, wow, who are those two who dance like in the movies, until I forget that I am wearing only ordinary shoes, brown and white.” (Cisneros 47) There is a clear statement that supports, that she thinks about
Esperanza was a little girl who always felt like she was destined to have more than what she had, which, quite frankly wasn’t a lot. She