Elliott Templeton, from The Razor’s Edge, comes across in every way that his social status is the most important aspect of his life. Even the narrator notes that he may have “given the reader an impression that Elliott Templeton was a despicable character.” (6) To quite the contrary, throughout the novel Elliott demonstrates to the reader there are far more important things in his life. As a wealthier individual, he does not hesitate to spoil his friends and family or financially assist them in times of hardship. He also understands that sometimes money isn’t the only way to show kindness. Elliott shows the full extent of his kindness and generosity in the way he treats his sister Louisa, looks after his niece Isabel, and in his friendship …show more content…
At the start of the story, Elliott and Louisa “hadn’t seen one another since 1912,” (17) and although Elliott was yearning to return to Paris, he “promised Louisa to spend six weeks with her.” (17) Putting his own wants aside to make his sister happy demonstrates how Louisa’s happiness means more to Elliott than his own. Louisa visits Elliott in Paris later, to which Elliott informs her that he had made an appointment for her with Chanel to purchase some new outfits. When Louise objected, telling Elliott she didn’t “want to spend a lot of money,” (46) he insisted, telling her he was “proposing to pay for everything.” (46) His generosity when it comes to his sister is endless, even if it is just by means of some new clothes for her to enjoy her visit to Paris in. As well, after receiving a tip about re-investing his money before the crash, Elliott’s first thought was of his sister. After selling all his stocks and buying gold, he “cabled to Louisa to tell her to do the same.” (103) He might have informed other wealthy friends first, but Elliott’s kindness to inform his sister could have saved her financial disaster if she had taken it. No matter the distance between them, there is no level of kindness and generosity that Elliott
Tom Walker sat at his bedside feeling rather melancholy for he had not much to do but be chided at by his notorious witch of a wife. They both lived in their humble abode of an apartment in the middle of a city but they had a sublime view that overlooked the scenery of the domicile's dumpsters. They lived poorly, just barely getting by to afford a couple gallons of gas. Tom grew a hatred for almost everyone around and had only a handful of “friends”, he believed that money was the most valuable and important thing in his life.
In the opening of her novel, Kingsolver introduces many families and touches on the topics of financial struggles, strong mother-daughter bonds, and the hardships that many families encounter. To begin with, the narrator, Taylor, mentions that her family, “ were any better than Hardbines or had a dime to our name… And for all I ever knew of my own daddy, I can’t say we weren’t, except for Mama swearing up and down that he was nobody I knew...” (2). The author makes it obvious that the narrator’s family consists of Taylor and her single mother, Alice Greer; although the narrator is raised in a non-traditional, financially challenged family, her mother embeds great confidence in her:...
Her family also grows with the introductions of new characters who become important parts of Taylor’s life. Two of these characters are her neighbors Edna and Virgie May, who let Taylor and Lou Ann leave “the kids with [them] on their front porch to be looked after... It was awfully convenient” (153). They always cheerfully assisted, and even when the child in her care was being attacked, Edna “saved her” (224). They aid Taylor many times, so she owes much to them. Another pair of characters whom the author acquaints Taylor with is Estevan and Esperanza. Almost immediately after they are introduced, they become great friends with her. Unlike many men she knows, she admits that she “...[likes] Estevan” (150), and he and Esperanza end up helping Taylor a great deal. A significant instance of this assistance is when Taylor is in danger of losing her child, Turtle. When she asks them if they will stay with her to provide “moral support” (264) during her search for a relative of Turtle’s that could help her, they “without hesitation...said they wanted to go with me” (264). Then, when she cannot find anyone, she asks them if they are willing to help her by pretending to be Turtle’s parents. This is a very dangerous task, but “they told [her], then and there, that they wanted to do it” (283). Taylor is indebted to them because they are always willing to support and help her
Girls in Taylor’s high school typically drop out to have children of their own. Many of the boys drop out to work on farms. Taylor sets morals for herself to stray away from getting pregnant or dropping out to work on a farm. Along with Taylor, “Mama always said barefoot and pregnant was not my style. She knew” (Kingsolver, 4). A neighbor of Taylor, Newt Hardbine had adhered to the typical act of their town. Newt dropped out to work on his father’s farm, and in the meantime got his girlfriend pregnant. Newt and Taylor could pass as brother and sister, so people within the town always wondered who was going to be the one to escape the small town life. This primarily affects Taylor in her decision to leave Pittman County. She does not want to conform to the social norm of her small town, so Taylor decides to work in their county hospital just to make enough money to buy a run-down Volkswagen. She makes a goal for herself, to drive until she is out of gas and rename herself after the town she ends up in. From there, she would continue until her car broke down and settle in the new town. It is ones choice to let themselves be affected by these morals so this example shows how the societal norms of a town are able to run one away to avoid
An Analysis of Ethan Frome In Edith Wharton's Ethan Frome, characters survive during the turn of the century in the bleak town of Starksfield, Massachusetts. The time period presents several challenges; the societal expectations of the time period limits Ethan Frome and Mattie, as well as the opportunities presented to them b oth. In Ethan's case, he does not have access to as many educational opportunities because of his poverty. He lives in a time where many of them are only available to the wealthy. He is also expected to stay with his sick wife in spite of his indifference to her.
