Enough Film Analysis

Based off Charles Webb’s 1963 novel by the same name, The Graduate is an American romantic comedy/drama released in the United States on December 21, 1967 starring Dustin Hoffman, Anne Bancroft, Katharine Ross, and William Daniels. The film was directed by Mike Nichols, produced by Lawrence Turman and the screenplay written by Buck Henry and Calder Willingham. The film was produced by Lawrence Turman/Mike Nichols productions starting in March of 1967. Mike Nichols has also directed other well known films such as Catch-22 (1970), Working Girl (1988), and more recently Closer (2004). The film was distributed by AVCO Embassy Pictures nationally and United Artists internationally. AVCO Embassy Pictures studio, founded by Joseph E. Levine, the films executive producer, also claims production/distribution for other hit films such as Godzilla, King of Monsters! (1956), The Fog (1980), and Prom Night (1980). The movie was well received due to its $104 million dollar box office opening tab. The score was produced by Dave Grusin and the songs written by Paul Simon and Art Garfunkel.

The Frontline film Separate and Unequal discussed about creating a new school system; however, there are opposition by others who wants to maintain the current school system. If we look at the perspectives of the two groups, it is understandable in why there is support and opposition from the people of the city. The supporters of the new system wants a system that can provide better opportunities for their children without any violence. As the film claimed “the school was not teaching and were only babysitting the children”, which was likely a reason why there was a need for a new school system. With the chaotic and uncontrollable situation in the current system, many supporters have push forward the idea of a new system in a new city. From

In his directorial debut, Jordan Peele steers away from his comedic reputation to make the suspenseful thriller that is Get Out. The film is very intriguing and keeps you guessing and on the edge of your seat throughout from start to finish as you follow Chris Washington, a young african american man, who travels with his white girlfriend to her family’s house when he uncovers a dark secret. For the typical fan of horror/thriller, it's a must see.

The text, or more so the movie about the text, The Help by Kathryn Stockett, does a good job of portraying race, class and gender. During the setting of the book, many people looked at white Americans to be superior to the Black, African American race. With this being said, the successful white families hired in the African American women to cook, clean, and in most cases, take care of the children. They were known as the help. Throughout both the book and the movie, the African American women experienced many forms of gender, race and class inequality.

In his 2017 horror film Get Out, Jordan Peele not only makes his director debut, but delivers a particularly insightful view into the state of racial affairs in modern America.The stories narrative follows an African American man named Chris, who goes to visit his white girlfriend's parents at their rural home only to uncover a horrifying plot in which the girlfriend and her parents are in fact racist and have been abducting black people and using their bodies in medical experiments involving the transfer of consciousness. On a surface level, the plot of the film has the ability to come across as quite simplistic in scope, an obvious labeling of privileged American whites as racist; however, a deeper analysis reveals careful consideration to

The Matrix is a film about the enslavement of humankind by artificial intelligence, sentient beings, with mechanical bodies, created by people to service humanity, and the discovery of a person, Neo, that possesses abilities that can defeat the Artificial Intelligence and manumit humanity. The majority of human beings have their consciousness/minds trapped within the Matrix, a computer simulated world in which their minds are born, live in, and die, while their bodies are connected to it via cerebral connection but, remain in a dormant slumber and are never used. While they are connected to the matrix, their bioelectricity is harvested, powering the artificial intelligence. Neo, with the help of Morpheus (the leader in the resistance

Film- Precious Knowledge Precious Knowledge is a documentary that takes place in Tucson, Arizona and focuses on how the Unified School district wants to completely ban the Mexican American Studies Program. In the film there were many scenes with examples of rhetorical appeal. I believe that the way the film was set up since the beginning had an impactful and direct emotional appeal on the audience. For instance, in the first scenes of the film we have the opportunity to get to know the main characters in a more intimate level.

