Ellen Cassedy’s memoir, We Are Here: Memories of the Lithuanian Holocaust, charts her journey to her family’s past and her own reckoning with what she finds. As she explores her own family’s Jewish past, she struggles to learn Yiddish and gets to know the broader cultural landscape that is contemporary Lithuania, the place where her family came from. As she sets off to study Yiddish and connect with her Jewish forebears, her uncle Will, a holocaust survivor, gave her a slip pulled from his pocket and told her to read it. It was a sheet that had been folded and refolded multiple times which spoke about a day in the Shavl ghetto. It was a sheet that made her personal conquest into an exploration of Lithuania, on how Jews and non-Jews are confronting their Nazi and Soviet past in order to move forward in the future. The sheet read “On November 5, 1943, a kinder-aktsye, a roundup of children, had occurred. Soldiers were snarling dogs and bayonets had rampages through the narrow streets, ripping apart walls and floors in the search for every last child. A Jewish policeman stood at the ghetto gate as the sons and daughters of the ghetto-hundreds of them-were shoved into trucks and driven away, never to be seen again” (Cassedy, 2012, p. 51). Here she …show more content…
What developed her desire of the Yiddish language was the fact that when her mother was gone Ellen was left with the wanted sounds of pieces of Yiddish language coming from her mother’s mouth. The study of the Yiddish language indicated that a typical life was of importance and that humble people and their lives had meaning and would not be unremembered. As Ellen studied the language it became an important aspect in her household. I believe this is common in all types of situations because if you put something into practice it tends to become more valuable and becomes present on a daily
“The Shawl” by Cynthia Ozick is short story in which a mother, her child, and her niece are described as they walk through a concentration camp during the Holocaust. This work is well known for its prominent use of figurative language. For a story about the Holocaust, it may seem odd as to why this language was used instead of a factual style of writing which is common in these types of stories. Ozick uses figurative language excessively in attempt to describe such a horrific situation. Some may criticize the author and even take offense to the way the story was written, but it does not have the same effect when told differently. Most accounts of the Holocaust are hard to comprehend, even for those who experienced it themselves. Ozick stated in an interview that even if everyone “were to spend the next five thousand years absorbing and assimilating the documents, it still
In the year 1941, Lithuania was invaded and many Jewish families fled from Lithuania. Margarets family didn't leave because her brother Alik was at a children's holiday camp. Margaret was never sent to a camp, she lived in the ghetto. Margaret's description of the ghetto years as “dreadful”. The people were forced to do hard labour and were deprived of their food.
‘The Action in the Ghetto’ is a poem based on the perspective of a holocaust survivor. Kimel re-tells the horrors that he had survived during the holocaust. Kimel uses various literary techniques to create a visual for the audience to ‘see’ his experience. Kimel describes the visual of ‘the hunt’ as “the creation of hell.” He uses this metaphor to describe the soldiers and their true nature. Kimel then goes on describing the Nazi soldiers as “enjoying the hunt.” Kimel’s perception of the Nazi soldiers was that they found the hunt to be fun which provides insight into the
Over 5 million people died between 1933 and 1945. Additionally, around half of these deaths happened in a concentration camp. This point in time is commonly referred to as the Holocaust. In Elie Wiesel’s book "Night” that documents Elie Wiesel’s struggles in a ghetto and then being transported throughout Germany to these awful places that are made for death. However, in the novel “Night,” Elie Wiesel uses dialog, ellipses, and symbolism to show the bond he has with his father. (73)
In The Journal of Hélène Berr, we are given the first hand account of a young Jewish woman in Paris during the German occupation. This primary source provides a strong insight into how Paris was changing before Hélène’s eyes. Hélène started keeping a journal to preserve memories, but over time, as the German occupation started to change her life, it became something more. Her writing became darker, because so did her outlook. For one, towards the end of the
Elie Wiesel’s short memoir Night recounts his experience surviving the concentration camps during the Holocaust. In the third chapter of the book, he focuses on describing what it was like to arrive at the first concentration camp, Auschwitz-Birkenau, and the process the men had to go through to transform from men into prisoners. In addition to lying about his age and occupation, Wiesel lost his hair, his clothing, his mother and sisters, his name, and most importantly, his faith. Elie Wiesel's use of imagery and diction in Night makes readers understand the true atrocities of the Holocaust.