For a story by an author to be signified as a classic literature piece, it requires a timeless feature which the main passage can echo throughout the ages. Particularly, a relation to society's behavior and values. The characters, created by Washington Irving, most especially Tom Walker, gives us an insight on how his life centered predominantly on wealth up to the point where he is consumed by temptation. Tom Walker’s engagement in a deal with the Devil portrays how money-driven society has become more prominent through the times of the 1700s and today's world.
In Middlemarch, George Eliot utilizes several literary devices to portray her two characters and their complex relationship that reveals their marriage is dominated by the husband who objectifies his wife into silence. Throughout the passage, Eliot makes it clear that Rosamond and Tertius Lydgate are in an uneven relationship, considering Tertius refuses to listen to his wife who seems to only have his best interest at heart, yet still, he continues to yell at her for thinking she knows what is best for him. With the help of details, Tertius’s critical tone, and imagery, Eliot is able to showcase how complex their relationship is when it comes to Rosamond giving her opinions and ideas, just to be casted to the side.
Expressions such as these only distance Tom from benign human tendencies, leaving him less worthy of receiving any compassion from his audience. By creating a character like Tom, Fitzgerald leaves the reader with the impression that one born into and consumed by wealth will become the most unappealing and bland character of all. In this way the author leaves a sense of emptiness associated with Tom and continues to sew the thread of emptiness in all other characters consumed by wealth in his story.
“You never really understand a person until you consider things from their point of view-until you climb into his skin and walk around in it.” (p.30) The novel To Kill a Mockingbird by Harper Lee includes a plethora of essential themes that make one think deeply. The story takes place in the 1930’s when segregation tensions were high. The narrative is told through the eyes of a young girl, Jean Louise (Scout) Finch. Scout’s father, Atticus is a lawyer fighting a case for an African American man named Tom Robinson. Throughout the novel, both Scout and her older brother Jeremy (Jem) Finch learn many life lessons that are crucial for all children to learn about. One fundamental lesson learned by the children, is the lesson of having empathy.
When Ethan passes by his family’s graveyard, the narrator says, “For years that quiet company had mocked his restlessness, his desire for change and freedom” (Wharton 30). Ethan reflects on his year attending college in Worcester and working for an engineer in Florida before his marriage to Zeena. After his marriage, Ethan makes plans to move with Zeena to a big city where they can “see the world,” yet his circumstances stand in his way of his success (Wharton 42). Ethan never forgets his desire for a better life. The fifty-two year old Ethan Frome continues to buy a copy of the Bettsbridge Eagle, a magazine that tantalizingly displays ads for “Trips to the West,” business success stories, and the latest scientific discoveries (Wharton 9). However, as the young Ethan grows wiser and realizes the impossibility of life beyond Starkfield, his dream
His image was formerly of the utmost importance to him: he arrived late to the Opera because it was “the thing” to do (Wharton 4) and “few things [seemed to him] more awful than an offense against ‘Taste’” (Wharton 12). When Ellen, the black sheep of the Mingott family, made an appearance at the Opera, Archer at first becomes annoyed that this “strange foreign woman” was attracting negative attention to the box of his betrothed, May Welland, and agrees with fellow high society onlooker, Sillerton Jackson, that the Mingotts should not have “tried it on” (Wharton 10). But, upon spending time with Ellen, Archer’s pretentiousness begins to dull and his self-alienation from the rules of society begins. During a dinner with Sillerton Jackson, Archer defends Ellen and even goes so far as to say that “Women ought to be free – as free as we are,” though he was painfully aware of the “terrific consequences” his words could bring (Wharton 34).
Tom has been controlled by wealth ever since he was born into a rich family. Tom and Daisy’s negligence is what eradicates their morality. Their view of life is absurd which causes their foolish actions. Money is their leverage against society and the world. Tom also continues to show his licentiousness through his affair with Myrtle. When Tom and Myrtle first exchanged looks at the garage, Myrtle “walked through her husband as if he were a ghost, shook hands with Tom, looking him flush in the eye” (Fitzgerald 26). Tom then says, “I want to see you. Get on the next train” (Fitzgerald 26). Being already married to Daisy, Tom still decides to have relationships with other women, clearly indicating the his indecency. He acts as if what he is doing is acceptable because his possession of money provides him a sense of self-conceit. The upper class assumes that since they have money, they are able to do anything they want, whether it is ethical or not. Based on the events in East Egg, Fitzgerald is able to explicitly stress how wealth is one of the factors that intensifies moral decay in society.
By looking through a critical lens at T Stearns Eliot’s poetry in light of his 20th century, modernist context, much is revealed about his personal and the rapidly evolving societal beliefs of that era. Through his repeating motif of time and fragmentation throughout his poems, Eliot reveals the prevalent feelings of isolation while in society along with the need to hide one’s feelings and emotions in this degrading society. His exploration of the use of ambiguity and stream of consciousness by Eliot, which is a characteristic of modernist artists, allows his work to resound over decades while being interpreted and differently understood by every audience that encounters them.
Jane Austen has created a very silly, vain man with immense family pride in Sir Walter Elliot. Sir Walter is extremely proud of his good looks, his family connections and above all, his baronetcy.
Eliot is not solely criticising modern life in the poem, it also serves as a reflection of Eliot’s social context and his own life, a product of its time.