Wuthering Heights is one of the most famous novels of the Victorian time period. Emily Brontë coins the intricacy of her creations in a multitude of admirable literary ways. In this tragic and twisted love story, Brontë presents her characters in pairs, conveys a unique story-telling method, and utilizes internal character turmoil in order to build the distinct characterization of many characters. The complexity of the characters’ beings leads way to a compelling love story that also serves as a great mystery.
The characters in Wuthering Heights are as similar as they are different. In order to emphasize the characters’ differences and similarities, Brontë presents her characters in pairs. This could either be through the use of a foil, the two part nature of couples, or the natural division of human nature. “The key figures, moreover - Cathy and Isabella, Heathcliff and Edgar, Linton and Hareton, and Nelly and Lockwood - are drawn in sharp contrast to one another” (Berlinger 186). Heathcliff and Edgar are most certainly foils. The first was picked up on the street by a wealthy man who brought Heathcliff home and raised him as his son. The second was raised from birth in a wealthy household. Heathcliff can be viewed as an obsessive and vengeful character. “Heathcliff, according to Isabella, is ‘not a human being’” (Lodine-Chaffey 211). In stark contrast, Edgar is loving and compassionate and wishes nothing but the best for his beloved wife and sister. Heathcliff and Edgar
The curious life Emily Bronte, author of Wuthering Heights and a collection of poems, has been highly analyzed alongside those of her sisters and fellow writers, Charlotte and Anne, for decades. Born in 1818, Emily was the fifth of six children born to Patrick and Maria Bronte. Her father was curate of Haworth parsonage in Yorkshire, England, a home for local clergymen, where Emily spent nearly all of her life. The lonely parsonage offered few companions for Bronte besides her family, but included a large library which consumed her childhood. Bronte never married, and much of her later life was filled with caring for her alcoholic brother, Branwell. This solitary life and experience with Branwell seems to have heavily influenced Wuthering Heights, the only novel written by Bronte, which centers on a similar setting of isolated, lonely households and contains a heavily alcoholic character.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a
This is seen and conveyed through her characterization, the setting, and revealed through central themes. In Wuthering Heights complex characters are created to further emphasize how fatal attraction can lead to major conflicts. Bronte’s gothic spin begins with Heathcliff’s character who arrives to Wuthering Heights when Mr. Earnshaw returns from Liverpool.
In Wuthering Heights, Emily Bronte uses the setting of the English Moors, a setting she is familiar with, to place two manors, Wuthering Heights and Thrushcross Grange. The first symbolizes man's dark side while the latter symbolizes an artificial utopia. This 19th century setting allows the reader to see the destructive nature of love when one loves the wrong person.
Heathcliff is associated with evil and darkness from the beginning of the novel. "I felt his black eyes withdraw so suspiciously under their brows." (1) When Lockwood sees Heathcliff's garden (perhaps a symbol for Heathcliff) "the earth was hard with a black frost the air made me shiver through every limb." (6)
Being at the wrong place at the wrong time is dangerous enough, but stumbling across the wrong person can be life threatening. Toxic qualities infect the host individual as well as those surrounding them. Much like a merciless virus that can destroy a life from the inside out, poisonous characteristics run rampant through a community and spread as quickly as the plague. Historian and philosopher Howard Zinn proposes that, “the air of the world is poisonous. And you must carry an antidote with you, or the infection will prove fatal (Zinn 114). In Wuthering Heights, Emily Bronte demonstrates the corrosive effects of human interaction through the motif of disease and contagion coupled with mental decay and the deaths of
Wuthering Heights by Emily Bronte is a wild, twisted, passionate, and tragic love story between Catherine Earnshaw and Heathcliff. The book has many similarities and differences with the elements of fairy tales. These elements also reflects on the way Emily Bronte has been brought up due to her surroundings and family. Most fairy tales usually ends with a happy ending where the prince and princess live happily ever after, however this one has a much more dark and vengeful taste.