“For nearly 50 years I don’t and can’t speak about what has happened to me… I was silent when I was hidden and I stay silent even when I am not” (Rein Kaufman). Because the memories of her childhood were so painful, Lola did not tell anyone what had happened; not her uncle, who raised her after the holocaust, not her husband, and not her children. Lola decided to share her story in May of 1991 when she met Jane Marks, a reporter who was writing a book on hidden children. After Lola is handed the microphone at a United States Holocaust Memorial Museum reception and told, “Go ahead and talk”, she tells her story once again - but this time in public. “My silence, it seems, has been fully broken” (Rein Kaufman). Since that moment, Lola has spoken many times at synagogues and schools. Lola has shown courage and trust by sharing her story, but that wasn’t all she
Between Dignity and Despair, a book written by Marion A. Kaplan, published in 1998, gives us a portrait of Jewish life in Nazi Germany by the astounding memoirs, diaries, interviews with survivors, and letters of Jewish women and men. The book is written in chronological order of events, from the daily life of German Jewish families prior to when the Holocaust began to the days when rights were completely taken away; from the beginning of forced labor and exile to the repercussion of the war. Kaplan tries to include details from each significant event during the time of the Holocaust. Kaplan
The Holocaust is arguably one of the most horrific events in human history. As the last Jewish survivors are passing away from old age, the importance of Holocaust related documentation is going to be imperative in teaching the next generations about the monstrosities that went on during this time. In the 1960 novel, Night, Elie Wiesel utilizes several literary devices, including the symbology of nighttime, motif of religious practices, and theme of father-son relationships, in order to emphasize the atrocities of the Holocaust specifically for Jews. Wiesel’s first hand experience in concentration camps allows for a vivid retelling of what many people had to endure.
In 1983 Aharon Appelfeld published a work of fiction titled Tzili that closely resembled his own personal Holocaust experiences. This work of fiction revolves around a maturing teen who is alone and on the run during the Holocaust. In Tzili, Appelfeld brings to life his characters, which include Tzili, Katrina, Mark, and Linda. Throughout this literary analysis Appelfelds’ memoir Story of a Life will be used to access the parallels that exist between Appelfeld’s own personal experience and his fictional work Tzili.
not stated and no credentials or information about the author were present at all in the article. The information given was slightly biased and opinion-based because the author wrote it using their
The Holocaust is a very large topic with many subtopics within, which many people have never heard of. One in particular is the Hidden Children of the Holocaust. Like a majority of individuals, I never heard of this topic before, until I started my inquiry work. Hiding children during the holocaust was an effort to save thousands of children’s lives. The children were hidden in different ways, either with false identities, underground, and with or without their parents. The children with false identities were allowed to participate in everyday life activities, like attend school and socialize with children their age, which in the long run this lead to less emotional and mental issues. However, the children that were hidden and not allowed to leave their hiding spots often faced boredom, pain, and torment. Some children were capable of being hid with their parents while other children were not. Depending on the situation the child was in, depends on the effects it had on the child during this time. In this paper, I will be discussing works by two scholars, Natalia Aleksiun’s Gender and Daily Lives of Jews in Hiding in Eastern Galicia and Judy Mitchell’s Children of the Holocaust. Aleksiun’s article talks about the daily lives of Jews in hiding and also about how they prepared their hideouts. Aleksiun’s article mainly focuses on children that were hidden with their families. In Mitchell’s article, he focuses on the hidden children and gives examples/survivor stories on what it
In Night, Elie Wiesel descriptively shares his Holocaust experience in each part of his survival. From the ghettos to the Death March and liberation, Elie Wiesel imparts his story of sadness, suffering and struggle. Specifically Wiesel speaks about his short experience in the Sighet ghettos. Ghettos were implemented early on in the Holocaust for the purpose of segregating and concentrating the Jews before deportation to concentration camps and death camps. Depending on the region, ghettoization ranged from several days to multiple years before deportation. All Jews in ghettos across Europe would eventually face the same fate: annihilation (“Ghettos”). Wiesel’s accurate account of the Sighet ghettos illustrates the poor living conditions, the Judenrat and Jewish life in the ghetto as well as the design and purpose of the two Sighet ghettos. Wiesel’s description of the Sighet ghettos demonstrates the similar characteristics between the Sighet ghettos and other ghettos in Germany and in German-occupied territories in addition to the differences between the various ghettos.
The terrors of the Holocaust are unimaginably destructive as described in the book Night by Elie Wiesel. The story of his experience about the Holocaust is one nightmare of a story to hear, about a trek from one’s hometown to an unknown camp of suffering is a journey of pain that none shall forget. Hope and optimism vanished while denial and disbelief changed focus during Wiesel’s journey through Europe. A passionate relationship gradually formed between the father and the son as the story continued. The book Night genuinely demonstrates how the Holocaust can alter one's spirits and relations.
The Holocaust becomes the center of this. Whether it be at his Hebrew school, where Jewish history shaped not only the curriculum they learn. But, also as a collective identity shared by a new and contemporary Jewish generation. While still being connected to the past. This is a struggle for Mark, who does not even identify himself as Jewish for most of the story, He is continuously challenged with where to place himself in this new world, as a second-generation immigrant to Toronto. For Mark, being a young Latvian Jew is not easy.