English Essay

Distinctively visual texts use a variety of techniques to convey the experiences during the war. In John Misto’s 1996 play ‘The Shoe-Horn Sonata’ which is about women nurses enduring Japanese POW camps, such distinctive experiences as power and survival are shown through techniques like lighting, projecting image, sound, symbols, dialogue and body language.

Distinctive images engage individuals into the lives of others, altering perceptions which influence our ideas and awareness of the world. The play Shoe-Horn Sonata by John Misto uses a combination of language and visual stimuli to elucidate the atrocities of war. He illustrates the lasting impressions created by war on the two protagonists Sheila and Bridie, suggesting that the horrors of this event can significantly alter relationships as well. Similarly, Keegan Wilcox explores these ideals in his short film The Porcelain Unicorn, commenting on how the distinctive events that individuals face can be heavily impacted through their experiences of war. Both texts rely on the use of distinctive images to portray the effects of wartime, ultimately

The first two chapters of “The Practice of Looking” touch upon the idea of interpretation of images. For the purposes of this essay, an image is a piece of media that has a tangible visual effect, such as a picture, book, or TV series. The authors talk about how many people can have different interpretations of the same image and the idea that the audience gives an image meaning, which are valid arguments, but they fail to recognize that a single person’s interpretation of an image can change over time. Interpretation can change constantly, whether it’s many people looking at the same image or one person looking at the same image repeatedly over time; sometimes, the author’s intended meaning is more easily interpreted than at other times.

The conveyance of distinctive visuals within texts draw profound significance to the various aspects of life poised within their stories. Performed with the aim of elevating the audience’s understanding, this can suggestively nurture the common response amongst them of the significant aspects of life, thus, referencing a deep awareness of the composer’s concerns. This is clearly evident within John Misto’s play ‘The Shoe-Horn Sonata’ in accompaniment to the listening stimulus of John Misto’s Interview and Peter Skrzynecki’s poem ‘Crossing The Red Sea’ through the exploration of delicate notions such as the journey through times of hardship and suffering as well as the hope of survival and sacrifices.

The young, innocent, promising lives of our past drive emotions through artistic expressions that can be displayed though many outsources. Upon our day to view the art gallery, I entered the gallery feeling apprehensive that I would view any piece of art that I found relatable or even one that I found any interest in. I was wrong in my assumptions and found a beautiful painting named “Console” by Barlow Palminteri. Tasked with describing what the painting looks like, what it means to me, as well as my overall connection with the painting is what I’ll discuss within this paper. The painting’s colors, sizes, shapes, and artistic aspects drew me into its beauty and torment. Likewise, the painting reminded me of my youth that roused many different

My students take English 101 and English 102 not because they want to but because they must. Both colleges I teach at require that all students, no matter what their majors or career objectives, pass these two courses. For many of my students, this is difficult. Some of the young guys, the police-officers-to-be, have wonderfully open faces across which play their every passing emotion, and when we start reading “Araby” or “Barn Burning,” their boredom quickly becomes apparent. They fidget; they prop their heads on their arms; they yawn and sometimes appear to grimace in pain, as though they had been tasered. Their eyes implore: How could you do this to me?

The audience then became lost and frightened as there were no signs leading them to their next destination, once again forcing them to partake in the performance. This physicalisation not only successfully involved the contemporary audience, but demonstrated the necessity of physical composition to give audiences that real experience. This use of physical composition provided immediate reaction and emotional expression through action and contrast. These elements ultimately enhanced the mood and symbolism of the performance, allowing audiences to not only partake in the production on an intimate level but also on an emotional level. Another way in which mood and symbol can be created is through the use of complicité.

Throughout this process of making my visual argument I learn a lot. I learned that every picture has been designed a way, which makes the viewer feel a certain way. It all depends on how the creator wanted them to feel. So now when I see a picture or animation I ask myself what is the creator trying to make me feel, and

1. Describe the function of the following pieces of safety equipment and how each might be used: (10 points)

A defining act, speech or movement can make history. When someone goes against the norm and convention is thrown aside, defining work is immediately recognised. History is made up of good and bad, the moral and immoral, but all encompass one another. The thought of the age and what people are thinking has an immediate influence on the sculpting of a playwright’s creation. The content and the angle their work takes is largely owed to the feeling of the masses as this equally contributes to its authenticity. Amongst other places throughout history, the theatre is a platform where these defining acts can be found. The way the play is received is another measure of its impact, influence and historical value. Two plays that contrast in their forms but have created impact in their individual time are Henrik Ibsen’s A Doll’s House and Tristan Tzara’s The Gas Heart. The focus of this essay will be to compare the two contrasting plays, in order to recognise, in spite of certain differences, the messages that both playwrights are voicing through the use of their characters and using critical analysis to determine whether each play was successful in its purpose.

Language is a powerful communication tool the user holds to express their individual identity and ingroup solidarity. The use of Standard English helps to direct this, as it acts as the structure of communication, ingroup and between speech communities to effectively present a standard for mutual understanding. Outside of Standard English comes the use of slang, netspeak and textspeak, which helps to develop and enrich the language, as well as evolve with contemporary Australia and its fast paced lifestyle. Using the Standard all the time would be exclusive of the linguistic freedom formed by the world beyond Standard English with varying ethnolects, but is also a

Is Mobile application which empowers both customary and nontraditional understudies to explore grounds life, get to key data and assets through a solitary stage Eastern Michigan University's (EMU) Edge Program, a four-year activity intended to help understudies from enlistment through graduation, today declared the dispatch of another portable application that will empower understudies to get to course data, understudy bolster administrations, and occasion timetables, and different assets through a solitary streamlined source. Created by OOHLALA Mobile, a quickly developing advanced education organization drove by previous understudy issues experts that now serves more than 200 schools and colleges, the application is intended to enhance

Composers breathe life into their characters’ experience with aspects of distinctively visual elements. John Misto effec6tively does this in his play ‘The Shoe Horn Sonata’ (TSHS), a remembrance for the women imprisoned during WWII. The play recounts on live television about Bridie and Sheila’s untold grief and stories and their loss of innocence at a young age and the hopelessness they held. Likewise, David Douglas Duncan’s Korean war photograph has captured time to highlight fear and hopelessness the victims of the war held. These aspects are done through the clever employment of visual techniques and engaging dialogue and as a result of this, John Misto and David give life to the characters’ experience.

The room was set up to look like Geppetto's workshop with a large bed in the centre and a naked woman laying on it. There was a cameraman whose thick framed spectacles emphasize his intrusive owl eyes: peepers that could out-stare Yakuza gang-lords. His deep vertical wrinkles on each cheek look as if this thing's creator was an incompetent child artist that didn't have an eraser to correct the mistakes from which he or she doodled. His wiry body gave off a hatchling figure, and the aquiline nose and vulture sunken head added to the concoction of miscellaneous bird parts.

Gaming there are a lot of different kinds of gamers out there and they are all special in their own way. Gaming is sometimes just a hobby for people and for others it is a passion and something they do whenever they can because it is what they love doing. I managed to find someone who looks at it in a little of both ways. I knew going into the interview that I was an insider, so I wanted to pick someone who viewed things differently than I did because getting someone else’s perspective makes no sense if it is the same perspective as my own. So I chose one of my best friends growing up to go and interview.