The Romantic Period was a very imaginative and creative period of thinking. The literature produced during this period reflected this wild and free-spirited imagination. The works dismissed the Enlightenment thinkers in their claims of "Reason, progress, and universal truths" (Damrosch, 1317). Instead, these writers explored superstitions and had a renewed sense of passion for the wild, the unfamiliar, the irregular, and the irrational (Damrosch, 1317). Other common elements of the writing during this period were the returned interest of gothic romance elements, a fascination of exploring the inner world of the mind and the unconscious into its dark side, an interest in emotional
“The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish,” said Robert Louis Stevenson, author of Treasure Island. Any person can write a book, but to be able to write what you mean and affect your readers is very difficult. A writer simply can’t just drop dialogue into a character’s mouth without having any context of the dialogue. If an author has his or her character saying “I’m broke,” what does this really mean without any context? To Oprah Winfrey, being broke may mean she can’t buy a Silk Jet, a winery, or a country. To a middle- class American, being broke may mean they can’t buy a new pair of shoes that week, buy a new car, or get their hair
When hate is generated into the conflict, it always induces power and becomes domination to the situation. Three years had passed when Heathcliff expatriated Wuthering Heights, comes back as a rich man and finds that Catherine, the only woman he loves on earth, married with Edgar Linton.
Wuthering Heights by Emily Brontë is considered a masterpiece today, however when was first published, it received negative criticism for its passionate nature. Critics have studied the novel from every analytical angle, yet it remains one of the most haunting love stories of all time. “Wuthering Heights is not a comfortable book; it invites admiration rather than love.” (Stoneman) The novel contains several different levels that force readers to ponder the text. It allows for individual interpretations of the novel.
In the gothic novel Wuthering Heights by Emily Bronte, the author hides motifs within the story.The novel contains two major love stories;The wild love of Catherine, and Heathcliff juxtaposing the serene love of Cathy,and Hareton. Catherine’s and Heathcliff's love is the center of Emily Bronte’s novel ,which readers still to this day seem to remember.The characters passion, and obsession for each other seems to not have been enough ,since their love didn't get to thrive. Hareton and Cathy’s love is what got to develop. Hareton’s and Cathy’s love got to workout ,because both characters contained a characteristic that both characters from the first generation lacked: The ability to change .Bronte employs
Characters in Wuthering Heights exemplify the effect of dual natures and the destructive impact such internal struggles can have on filial relations. The motives that drive the characters are inextricably linked to the warring forces inside them that are the impetus for the rash and ruinous actions that are common to both major households in the novel. Consequently, the prevalence of duality throughout the novel signifies the importance of a double nature in characterizing humanity. Catherine is the most relevant example of contradictory natures as they define her personality throughout her life. Therefore; in Wuthering Heights by Emily Bronte, the recurring
Emily Bronte’s Wuthering Heights display of cultural and physical features of an environment affecting one’s character and moral traits is showcased through the first Catherine’s development throughout the novel. Catherine is forced to “adopt a double character”, as she lives as a rebellious, passionate woman on the turbulent Wuthering Heights, while behaving politely and courtly on the elegant Thrushcross Grange(Bronte, 48). Each of these environments also contains a love interest of Catherine’s, each man parallel with the characteristics of their environments: Heathcliff, the passionate and destructive, residing in Wuthering Heights, while the civilized and gentle Edgar inhabits Thrushcross Grange. Catherine’s development in character due to her setting significantly contributes to the theme that pursuing passionate love is dangerous, such as the love shared by Heathcliff and Catherine.
“If the newspapers of a country are filled with good news, the jails of that country will be filled with good people” (What). This journalist quote, by Daniel Moynihan, means that there are going to be times when news stories are devastating, gruesome, and tragic. News stories resembling that are inevitable and can leave a city, county, state, country, or even the world in shock. When the media, such as newspapers, radio, and television, reports these types of stories, however, the public seems to think they go overkill, at times, on the images or videos they show to them. At the same time, the media is trying to show the public what exactly is happening and wants them to understand what the victims are facing. This creates a fine line that the media wants to get as close to it as possible without crossing it and causing outrage and anger from the people. Did the media go too far in publishing disturbing images or videos in a devastating story or did the people overreact?