There are many aspects that go into making a piece of work an enjoyable story. Stephen Crane used elements like narration, setting, and character to make “The Open Boat” a classic piece of literature. These key elements help to create symbols and a common theme that makes the short story the classic that it is today. The first element that assist the plot development is the narrative style. The type of narration is third person limited omniscient. The narrator is not actually part of the story, which allows the reader to see the events of the story unfold. This also lets the reader see the thoughts and attitudes of all of the characters through a less bias lenses. If the narration would have been in first person, the readers would only see …show more content…
Which brings up the topic of setting of the story. The short story takes place off the coast of Florida in January. The four men are at sea, but Crane does not specify which sea exactly. All the reader is made aware of is that the small crew is hoping to head for the island of Mosquito in search of a life-saving station. They are all four cramped in a small dinghy. Knowing this information helps aid the plot by creating a sense of isolation and uncertainty. As the men move closer to the land the setting changes, and so do the attitudes of the men. They begin to have a hope and believe they will be rescued. The author provides a detailed description of the boat in which the men spend the basis of their time. “Many a men ought to have a bathtub larger than the boat which here rode upon the sea” (Crane 246). This short line creates an image that the reader can familiarize themselves with. Most can relate to the size of a common bathtub. It would be very difficult to fit four adult sized men …show more content…
In the beginning the men see a lighthouse that is supposed to be where the rescue team awaits. “It took an anxious eye to find a lighthouse so tiny” (Crane 249). The men were anxious to be rescued and to have hope of being on land again. As they drifted along, they realized that the life station have appeared to be abandoned (crane 251). Just before then Crane describes the land and the lighthouse as a “…upright shadow on the sky, this land seemed but a long black shadow on the sea” (Crane 250). This gives the reader the impression that the men are not match for the large sea, causing then to lose hope of being rescued. The symbol is carried on throughout the story when the vegetation on page 252 is being described as dark because it is lifeless. In contrast, the light symbolizes hope. Crane describes the light as “the furniture of the world” (Crane 257). This light is just the right amount of hope the men need to stay afloat. In the final stages of the story the men were helped ashore by a naked islander. The correspondent sees this kind helper as a saint that was lit up by a halo above his head (Crane 265). The islander represents light and survival. On the other hand “In the shadows, facedown, lay the oiler” (Crane 265) who had lost his life in the fight of the waves to get ashore. The shadow that was cast about him represented death and loss of hope
Humanity often tends to see itself as being somehow important in the grand scheme of the Universe. We speak of 'fate' as if we were put here for some reason, or purpose. We have our religions, which often serve as an engine to drive our lives and as a means to give meaning to them. But why do we think of ourselves in such a superior fashion? Do we really matter at all? Would the Universe stop if we were suddenly taken away? In his short story, 'The Open Boat,' Stephen Crane shows us a Universe totally unconcerned with the affairs of humankind; it is an indifferent Universe in which Man has to struggle to survive. The characters in the story come face to face with this indifference and are nearly overcome
There is also a shark that is “playing around” near the boat; curiously, it does not seem to even acknowledge their presence. The realization that they have no purpose brings them to the brink of despair. In the beginning of the story, the author describes the “dawn of seven turned faces.” These are faces of the “seven mad gods” who are apathetic towards the men; moreover, they are part of nature. Towards the end of the story, the correspondent recalls a childhood verse that helps him to understand nature’s indifference. Through their experience together, the four men realize that all they have is each other. The correspondent feels sympathy suddenly for a dying soldier, one who does not even exist, “The correspondent, …dreaming…was moved by a profound and perfectly impersonal comprehension. He was sorry for the soldier of the Legion who lay dying in Algiers.” Being in the current situation, the correspondent finally understands the tragedy of the dying soldier. He realizes what it is like to be alone in a cruel world and more importantly, he realizes he does not have to be alone. When he first heard the story, he was also indifferent towards the soldier, just as nature is indifferent towards the rest of the world. He now understands what it is to be human. Crane opens a view of reality that first seems bitter, but in the end, stands as
"The Boat" by Alistair MacLeod is the story told from the perspective of university teacher looking back on his life. The narrator relates the first memories of his life until his father's death. The story focuses on the conflicting relation between the mother and the father, and their different perspectives on how their children should lead their lives. MacLeod uses features of setting to present the tension between tradition and freedom.
The lighthouse appears deserted. The men discuss rowing toward land swimming through the surf once the boat finally capsizes in the rougher water that is closer to shore. The crew knows that, over time, they will grow weaker and things will get worse, not better. They exchange with each other “addresses and admonitions”, in case all of them do not live through this whole ordeal
The short story “The Boat” by Alistair MacLeod is narrated by a man who comes from a fishing family. His mother’s side of the family has forever lived and worked by the sea and continues this tradition. The narrator’s father always wanted to be an academic, but worked on the boat to support his family. Through this passage it is evident that the parents’ characters clash in many aspects of their lives and are in constant conflict. MacLeod demonstrates this through the use of repetition, the contrast in other unrelated ideas, and through information that is withheld.