Get Out written and directed by Jordan Peele was a box office hit that reached over 250 million dollars worldwide. This cinema utilizes the use of allegory, satire and symbolism to create an inspiring horror film. The use of these literary techniques deconstructs physiological and sociology effects that systematic racism has on the the black incarcerated males. Mass incarceration of black men, parallels to the slavery. The meaning behind this film was to create a notion of being aware of what is occurring socially and politically with the popular slang known as “staying woke”.

Get Out is a film by Jordan Peele, which was release on February 24, 2017. Get Out is a social thriller, which follows an interracial couple, Rose and Chris. Chris and Rose take a weekend to visit her family, the Armitage family, home in a isolated area surrounded by a forest. The plot spirals out of control following many disturbing discoveries by Chris and in turn, Chris must get out of the Armitage household.

The concept art imitates life is crucial to film directors who express their views on political and social issues in film. In regard to film studies, race is a topic rare in many films. Like America, many films simply refuse to address this topic for various reasons. However, more recently, Jordan Peele’s 2017 box office hit Get Out explicates contemporary race relations in America. In the form of an unconventional comedy horror, Get Out is intricate in its depiction of white liberal attitudes towards African Americans. In short, Get Out suggests a form of covert racism existing in a post- Jim Crow era. Similarly, Eduardo Bonilla- Silva’s book Racism Without Racists acknowledges the contemporary system of racism or “new racism,” a system

Along with physical violence, Mitch engages in numerous abusive behaviors and scare tactics to maintain power and control Slim. The Power and Control Wheel depicts the abusive behaviors commonly used by batters alongside physical and sexual violence (Domestic Abuse Intervention Project, 1984). During the scene when Slim found out about the affair, Mitch minimized the issue of him cheating by telling Slim that the other woman didn’t matter, and that she was just there to satisfy his needs. Mitch told Slim he refused to live without her, but he was going to continue to cheat and she had to allow it. Mitch emotionally abused Slim by making her feel weak and helpless.

The United States has become one of the largest empires in the world for the production of agricultural products. In order to keep the rapidly increasing demands of the consumer met over the past sixty years technology has had to revolutionize itself from the inside out. According to the United States Department of Agriculture, the “Averaged annual U.S. retail Choice beef price ($/lb)” has doubled since the early 2000’s. History has shown that there is a wide obsession around the idea of cheap and easily produced food. It is also suggested that the techniques and practices used for this intention are making substantially negative impacts in our societies. Fresh is an important documentary film by Ana Sofia Joanes that highlights multiple

Many live attempting to decipher the riddle of life. What is life? What is the purpose? What makes? Even though we only seek happiness why can’t we ever seem to achieve it? When we do reach happiness why can’t we seem to grasp it and hold it for more than the few short hours that pass like seconds? The question we must answer first is “What makes happiness, true?”

I remember watching this film for the first time back in 2001 when it was released and having not watched it in over a decade, I feel I can say that this film is still solid. The Others holds up so well due to the film relying on storytelling, atmosphere and sense of impending doom to create its tension. The Others is one of the rare big budget, well cast horror films that seem to pop up every couple of years and I love it when they do. I feel horror often gets the short end of the stick when it comes to Hollywood.

The evaluation of a film assigns some form of value to a film and the experience you encountered while watching the film. Evaluation can imply the criteria and standards that you can argue about to place value on a film. Thus, giving people a reason to question a film to develop reasons, make such standards are met and to understand the film. These standards can stem from the classical evaluation and pluralistic-category method which has given viewers a blueprint of how you should properly evaluate a film. There are certain ways that you can go about judging a films effectiveness. For instance, the classical evaluation method imposes the use of cinematicity within three concepts that all films should have. Like medium specificity, cinematicity allows film to distinguish itself from theatre with the use of close-ups, camera movement, etc.; thus, creates a universal structure for critics to judge a film. This is based on the creative style of the director and how much the viewers admire the way the has stuck with its cinematicity. However, the pluralistic-category does not base its evaluation on style and opinion. In all, these types of evaluations are used in different ways which will be further explained throughout this essay.