In the story "The Open Boat," by Stephen Crane, Crane uses many literary techniques to convey the stories overall theme. The story is centered on four men: a cook, a correspondent, Billie, an oiler who is the only character named in the story, and a captain. They are stranded in a lifeboat in stormy seas just off the coast of Florida, just after their ship has sunk. Although they can eventually see the shore, the waves are so big that it is too dangerous to try to take the boat in to land. Instead, the men are forced to take the boat further out to sea, where the waves are not quite as big and dangerous. They spend the night in the lifeboat and take turns rowing and then resting. In the morning, the men are weak and exhausted. The captain
The boat represents the only way of life for the family due to the tradition of it being passed down the family. But the boat can cause disruption throughout the family because it is the center of attention for the family. The author was introduced to the fisherman lifestyle when he was a kid, “when I was very small he took me for my first ride,” (224) which can symbolize the family trying to get the author ready for the future. The mother (whose family passed down the boat) had a strong connection due to growing up with the boat being in her life. The mother put a lot of pressure on the family to stay in the family business and not go elsewhere. When she found out about the daughters leaving, the author said, “she was worried about herself and about her family and her life,” indicating her devotion towards the boat. The daughters were able to find a different path and move away from the boat and so did the son but it wasn't as easy for him. He felt the most pressure being the youngest and the only male in the family next to his father saying, “I would remain with him as long as he lived and we would fish the sea together,” (234) putting the father in a tough spot since he wanted his son to
Topic:'Terry says to Charley, "I coulda been a contender. I coulda been somebody instead of a bum. Which is what I am". Does the film support Terry's judgement of himself?
Oftentimes, when burdening or stressful circumstances begin to generate strain on an individual, they find themselves turning to literary art as a form of mental relief. This deliverance applies, in particular, to the narrator in Charlotte Perkins Gilman’s “The Yellow Wallpaper,” and the father in “The Boat,” by Alistair MacLeod. In both short stories, readers can pinpoint several instances in which these specific characters seek solace through differing formats of written language. The function of the father’s books in “The Boat,” and the narrator’s diary in “The Yellow Wallpaper,” is to serve as an instrument of escapism, rebellion, and self-expression, within the controlled existence of
Sexuality and personal growth has and always will be a topic of conversation in real life and even in fiction short stories. The idea of sexuality has just recently not only became an open idea to discuss but one to also write and publish about. Both Alice Munro and John Updike both illustrate the idea of sexuality and personal growth in very different ways. “The Found Boat” by Alice Munro, deals with sexuality in an aggressive manner while “A&P” by John Updike, deals more with the idea of sexuality rather than sexuality itself. They also have very similar elements of fiction that include (but is not limited to) characters, theme and conflict. The characters relate in both
The men came to the conclusion that “fate” must be the reason that they are experiencing this deathly situation. It is the understanding of this fact that brings the men to the edge of their misery. At this point the men feel like their lives are coming to an end, so much so that they even ask the captain if they have a chance at survival, to which the captain replies "If this wind holds and the boat don't swamp, we can't do much else." This quote shows the uselessness that the men feel, but it also makes apparent there is still a possibility of hope.
The narrator begins this story stating, “None of them knew the color of the sky” (338). He refers to the cook, the correspondent, the captain, and the oiler, the main characters. This quote means that all of them are focused on fighting for survival, paying all of their attention to the waves. They fight against the waves, trying to stay alive. However, the author states, “A singular disadvantage of the sea lies in the fact that after successfully surmounting one wave you discover that there is another behind it just as important and just as nervously anxious to do something effective in the way of swamping boats” (339). The waves are a symbol of the uncaring nature; it does not matter how hard the protagonists try to fight against the waves because nature continues its course; the waves continue to flow. However, the characters are determined to stay alive. They continue to face this external conflict that is nature, even when they realize that nature is
The Correspondent is considered the most important character of the men, because he portrays the author of the story, Stephen Crane. Crane is the narrator of the story, and showed himself as a character who is hard working, and yet sometimes melancholy towards his situation. The Open Boat vocalizes, “The correspondent, pulling at the other oar, watched the waves and wondered why he was there” (Crane 6). The correspondent struggled with
Style: One thing that Crane has been known for is his use of imagery and similes in his writing. His use of Imagery and detail bring a repeating setting like the ocean, more to life. The reader is able to form a vivid picture in their mind with the Crane’s use of adjectives and